John Webber

Ceremony for the King's Son, Tonga: 18th C. Engraving, Captain Cook's 3rd Voyage

1785

A 17th century hand-colored map entitled "Guineae Nova Descriptio" by Gerard Mercator and Jodocus Hondius, published in their 'Atlas Minor' in Amsterdam in 1635. It is focused on the...

This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...

This is an original hand-colored 17th century map of Belgium by Nicolaus (Nicolas) Visscher II entitled "Belgium Foederatum emendate auctum et novissime editum", published in Amsterdam in 1678. The map shows the seven provinces comprising the Belgium federation or the Republic of the Seven United Netherlands or the Dutch Republic as it was also known. The republic was formed when an alliance of seven Dutch provinces in the Spanish Netherlands revolted against rule by Spain in 1579 (the Union of Utrecht) and declared their independence in 1581 (the Act of Abjuration). The seven provinces were Groningen, Frisia, Overijssel, Guelders, Utrecht, Holland and Zeeland. This was a predecessor state to the Netherlands and the first fully independent Dutch nation state. Amsterdam, Delft, Rouen, Utrecht, Brugge, Ghent, and Antwerp are all included on the map. A small inset map in the lower right depicts the course of the Maas River from Maastricht to Wessem. There is a decorative cartouche in the upper left corner and a distance scale cartouche in the lower right corner. The map is presented in an attractive antiqued medium brown-colored wood frame with gold-colored inner and outer trim and a light tan-colored fabric mat. The frame measures 26.63" high by 30" wide by 0.75" deep. There is some darkening of the red areas in the map, presumably related to oxidation of the original iron containing pigment over time. There are also a few scattered spots. The map is otherwise in very good condition. The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...

This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...

Les Bergers Romains Copper-line engraving by Jean Jacques Leveau (1729-1786) after Pierre Mettay (1728-1759). C1755. Proof, before lettering. Laid, watermarked paper. A landscap...

Carte Particuliere Des Costes De Bretagne qui Comprend Morlaix, Saint Paul de Leon, les Sept Isles, et L’Isle. Faite par ordre Exprez Du Roy de France is from the collection of ch...

Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...