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Lawrence Wilbur'The East River', Brooklyn Bridge — Mid-Century Realism, New York City1946
1946
About the Item
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower right. A fine, richly-inked proof impression, in warm black ink, with selectively wiped overall plate tone, on cream wove paper; the full sheet with margins (1 1/4 to 1 1/2 inches); in excellent condition. Printed by master printer Alfred Jones. Matted to museum standards, unframed.
Image size 9 7/8 x 13 15/16 inches (251 x 354 mm); sheet size 12 1/2 x 16 7/8 inches (318 x 428 mm).
Collections: Baltimore Museum of Art, National Gallery of Art, Philadelphia Museum of Art.
ABOUT THE ARTIST
Painter and printmaker Lawrence Nelson Wilbur's artistic career spanned almost seven decades. A long-time resident of Manhattan, his numerous exhibitions and awards include shows at the Metropolitan Museum of Art (twice), the National Academy of Design (Obrig Prize), the American Watercolor Society (Silver Medal, and Zabriski Purchase Award), the Salmagundi Club (5 awards), and the Society of American Graphic Artists (John Taylor Arms Award).
Wilbur was the subject of a half-hour national broadcast on PBS in 1987, which stimulated renewed interest in his work and a major one-man retrospective, 'Scenes from New York,' at Associated American Artists in New York City.
Wilbur's work is represented in the collections of the Metropolitan Museum of Art, National Gallery of Art, National Museum of Art, Library of Congress, Boston Museum, Philadelphia Museum, Museum of the City of New York, and the New York Public Library.
- Creator:Lawrence Wilbur (20th Century, American)
- Creation Year:1946
- Dimensions:Height: 9.88 in (25.1 cm)Width: 13.94 in (35.41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1015291stDibs: LU532313030272
Lawrence Wilbur
Painter and printmaker Lawrence Nelson Wilbur was born in Whitman, Massachusetts. He moved to Boston where he began his training as a photoengraver. He moved to Los Angeles in 1921, where he worked in the engraving department of the Los Angeles Times. Relocating to New York in 1925, Wilbur was employed as a finisher by several of New York's finest engraving shops and by several of the leading magazines of the era. Wilbur enrolled at the Grand Central Art School, where he studied under N. C. Wyeth and Harvey Dunn.a number of Lawrence Nelson Wilbur traveled to Boston and Los Angeles before settling in New York. In 1925, he enrolled in the Grand Central Art School where he studied under Harvey Dunn, N.C. Wyeth, and Pruett Carter. As a photo-engraving finisher, he worked for the finest engraving shops in New York, and a number of major magazine publishers headquartered there. The combination of his graphic arts skills and his serious pursuit of training in the fine arts formed the basis for his career as a talented draftsman, printmaker, and painter. His works have been collected by the Metropolitan Museum of Art in New York; the National Gallery of Art and the Library of Congress in Washington, D.C.; the Philadelphia Museum of Art; and many other institutions. Wilbur received numerous awards for his art, including the Audubon Artist's medal of honor for a self-portrait in oil in 1957. He was a member of the Salmagundi Club of New York, the Painters and Sculptors Society of New Jersey, and the Society of America Graphic Artists. He died in New York City.
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By Samuel Chamberlain
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
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ABOUT THE ARTIST
Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years.
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