Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

John Le Keux after Frederick Mackenzie
Lincoln College. Oxford University. Antique C19th engraving

1837

Price:$85

You May Also Like

Group of Four Mezzotint Hunting Plates.
By Johann Elias Ridinger
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides. [Published: Augsburg, 1750]. A fine group showing 2 male and 2 female hunters along with the ...
Category

1750s Naturalistic Landscape Prints

Materials

Handmade Paper, Engraving, Mezzotint

“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Fjärden” (Expansive Archipelago Landscape) Signed "Oskar Bergman" in pencil Drypoint etching image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category

1910s Naturalistic Landscape Prints

Materials

Paper, Drypoint, Etching

New Revised North America Map with Mythical Figures and Animals
Located in Houston, TX
Copperplate engraving hand colored map of Northern America. The figures of the mythical figure along the right side and the animals were added in later after the original printing. T...
Category

Early 1700s Naturalistic Landscape Prints

Materials

Engraving

“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Skogskanten” (Winter Landscape with Spruce Trees) signed "Oskar Bergman" in pencil drypoint etching image size: 19.5 x 29.5 cm (7 ...
Category

1910s Naturalistic Landscape Prints

Materials

Paper, Drypoint, Etching

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category

Early 17th Century Naturalistic Animal Prints

Materials

Engraving

"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100 Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore. Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing. Mat size: 11"H x 14"W Paper size: 5.5"H x 10.25"W According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope" Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer. Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Paper, Ink, Drypoint

Greyhound
By Georges-Louis Leclerc, Comte de Buffon
Located in Columbia, MO
Greyhound 1773-1802 Engraving 14 x 10 inches Framed: 24 x 21 inches
Category

1770s Naturalistic Animal Prints

Materials

Engraving

Engraving of a British Fox Hunting Scene "The Pink Of Condition"
By George Wright
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category

Early 1900s Naturalistic Landscape Prints

Materials

Engraving

Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category

1820s Naturalistic Still-life Prints

Materials

Engraving

Orchids: Framed 19th C. Hand-Colored Engraving of "Laelia Anceps" by J. Fitch
By John Nugent Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...
Category

1880s Naturalistic Still-life Prints

Materials

Engraving

More From This Seller

View All
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
By John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854)
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

North East View of Pembroke, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'North East View of Pembroke' Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

The Hall & Chapel, Oriel College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Hall & Chapel, Oriel College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm ...
Category

19th Century Naturalistic Landscape Prints

Materials

Engraving

Newstead in Nottinghamshire. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Newstead in Nottinghamshire, the Seat of Lord Byron' Engraving by Thomas Malton after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views i...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

Westmoreland, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...
Category

19th Century Naturalistic Landscape Prints

Materials

Engraving

Recently Viewed

View All