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John Taylor ArmsSt. Mary's Church in Bibury, England1945
1945
$146
$27546% Off
£109.75
£206.7346% Off
€127.24
€239.6646% Off
CA$203.84
CA$383.9446% Off
A$228.31
A$430.0446% Off
CHF 118.80
CHF 223.7646% Off
MX$2,772.81
MX$5,222.7646% Off
NOK 1,506.05
NOK 2,836.7446% Off
SEK 1,421.07
SEK 2,676.6746% Off
DKK 949.38
DKK 1,788.2246% Off
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About the Item
This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The Anglican Church of St Mary at Bibury in the Cotswold District of Gloucestershire, England, was built in the 11th century. It is a grade I listed building.
John Taylor Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light.
In a recent exhibit, the Cleveland Museum noted: Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented “the most significant expression of man’s aspirations.” He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society.
Arms served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1945
- Dimensions:Height: 3.94 in (10.01 cm)Width: 5.88 in (14.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU84135595972
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
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