Lithograph Landscape Prints

Strada St. Giovanni, Valetta is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital lette...

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

The pretty colorful houses is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Colored etching on cardboard. The artist wants to define a well-balanc...

Egyptian on camel is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egy...

Cathedral of Dignes is an artwork realized by Ossi Czinner.  Hand signed. Artist's proof, plus 25 prints in Roman numbers. 70 x 50 cm. Good conditions!

Walking along the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip t...

Egyptians along the Nile  is a modern artwork realized d'après Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a tri...

Food is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...

Figure along Nile is an modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is from the watercolors realized by the artist during a trip to Eg...

Interior of the Temple is a modern artwork realized d'aprés Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip ...

Along the Nile is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt...

Solo is a lithograph on paper with an image size of 2 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. Numbere...

Christmas Tree is a lithograph on paper with an image size of 2.25 x 2.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray ...

Balloon Moon is a lithograph on paper with an image size of 1.75 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fra...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

The Picturesque Harbor is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 1/99, on the left margin. ...

The Picturesque Harbor is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 5/99, on the left margin. ...

Hand-Signed Lithograph by Salvador Dali Japan Paper Title: Pantagruel's Dreams Signed in Pencil by Salvador Dali Dimensions: 76 x 56 cm Edition: EA 1973 References : Field 73-7 (p. 1...

The Road With Trees is a print realized by Jacques Thèvenet in the early 20th Century. Lithograph on paper. Hand-signed, Numbered, edition of 6/40 p...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

Original Arnold Ronnebeck (1885-1947) lithograph of a home in Gregory Point, near Central City, Colorado from the 1930s. Edition of 25 printed. Presented in a custom frame, outer dimensions measure 23 ¼ x 18 ½ inches. Image size is 19 ¼ x 13 ¼ inches Print is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Arnold Ronnebeck Expedited and international shipping is available - please contact us for a quote. About the Artist: Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926. After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth. After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York. After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz." In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan. In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News. His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...

Artist: Alexander Calder (1898-1976) Title: Cinq Boules et Deux Serpents Year: 1965 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 20.5 x 28.75 inches Cond...

Andrew Dasburg, 'Trees in Ranchitos II', two-color lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression, in dark taup...

Andrew Dasburg, 'Trees in Ranchitos I', lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression in warm black ink, on he...

Landscape in Quebec is an original modern artwork realized in the mid-19th Century. Original Colored Lithograph on Ivory Paper. Inscripted on the lower margin: Quebeck. Printed ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed ...

'Ashdod', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts travelled throughout Egypt an...

Views of Senegal is an original lithograph artwork realized by an Anonymous engraver of the 19th century. Printed in the series of "France Pittoresque". Titled "France Pittoresqu...

Port Fanaraki is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Lett...

Ancient View of Chateau de Touars is an original lithograph artwork realized by an Anonymous engraver of the 19th Century. Printed in the series of "France Pittoresque". Titled "...

African Village is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is...

Ancient View of Lisbon is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: ...

Ancient View of San Francisco in November 1848 is an original modern artwork realized in the first half of the 19th Century. Original L...

Carrick-a-Rede, Coast of Antrim is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central ...

Der Triumpfbogen de L'Etoile is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capi...

Ancient View of Rotterdam is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margi...

In the Brazilian Forest is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital letters on...

Ancient View of Verona is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower central margin...

Strasburg Cathedral is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg Cathe...

Cyprus is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: Cyprus Hauptstad...

Ancient View of Dublin is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in...

Cove Harbour is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Cove Harbou...

Ancient View of Lyon is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Lett...

Strasburg is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: Strasb...

Confluent de l'Iller et du Danube is an original modern artwork realized in France in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central...

Pont pour le passage des Troupes is an original modern artwork realized in France in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central ...

Montblanc is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: Montbl...

Ancient View of Stockholm is an original modern artwork realized in Germany in the Mid-19th Century. Original Colored Lithograph on Ivory Paper. Inscripted on the lower central ma...

Ancient View of Brescia is an original modern artwork realized in Italy in the half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin. Pass...

Rotterdam is an original modern artwork realizedin the mid of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Rotterdam. Sheet dimension...

L'Iser à Munich is an original modern artwork realized in France in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: L'Iser à ...

Reims Kathedrale is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters:...

Ancient View of the Piraeus is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted ...

Ancient View of Hong Kong is an original modern artwork realized in Italy in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower ma...

Paris Notre-Dame is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters:...

Tyningame House, Haddington is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capit...