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Josep MoscardoGerona Cathedral urbanscape lithographc.1990
c.1990
$214.61
$357.6940% Off
£158.99
£264.9940% Off
€180
€30040% Off
CA$294.01
CA$490.0140% Off
A$326.23
A$543.7140% Off
CHF 170.88
CHF 284.8140% Off
MX$4,000.40
MX$6,667.3340% Off
NOK 2,173.58
NOK 3,622.6440% Off
SEK 2,051.77
SEK 3,419.6240% Off
DKK 1,369.22
DKK 2,282.0340% Off
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About the Item
Josep Moscardó (1953) - Girona Cathedral
Lithograph - Hand signed
Lithograph measures 74x52 cm.
Frameless.
Numbered 121/150
Barcelona, 1953
Painter, sculptor and draftsman of deep-rooted post-impressionist tradition among the most colorful exponents of the moment: Mir, Amat, Sanvisens ..., who from an easy, spontaneous and refined brushstroke, often portrays marinas or landscapes of Catalonia, the Balearics, Paris and several countries of Europe and the USA. Along with these scenographies and panoramas of considerable magnitude, he concocted interior themes, coffee scenes and figure studies, subjects in which he exercised his calligraphic faculties and an ingenious dexterity for drawing. Since 1982, he began to experience the volume of iron, achieving vital and original results that predict a potential approach to this three-dimensional discipline.
- Creator:Josep Moscardo (1953, Spanish)
- Creation Year:c.1990
- Dimensions:Height: 29.14 in (74 cm)Width: 20.48 in (52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Barcelona, ES
- Reference Number:1stDibs: LU1155211731332
Josep Moscardo
Barcelona, 1953
Painter, sculptor and draftsman of deep-rooted post-impressionist tradition among the most colorful exponents of the moment: Mir, Amat, Sanvisens ..., who from an easy, spontaneous and refined brushstroke, often portrays marinas or landscapes of Catalonia, the Balearics, Paris and several countries of Europe and the USA. Along with these scenographies and panoramas of considerable magnitude, he concocted interior themes, coffee scenes and figure studies, subjects in which he exercised his calligraphic faculties and an ingenious dexterity for drawing. Since 1982, he began to experience the volume of iron, achieving vital and original results that predict a potential approach to this three-dimensional discipline.
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