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Joseph PennellWren's City, by Joseph Pennell1909
1909
$2,500
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£1,908.68
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€2,186.11
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About the Item
WREN'S CITY (Wuerth. 504) by Joseph Pennell (1857-1926) . Mezzotint, 1909, signed and inscribed imp. in pencil, edition of approximately 75. Fine rich impression and condition, trimmed in a Whistlerian manor, top and sides to plate mark. Beautiful example.
The skyline of London, dominated by St. Paul's Cathedral. Sir Christopher Wren was given the task of designing the new St. Paul's Cathedral, a replacement for the earlier structure destroyed in the Great Fire of London.Here are Joseph Pennell's own words on his struggle to create this, his first mezzotint:
"I did not rock, lay this ground myself. The method is simply to fasten the copper plate to a table and then with a mezzotint rocker attached to a long pole with a joint which permits the whole affair to rock, go over the entire plate many times in many directions till it is entirely roughened up and if inked will print perfectly black.
I then made in Russian charcoal a sketch of the subject on a thin sheet of paper and laying it face downward on the plate in the press passed it through and the drawing came off, was transferred to the copper and gave a guide to follow. I commenced on the glittery water with muscle, and a scraper, cutting down the dots and then drew the design with the scraper—it was good to look upon-rubbing ink on the plate to see what I was doing— and then I put it on the press and pulled it-thinking I had done something which should rival and surpass the mezzotinters of the past, and got the dirtiest, scratchiest mess I ever saw. So I appealed to Frank Short and he told me that …. all his own work was the result of slavish drudgery-and I found this out. Had it not been for this damnable war I would have found out how to work—I have maybe-but since the time of Prince Rupert mezzotint has become the means of expression of the methodic plodder. I know something can be done with it. This plate was my first attempt—and I am not ashamed of it—of trying to render, as well as I could Wren's realized dream, so I scraped and scraped and scraped my drawing, working with the scraper from dark to light, and I have done what I could." (excerpt from Etchers and Etching, by Joseph Pennell, 1919.)
- Creator:Joseph Pennell (1857 - 1926, American)
- Creation Year:1909
- Dimensions:Height: 10 in (25.4 cm)Width: 12 in (30.48 cm)
- Medium:
- Period:
- Condition:Fine, rich impression and condition. Beautiful example of this print.
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU308215171692
Joseph Pennell
Joseph Pennell, (born July 4, 1857, Philadelphia, Pennsylvania, U.S. -- died April 23, 1926, Brooklyn, New York City), American etcher, lithographer, and writer who was one of the major etchers, teachers and book illustrators of his time. After attending the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennell found work etching historic landmarks and illustrating travel articles and books for American publishers. In 1884 he went to Europe and settled in London. He produced numerous books, both as an author and as an illustrator, many of them in collaboration with his wife, author Elizabeth Robins Pennell. In London his friends included many of the most notable creative figures of the day, including the writers George Bernard Shaw and Robert Louis Stevenson and the painters John Singer Sargent and James McNeill Whistler. During his lifetime Pennell produced more than 900 etchings and mezzotints and more than 600 lithographs on architectural and landscape subjects ranging from the Panama Canal and Yosemite National Park to the factories of England and the temples of Greece. Pennell distinguished himself not only as one of America's most talented etchers but also as a promotional genius who helped to spur the revival of printmaking and print collecting during the first two decades of the 20th century. His publications include several books on drawing and printmaking, as well as a famous biography of Whistler that he wrote with his wife in 1908. Pennell moved back to the United States during World War I. He continued to make prints, and taught printmaking at the famous Art Students League.
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