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Larry PoonsComposition, X + X, Ten Works by Ten Painters, Larry Poons1964
1964
About the Item
Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Published by the Wadsworth Atheneum Museum of Art, Hartford; printed by Sirocco Screenprints, Inc., North Haven, 1964, in an edition of D. Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings.
LARRY POONS (1937) is an American abstract painter. Poons was born in Tokyo; he studied from 1955 to 1957 at the New England Conservatory of Music in Boston, with the intent of becoming a professional musician. After seeing Barnett Newman's exhibition at French and Company in 1959, he gave up musical composition and enrolled at the School of the Museum of Fine Arts, Boston. He also studied at the Art Students League of New York in Manhattan, New York. Poons taught at The Art Students League from 1966 to 1970 and teaches at the League (since 1997).
- Creator:Larry Poons (1937, American)
- Creation Year:1964
- Dimensions:Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215323132
Larry Poons
With his innovative colour explorations, the Japanese born Anglo-American artist continuous to work within a complex and fluid abstraction. Since the 1960s, Poons has been at the forefront of Abstract American painting with his monochrome spatial and chromatic paintings. In 1967, he began working on the ‘drip paintings’, creating monumental and energetically charged textured paintings, which recall the works of Willem de Kooning and Jackson Pollock.
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