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James McBeyDistant Salute (Venice)1925
1925
$1,250
$1,65024% Off
£959.95
£1,267.1324% Off
€1,100.09
€1,452.1124% Off
CA$1,759.69
CA$2,322.7924% Off
A$1,971.24
A$2,602.0424% Off
CHF 1,027.20
CHF 1,355.9024% Off
MX$24,045.10
MX$31,739.5324% Off
NOK 13,053.32
NOK 17,230.3924% Off
SEK 12,308.35
SEK 16,247.0324% Off
DKK 8,210.75
DKK 10,838.1824% Off
About the Item
1925. Etching. Hardie/Carter 250. 7 x 15 (sheet 11 3/8 x 18 1/8). Edition 80, #28. Signed and numbered in ink. A fine impression with plate tone, printed on antique cream-colored wove paper with full margins. Housed in a 17 3/4 x 20-inch archival mat
The Salute is seen across the Giudecca from the steps of San Giorgio. Ships, some with sails set, are silhouetted against a sunset sky. The distant palaces of the Grand Canal are on the right.
McBey's etchings are varied in subject, but all show his excellent draughtsmanship and his sense of light. He was particularly good at depicting the North African desert, water scenes, and cities such as Venice and Rotterdam.
- Creator:James McBey (1883 - 1959, British)
- Creation Year:1925
- Dimensions:Height: 7 in (17.78 cm)Width: 15 in (38.1 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33522031953
James McBey
Born in Aberdeenshire, James McBey was a self-taught artist and etcher, best known for his prints, which coincided with an etching revival in the 20th century. After training himself in various techniques, in 1911 he gained an exhibition opportunity at the Goupil Gallery, London. From this point on his prints were published in London and Glasgow. During the First World War McBey was appointed official war artist to the Palestine Expeditionary Force. McBey's work is held in a variety of galleries across the UK and beyond, with Aberdeen Art Gallery holding the vast majority.
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By James McBey
Located in Storrs, CT
A Regatta on the Grand Canal. 1930. Drypoint. Hardie/Carter 248. 8 7/8 x 15 3/8 sSheet 13 3/16 x 19 3/8). Edition 80, #5. A fine impression on cream-colored wove paper with full margins. Signed and numbered in ink. Housed in an 18 x20-inch archival mat.
Carter writes, "A procession of boats, gaily decorated, is entering the Grand Canal, with the Campanile and the Doges' Palace in the background. On the left is the baroque poop of a boat with a flamboyant, carved female figure; on the right, another boat with a prow of two prancing horses."
Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
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Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
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