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Henry Moore
Fjord by Henry Moore drawing of Scottish landscape for W.H. Auden poetry book

1973

$1,275
£946.75
€1,111.92
CA$1,773.88
A$1,986.04
CHF 1,041.35
MX$24,538.74
NOK 13,121.60
SEK 12,386.27
DKK 8,296.25
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About the Item

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered 8/25 lower left in pencil. Printed in inky black, Fjord features a close-up view of the water as it meets the shore. Yorkshire is famous for its rocky coastline, where fishing villages cling to cliffs, windswept abbeys peak above the skyline, and sand beaches attract families on vacation. Moore’s scene is dark and even sinister – the shore’s narrow inlets reaching into the water like gnarled fingers. Fjord displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. Fjord is one of a group of lithographs presented with the work of poet W.H. Auden (1907-1973). Not conceived as illustrations, Moore wanted his landscape and figure works to stand alone, complementing or contrasting with Auden’s poetry. He and Auden were both from Yorkshire, and the dark landscapes that Moore produced for the project evoke the industrial nature and rugged moors of the area. The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Catalogue reference: Auden Poems/Moore Lithographs, with essay by John Russell, British Museum Publications, London 1974, no. 75 David Mitchinson Henry Moore Prints and Portfolios. Patrick Cramer, Geneva 2010 no. 260, illustrated p. 202 Copies of this lithograph are in the collections of Tate, London; British Museum, London; British Council, London; Dallas Museum of Art, Dallas; Mildred Lane Kemper Art Museum, Washington University, St. Louis; Art Institute of Chicago, Chicago; British Council, London; LACMA, Los Angeles; Harry Ransom Humanities Research Center, University of Texas, Austin; Milwaukee Art Museum, Milwaukee; and the National Gallery of Canada, Ottawa.
  • Creator:
    Henry Moore (1898 - 1986, British)
  • Creation Year:
    1973
  • Dimensions:
    Height: 25.25 in (64.14 cm)Width: 20.5 in (52.07 cm)
  • Medium:
  • Period:
  • Condition:
    This print is not previously owned and has been stored in the archives of the original publisher since its publication.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1211213090832

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One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil. Printed in inky black, this print features a shadowy landscape. Brush sweeps to the left, and the sky is drawn with long horizontal lines. In the bottom half of the composition, the ground looks rocky, perhaps dotted with shrubs. Windswept Landscape displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Windswept Landscape is one of a group of lithographs...
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