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Marion Osborn Cunningham
'China Town' San Francisco Woman Artist, Stanford, de Young Museum, SFAA, NYMOMA

1944

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'Deckchairs on the Beach', Hand-Colored Screenprint
By Margie Dickson
Located in Santa Cruz, CA
Signed lower right, 'Margie Dickson' (American, 20th century) and dated 1990; additionally inscribed lower center 'hand colored screen print' with number and limitation, '5/20' and titled lower left...
Category

1990s Modern Landscape Prints

Materials

Screen, Paper

'Formal Samoan Meal', NYMoMA, Metropolitan Museum, National Gallery, SFAA, GGIE
By Marion Osborn Cunningham
Located in Santa Cruz, CA
Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948. Paper dimensions: 17.75 x 16 inches A substantial and rare, mid-century silkscreen showing a Samoan family seated beneath a traditional tent of tapa cloth and being served by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium. Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...
Category

1940s Modern Landscape Prints

Materials

Paper, Screen

'Vermont Quarry', Kansas City Art Institute, New York, Art Students League, WPA
Located in Santa Cruz, CA
Signed lower right, 'Guy Maccoy' (American, 1904-1981), dated 1941 and titled, lower left, 'Vermont Quarry'. Serigrapher, muralist and teacher, Guy Maccoy...
Category

1940s Landscape Prints

Materials

Paint, Paper, Screen

'Cherry Blossoms at Dusk', Japanese color woodblock, Musashino College of Art
Located in Santa Cruz, CA
Signed lower right, 'Morihiro Sato' (Japanese, born 1943), with artist chop mark, and dated 1985; titled, lower left, in English and Kanji 'Cherry Trees (Dusk)' with number and limitation, '3/55'. Paper dimensions: 24.25 x 35.5 inches A fresh and unfaded woodblock print showing a view of cherry tree boughs heavy with glowing blossoms before a vista of rolling hills with stylized Japanese pine beneath a luminous, golden sunset. Morihiro Sato graduated from Musashino College of Fine Art before studying under the printmaker Joichi Hoshi (1913-1979). Sato’s work focuses on the beauty of nature, particularly that of trees. Through the medium of woodblock with inclusion of metallic pigments, his delicately atmospheric prints evoke a sense of gentle sense of wonder. *With thanks to Ronin Gallery
Category

1980s Modern Landscape Prints

Materials

Gold Leaf

'Tribal Coast', Expressionist Woman artist, Museum of Modern Art, Guggenheim
By Ynez Johnston
Located in Santa Cruz, CA
Signed lower right, 'Ynez Johnston' (American, b. 1920) and dated 1964; additionally inscribed 'imp' lower right, titled lower center 'Tribal Coast' with number and limitation, 198/210', lower left. Framed Dimensions: 21.25 H x 26.5 W x 1.5 D Inches Born in Berkeley, California, Johnston first studied drafting, painting and printmaking at the University of California with Worth Ryder, Erle Loran and Margaret Peterson...
Category

1960s Modern Abstract Prints

Materials

Paper, Engraving

'New York, View of the East River', Paris, Metropolitan Museum, Smithsonian
By Max Pollak
Located in Santa Cruz, CA
Signed lower right, 'Max Pollak' (American, 1886-1970) with number and limitation, lower center, '21/150' and titled, lower left, 'New York: East River'. Published by Rudolph Lesch and with copyright stamp 'Corp. Rud. Lesch NY' in lower left corner. (Reference: Triton cat. 51). Paper dimensions: 13.25 x 18.5 inches. Max Pollak achieved a reputation for the skill of his etchings as a young man living in Vienna, Austria. He is perhaps best known for his singular and penetrating portrait of Sigmund Freud (1913), which is widely reproduced. Pollak created many portraits of famous figures in Europe, and later in the United States, along with genre scenes and landscapes. Born in Prague, Czechoslovakia, Max Pollak grew up in Vienna and attended the Vienna Academy of Art, where he studied with the portraitist, Ferdinand Schmutzer...
Category

1920s Modern Landscape Prints

Materials

Paper, Etching

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