Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 21

Jean-Baptiste-Camille Corot
L'Etang a Ville d'Array (The Pond in Ville d'Array) /// Barbizon Corot Landscape

1883

Price:$350

More From This Seller

View All
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...
Category

1810s Old Masters Landscape Prints

Materials

Engraving, Etching, Laid Paper, Intaglio

St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
By Colen Campbell
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

The South West Prospect of St. Mary's Church in the Strand /// William Maitland
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783) Title: "The South West Prospect of St. Mary's Church in the Strand" Portfolio: The History and Survey of London from its Foundation to t...
Category

1750s Old Masters Landscape Prints

Materials

Engraving, Laid Paper, Intaglio, Etching

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
By Colen Campbell
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
By Colen Campbell
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
By Treadway Russell Nash
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio, Etching, Aquatint

You May Also Like

"Un Grain à Trouville" (Squall at Trouville) from L'Illustration Nouvelle
By Félix Hilaire Buhot
Located in Soquel, CA
"Un Grain à Trouville" (Squall at Trouville) from L'Illustration Nouvelle Dramatic etching of an approaching storm by Félix Hilaire Buhot (French,...
Category

1870s Barbizon School Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Intérieur de Forêt - Original Etching by Diaz - 1880 ca
Located in Roma, IT
Intérieur de Forêt is an original etching realized after N. Diaz de la Pena in 1880 ca. Engraved by P. Leterrier. Titled on the lower center. The state of preservation is good. Th...
Category

1880s Barbizon School Figurative Prints

Materials

Paper, Etching

"Facade" - Intaglio Etching of a Brick Building with Trees by Ron Blumberg
By Ron Blumberg
Located in Soquel, CA
"Facade" - Intaglio Etching of a Brick Building with Trees This etching by Ron Blumberg (b. 1908 d. 2002), features the outside facade of a brick building which is obscured by tree ...
Category

1970s American Impressionist Landscape Prints

Materials

Etching, Laid Paper, Intaglio

L'Abreuvoir - Etching after Jules Dupré - 19th Century
By Jules Dupré
Located in Roma, IT
L'Abreuvoir  is an Etching print on paper realized by After Jules Dupré in the 1870s. Titled and signed on the plate. The artwork is in good conditions.
Category

19th Century Barbizon School Figurative Prints

Materials

Etching

Paysage du Berri - Etching by Charles-François Daubigny - 19th Century
Located in Roma, IT
Paysage du Berri is an original black and white etching on paper, realized by Charles-François Daubigny. At the bottom left margin the printed inscription: "DAUBIGNY" pinx; bottom c...
Category

19th Century Barbizon School Figurative Prints

Materials

Etching

Paysage du Berri - Etching and Aquatint After Théodore Rousseau - Late 1800
By Lucien Gautier
Located in Roma, IT
Original print by Lucien Gautier after the original painting by T. Rousseau. Etching and aquatint. Perfect conditions. Collect the magician landscapes by the French Barbizon school artists! Lucien Marcellin Gautier (Aix-en-Provence 1850 - 1925) The French engraver was firstly pupil of Gibert and Marius Reinaud in Aix-en-Provence, then Léon Gaucherel...
Category

Late 19th Century Barbizon School Figurative Prints

Materials

Etching, Aquatint

Recently Viewed

View All