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Georges MeunierBloques (Road Block)1905
1905
About the Item
Bloques (Road Block)
Color lithograph, 1905
Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo)
Edition: 100, first edition (33/100)
Published by Edmund Sagot, Paris
Printed by Atelier Chaix, Paris
Deluxe edition with artist's signature and penciled edition, as well as Sagot blindstamp
There is an unlimited edition with title and publisher, printer text below the image. (state ii/II)
Condition: Excellent, never matted or framed
Image size: 13 x 19 5/8 inches
Sheet size: 18 x 24 3/4 inches
Provenance: Edmund Sagot (1857-1917) publisher
Sagot Heirs
Georges Meunier (1869-1934)
Meunier was born in Saint-Cloud, France in 1869. He moved to Paris as a young man and studied at the National School of Fine Arts; there, he was a student of artist Joseph-Robert Fleury. Following this training, Meunier attended The School for the Decorative Arts where he was trained in both classical and modern design, these skills would later influence his poster graphics. Subsequent to his education, Meunier's posters were exhibited in salons throughout Paris, giving his work notoriety. George Meunier was a prolific artist at the turn-of-the-century influenced greatly by Cheret, the founder of the advertising poster movement. Meunier succeeded Cheret at the Chaix printing house as principal artist and director. He worked as a poster artist for only a short time, making a career change to a book illustrator, which he pursued until the end of his life.
Regarding the publisher Edmund Sagot (1857-1917)
Edmond-Honoré Sagot , born in 1857 and died on April 6 , 1917, is a bookseller , art dealer , publisher of prints and original posters . In 1881 he founded the house “Ed. Sagot” in Paris. This establishment still exists under the name “ Sagot - Le Garrec ” and is one of the oldest art galleries still in operation.
Edmond Sagot is the first contemporary art dealer to specialize in prints and posters. Following his example, several print dealers emerged in the early 1890s : Gustave Pellet , Edouard Kleinmann, A. Arnould, then Ambroise Vollard , who served as a driving force in the development, sale and promotion of artists' prints. Contemporaries.
Biography
Edmond Sagot opened in Paris in 1881 at 53 rue d'Argout an artistic bookstore which, from 1884, developed its activities towards the trade in prints . The “Ed. Sagot” house then took as its address 39 bis rue de Châteaudun . There are also framing and drawing material.
Sagot sells drawings, etchings , lithographs , then, in 1891, publishes the world's first catalog of posters illustrated by modern and contemporary artists. This event is partly at the origin of what Ernest Maindron and Octave Uzanne soon called “posteromania”. Sagot was one of the pioneers and Parisian leaders of this new art form, his gallery serves as a dissemination relay with the provinces and abroad, and becomes a place of exchange between many art critics and young people. artists 2 .
Later, he associated his son-in-law, Maurice Le Garrec, with his activity, who in 1917 3 took over the gallery under the name “Sagot - Le Garrec, dealer in prints”, and moved to 18 rue Guénégaud . Today the gallery Sagot - Le Garrec, always specialized in printmaking and drawing XIX th and XX th centuries, is located 10 rue de Buci .
Edmond Sagot is also known for having acquired four coppers belonging to a series of engravings executed by Francisco Goya , the Disparates .
He is the older brother of the Parisian art dealer Clovis Sagot , known as “Sagot le Jeune”.
Publications
Jules Chéret and Paul César Helleu produced posters for Edmond Sagot, but also Alexandre Lunois (in 1894), the young Belgian artist Henri Evenepoel , whose project was exhibited at the Salon pour l'art (in 1896), George Bottini (in 1898), Edgar Chahine (from 1897), or even Georges de Feure.
The gallery edited works by Charles Heyman , Gaston de Latenay , Gustave Leheutre , Alfredo Müller , Manuel Robbe , Georges Meunier, Tavík František Šimon , Henri de Toulouse-Lautrec , Félix Vallotton .
The gallery published the Paris-Almanach from the end of 1894, containing small lithographs in colors.
- Creator:Georges Meunier (1869-1942, French)
- Creation Year:1905
- Dimensions:Height: 13 in (33.02 cm)Width: 19.63 in (49.87 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA124041stDibs: LU14016034332
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Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.)
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Exteens 229
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Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
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Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
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