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Gouache Landscape Prints

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Medium: Gouache
Blue Flight / monoprint
Located in Burlingame, CA
Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...
Category

21st Century and Contemporary Contemporary Gouache Landscape Prints

Materials

Gouache, Mixed Media, Monotype, Pastel

“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category

1880s Impressionist Gouache Landscape Prints

Materials

Lithograph, Watercolor, Gouache

Rare Hand Colored "Cabane Des Hold" - 1st Ed "Description de l’Univers" C. 1683
Located in Soquel, CA
Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281 This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island. This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683. Presented in an cream colored mat. Text on verso shown in images. Mat Size: 11.5"H x 9.07"W Paper Size: 8.25"H x 5.44"W Image Size: 5.63"H x 3.75"W Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...
Category

1680s Realist Gouache Landscape Prints

Materials

Paper, Ink, Gouache

“Flower Picking”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category

1880s Impressionist Gouache Landscape Prints

Materials

Lithograph, Watercolor, Gouache

Landscape with Tree and Houses
Located in London, GB
HUGO SCHEIBER 1873-1950 1873 - Budapest-1950 (Hungarian) Title: Landscape with Tree and Houses, circa 1930's Technique: Signed Gouache and Pastel Painting on Paper Size: 67.5 x 48...
Category

1930s Art Deco Gouache Landscape Prints

Materials

Gouache, Pastel

OASIS OF SEVEN PALMS CALIFORNIA
Located in Portland, ME
Burr, George Elbert. OASIS OF SEVEN PALMS CALIFORNIA. Gouache on paper, not dated. Titled in pencil, lower left, and signed in pencil, lower right, and with the number "85" at the lo...
Category

Early 20th Century Gouache Landscape Prints

Materials

Gouache

Landscape #125
Located in Palm Springs, CA
Untitled landscape of trees against a stormy sky. Signed by the artist, with full information of signature on verso. RENAUD ALLIRAND was born in 1970, and currently lives and works ...
Category

2010s Contemporary Gouache Landscape Prints

Materials

India Ink, Gouache

"Schooner + Doryman" First Edition Hand-Colored Woodblock Print
Located in Soquel, CA
Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...
Category

1960s American Modern Gouache Landscape Prints

Materials

Gold Leaf

Animated Autumn Landscape
Located in London, GB
KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: Animated Autumn Landscape Bewegte Herbstlandschaft, 1967 Technique: Signed and Dated Brush, I...
Category

1960s Expressionist Gouache Landscape Prints

Materials

Watercolor, Ink, Gouache

Glebe House, Morning
Located in New York, NY
Unframed
Category

2010s Contemporary Gouache Landscape Prints

Materials

Monotype, Gouache

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Previously Available Items
'Skaters' — 1930s Woodstock, New York
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Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches. An impression of this work is in the permanent collection of the Philadelphia Museum of Art. ABOUT THE ARTIST Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design. In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League. Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press. In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928. In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...
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A Group of Twelve Chinese Junks and Barges.
Located in London, GB
[China Export Water-colours on Pith Paper]. A Group of Twelve Chinese Junks and Barges. c. 1860. Water-colour and gouache studies on pith paper, edged in blue silk ribbon. The vessels depicted include variants of the traditional flat-bottomed Junk, the similar but European-hulled Lorcha, State and pleasure barges, and a large floating duck house...
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Autumn — Woodstock, NY
Located in Myrtle Beach, SC
Emil Ganso, 'Autumn', color pochoir (stencil), c. 1930s, edition 50, Smith S-2. Signed in pencil, in the image border, lower right. Annotated '7 Stencil Print ED 50' in pencil, in the image border, lower left. A rich, painterly impression, with fresh colors, on buff wove paper, with full margins (1 1/2 to 1 3/4 inches). Slight rippling at the top and bottom sheet edges; overall toning verso not affecting the image; otherwise in good condition. Image size 10 3/4 x 14 7/8 inches; sheet size 13 3/4 x 18 1/4 inches. Matted to museum standards, unframed. An impression of this work is in the permanent collection of the Philadelphia Museum of Art. ABOUT THE ARTIST Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime. Mostly self-taught, he studied briefly at the National Academy of Design. In 1924 Ganso showed his drawings to Carl Zigrosser at the Weyhe Gallery, who organized the artist’s first solo exhibition. Soon after that, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League. Ganso produced prints in many mediums, including relief, pochoir (stencil), lithography, and intaglio. His expressionist approach to printmaking was that of a painter, rather than a draftsman, but many of his graphic works exhibited technical sophistication. He also began experimenting with color lithography in the late 1920s, and he collaborated with an engineer to design and fabricate an innovative etching press. In 1926 Ganso attended the summer session of the Art Students League in Woodstock, New York, where he met Jules Pascin. The two artists began a close friendship briefly sharing a studio, and Ganso followed Pascin to Europe in 1928, where he was exposed to progressive European art movements and advanced printmaking techniques. Ganso returned to New York in 1926 and his work was shown regularly in group exhibitions. In the summer months, he continued to work in Woodstock, where he frequently printed lithographs for other artists. The Cleveland Print Club...
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Monsoon - Abstract, Figurative, Howard Hodgkin, Lithograph, Gouache, Watercolour
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Gouache landscape prints for sale on 1stDibs.

Find a wide variety of authentic Gouache landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Myles Birket Foster, Renaud Allirand, George Elbert Burr, and Randall Exon. Frequently made by artists working in the Contemporary, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Gouache landscape prints, so small editions measuring 0.01 inches across are also available

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