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Ian Phillips
Ian Phillips, Coast Path, Limited Edition Seaside Print, Blue Art, Bold Art

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Dandelion Clocks, Landscape Print, Rural Countryside Art, Tractor Art, Harvest
By Rob Barnes
Located in Deddington, GB
There is a time of year when dandelions abound in the local fields. I often see a red tractor ploughing late crops and this view is inspired by a fine day for dandelions. Ploughings give a sense of direction in cantrast with the dandelion clocks. Rob Barnes, artist, is available for sale online and in our art gallery at Wychwood Art. Rob Barnes studied painting and printmaking at Hull College of Art and London University in the early 1960s. He taught etching, screen-printing, lino and related surface printmaking at Keswick Hall College in Norfolk. He later moved to the University of East Anglia, Norwich where he continued teaching in the School of Education until 2006. Presently he divides his time between printmaking and his other passion, playing the violin in local orchestras and for choral performances. In 2017 he began making a small number of sterling silver jewellery pieces following a course at West Dean, Sussex. His artwork follows themes, such as light on water, or shadows in the landscape. Linocuts are hand-printed on an Albion press...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Linocut

Oyster Catchers with Geese, Limited Edition Print, Seascape Art, Affordable Art
By Mark Pearce
Located in Deddington, GB
'Oyster Catchers with Geese' is an original linocut by Mark A Pearce. His handprinted linocuts available to buy online and in our art gallery. Mark Pearce grew up in Cumbria where h...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen, Linocut

Oyster Catchers with Geese, Limited Edition Print, Seascape Art, Affordable Art
By Mark Pearce
Located in Deddington, GB
'Oyster Catchers with Geese' is an original linocut by Mark A Pearce. His handprinted linocuts available to buy online and in our art gallery. Mark Pearce grew up in Cumbria where h...
Category

2010s Impressionist Landscape Prints

Materials

Paper, Linocut, Screen

Civic Building – Manaus, Eliza Southwood, Limited Edition Silkscreen Print
By Eliza Southwood
Located in Deddington, GB
Civic Building – Manaus, Eliza Southwood Limited Edition Silkscreen Print of 20 Silkscreen Print on Paper Size: H 97cm x W 67cm Signed and titled Silkscreen Print – A printing techn...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Linocut

Kerry Day, Elephant Ears Begonia, Limited Edition Print, Contemporary Linocut
By Kerry Day
Located in Deddington, GB
Kerry Day Elephant Ears Begonia Limited Edition Linocut Print Edition of 10 Size: H 43cm x W 42cm x D 0.1cm Sold Unframed Please note that insitu images are ...
Category

21st Century and Contemporary Interior Prints

Materials

Paper, Linocut

Ian Phillips, Lighthouse, Limited Edition Seascape Print, Coastal Art, Seaside
By Ian Phillips
Located in Deddington, GB
Ian Phillips Lighthouse Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 56cm x W 76cm x D 0.01cm Sold Unframed Free Shipping Please not...
Category

21st Century and Contemporary Abstract Geometric Landscape Prints

Materials

Paper, Linocut

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Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
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Les Belles et La Bête I: The Rehearsal
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Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
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