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James Coleman
James Coleman Giclee On Canvas Signed Modern Landscape Artwork

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'Port de Vendres', Côte Vermeille, France, California Post Impressionist Harbor
By Anthony McNaught
Located in Santa Cruz, CA
Signed verso, 'Ant McNaught', (American, born 1952), inscribed '(After Derain, 1905)', with edition number inscribed over limitation of '375', titled 'Port de Vendres' and dated 2020. (Photograph shows example of the inscription. Edition number will vary). A substantial, Post-Impressionist harbor...
Category

2010s Post-Impressionist Landscape Prints

Materials

Canvas, Giclée

Along the Seine, Landscape Painting by Louis Dancourt
By Louis Dancourt
Located in Long Island City, NY
Artist: Louis Dancourt, French XXth Title: Along the Seine II Year: 1946 Medium: Oil on Canvas mounted to Wood, signed l.r. and dated verso Image Size: 16 x 20 in. (40.64 x 50.8 cm) ...
Category

1940s Fauvist Landscape Prints

Materials

Canvas, Wood, Oil

Ladies in The Paris Street - Belle Epoque Period - Original Pair
By LEBAS Léonie (19th-20th)
Located in Saint-Ouen, FR
LEBAS Léonie (19th-20th) - Paris Belle Epoque Genre Scene - Oil on wood in pair - Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...
Category

1890s Post-Impressionist Portrait Paintings

Materials

Oil

Arch of the Pont Neuf, Paris
By Sir Frank Brangwyn
Located in Fairlawn, OH
Arch of the Pont Neuf, Paris Etching on heavy wove paper, 1923 Signed in pencil lower right (see photo) From: Brangwyn Portfolio (12 original etchings and thr...
Category

1920s Post-Impressionist Landscape Prints

Materials

Etching

Le Bassin ( A Lithograph from Notre Pain Quotidien)
By Maurice de Vlaminck
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)
By Maurice de Vlaminck
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

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