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James Abbott McNeill Whistler (circle)
NOCTURNE: PALACES

1879

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  • UNE JETEE EN ANGLETERRE
    By Félix Hilaire Buhot
    Located in Portland, ME
    Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...
    Category

    1870s Landscape Prints

    Materials

    Etching, Aquatint, Drypoint

  • WINDSWEPT TREES
    By Chauncey Foster Ryder
    Located in Portland, ME
    Ryder, Chauncey. WINDSWEPT TREES. Etching & Drypoint, c. 1920. Edition size not known. Signed and titled in pencil. 8 7/8 x 11 7/8 inches, 225 x 302 mm. In excellent condition except...
    Category

    1920s Landscape Prints

    Materials

    Etching, Drypoint

  • SUGAR MAPLES
    By Chauncey Foster Ryder
    Located in Portland, ME
    Ryder, Chauncey. SUGAR MAPLES. Etching & Drypoint, c. 1920. Edition size not known. Signed and titled in pencil. 9 7/8 x 11 3/4 inches, 256 x 300 mm. In excellent condition except fo...
    Category

    1920s Landscape Prints

    Materials

    Etching, Drypoint

  • LE PONT AU CHANGE
    By Charles Meryon
    Located in Portland, ME
    Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
    Category

    1850s Realist Landscape Prints

    Materials

    Etching, Drypoint

  • NOCTURNE: PALACES
    By James Abbott McNeill Whistler (circle)
    Located in Portland, ME
    Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...
    Category

    1870s Landscape Prints

    Materials

    Drypoint, Etching

  • RAIN OVER WIDE LANDS
    By Gene Kloss
    Located in Portland, ME
    Kloss, Gene (American, 1903-1996). RAIN OVER WIDE LANDS. Kloss 488. Drypoint and aquatint, 1960. Edition of 50, numbered 26/50, titled signed and inscribed "imp.," all in pencil. ...
    Category

    1960s Landscape Prints

    Materials

    Aquatint, Drypoint

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    Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...
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  • 'Mountain Trees' — 1930s Southwestern Regionalism
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    Bertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil. A fine, richly-inked impres...
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  • Edge of the Woods.
    By William Harry Warren Bicknell
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