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Martin Lewis
R.F.D.

1933

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    By Charles Meryon
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    Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
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    1850s Realist Landscape Prints

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  • Orage en Briere
    By Jean-Emile Laboureur
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    Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...
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    1930s Realist Landscape Prints

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  • Circus Night.
    By Martin Lewis
    Located in New York, NY
    Signed in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...
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    1930s Realist Landscape Prints

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  • Laburnums and Battersea
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    Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
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    Late 19th Century Realist Landscape Prints

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  • On the Hard
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    An elegant and delicate seascape of Brightlingsea Hard, Essex circa 1925 18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...
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    1920s Realist Landscape Prints

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  • Twickenham Church
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    A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
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