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Medium: Paper
'Breton Village with Lighthouse', Post-Impressionism, Brittany, Modernism
Located in Santa Cruz, CA
Signed lower right, 'De Montfort' and printed circa 1950 by F.A.R. Gallery for Rudolf Lesch Fine Arts Inc., New York.
Category
1950s Post-Impressionist Paper Landscape Prints
Materials
Paper, Lithograph
Sunrise Ridge, edition 2 of 5 (Hand-printed cyanotype, 12 x 18 inches)
Located in Oakland, CA
Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 2024. This is a hand-printed contact photograph using the antique...
Category
2010s Realist Paper Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Maple Sugar Grove
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American (1933- )
Title: Maple Sugar Grove
Year: circa 1981
Medium: Color etching
Sight size: 24 x 17.75 inches.
Sheet size: ...
Category
1980s Other Art Style Paper Landscape Prints
Materials
Paper, Color, Etching
Cindy MacCollum, Paradise, 2018, Cyanotype, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Paper Landscape Prints
Materials
Printer's Ink, Acrylic, Rag Paper, Monotype, Photogram
Corn and Clouds 3 BY SARAH DU FEU, Original Monoprint Contemporary Landscape Art
By Sarah du Feu
Located in Deddington, GB
Sarah du Feu
Corn and Clouds 3
Original Monorprint
Image size 40 x 50 cm
Mounted size 55 x 63 cm
Unframed
Printed on acid free Somerset Velvet 280gsm paper
This monoprint print was ...
Category
21st Century and Contemporary Art Deco Paper Landscape Prints
Materials
Paper, Monotype
Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures.
Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable.
The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category
1930s Vienna Secession Paper Landscape Prints
Materials
Archival Paper
Low Tide at Hope Cove
Located in Deddington, GB
Low Tide at Hope Cove [2022]
limited_edition
Linocut
Edition number 1-10
Image size: H:21 cm x W:45 cm
Complete Size of Unframed Work: H:45cm cm x W:80 cm x D:3cm
Sold Unframed
Plea...
Category
2010s Contemporary Paper Landscape Prints
Materials
Paper, Linocut
Épinal - Original Lithograph - 19th Century
Located in Roma, IT
Épinal- France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century.
Printed in series of "France Pittoresque" at the top center.
Titled in Fra...
Category
19th Century Modern Paper Landscape Prints
Materials
Paper, Lithograph
'Shinmachi Bridge', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of Shinmachi Bridge, Hodogaya, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (...
Category
Mid-20th Century Paper Landscape Prints
Materials
Sumi Ink, Washi Paper
Misty Slope, edition 1 of 10 (hand-printed cyanotype, 11 x 17 inches)
Located in Oakland, CA
This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog are in the woods across the bay from San Francisco...
Category
2010s Contemporary Paper Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
A golfist. Black & white linocut print, Figurative & Abstract, Minimalistic
Located in Warsaw, PL
Contemporary minimalistic black & white linocut print on paper by Polish artist Jolanta Babicz. Edition is limited to 5 copies.
Artwork is not framed. Photos with frame are only visualizations.
JOLANTA BABICZ (born in 1967)
In 2009 she graduated from the Artistic Department of the University of Humanities and Economics in Łódź. The subject of her B.A. thesis was computer graphic...
Category
2010s Minimalist Paper Landscape Prints
Materials
Paper, Linocut
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph
"The Greater University" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Paper Landscape Prints
Materials
Paper, Ink
The South West Prospect of St. Mary's Church in the Strand /// William Maitland
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783)
Title: "The South West Prospect of St. Mary's Church in the Strand"
Portfolio: The History and Survey of London from its Foundation to t...
Category
1750s Old Masters Paper Landscape Prints
Materials
Engraving, Laid Paper, Intaglio, Etching
Jayson Lilley, St Pauls One, Limited Edition Print, Contemporary Art
Located in Deddington, GB
Jayson Lilley
St Pauls One
Limited Edition Print
Edition of 50
Image Size: H 28cm x W 28cm
Signed
Sold Unframed
Please note that insitu images are purely an indication of how a work...
Category
21st Century and Contemporary Contemporary Paper Landscape Prints
Materials
Paper, Screen
Rome Landscapes - Phototype by Gino Croari - 1950s
Located in Roma, IT
Rome Landscapes is a "Suite of phototype reproductions of Drawings" realized by Gino Croari on paper in the 1950s.
Including 12 prints with cover.
Titled on the lower of each piece....
Category
1950s Modern Paper Landscape Prints
Materials
Paper
Twilight Hunter
By Rob Barnes
Located in Deddington, GB
Twilight Hunter by Rob Barnes [2022]
limited_edition
Linocut
Edition number 50
Image size: H:33 cm x W:44 cm
Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
We have an owl box...
Category
21st Century and Contemporary Contemporary Paper Landscape Prints
Materials
Paper, Linocut
Caught on a Breeze #1 – Green
Located in Deddington, GB
Caught on a Breeze #1 – Green by Charlie Davies [2021]
limited_edition
Soft ground etching
Edition number 100
Image size: H:22 cm x W:30 cm
Complete Size of Unframed Work: H:36 cm x...
Category
21st Century and Contemporary Contemporary Paper Landscape Prints
Materials
Paper, Etching
Views of Plombières and Tournemer - Original Lithograph － 19th Century
Located in Roma, IT
Views of Plombières and Tournemer is an original lithograph realized by an Anonymous artist of the 19th century, included two images in one sheet.
Printed in series of "France Pitto...
Category
19th Century Contemporary Paper Landscape Prints
Materials
Paper, Lithograph
Country Wedding
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American (1933- )
Title: Country Wedding
Year: circa 1981
Medium: Color etching
Sight size: 15.75 x 22.75 inches.
Sheet s...
Category
1980s Other Art Style Paper Landscape Prints
Materials
Paper, Color, Etching
Madrone Tree (hand-printed cyanotype, 18 x 12 inches)
Located in Oakland, CA
Hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints made.
This is a hand-printed contact photograph using the antique cyanotype process...
Category
2010s Contemporary Paper Landscape Prints
Materials
Photogram, Paper, Archival Paper, Rag Paper
'View of Yoshida', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the workers looking out over the river from the scaffolding of Yoshida Temple, circa 1850. Signed in Kanji...
Category
Mid-20th Century Paper Landscape Prints
Materials
Sumi Ink, Washi Paper
Morning Star, landscape, skyscape, mother wolf, cubs, wildlife, gold, blue print
Located in Jersey City, NJ
"Morning Star" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition total of 5, signed and numbered by the artist Alexis Kandra. The image features a beautiful wildlife painting of a mother wolf...
Category
2010s Contemporary Paper Landscape Prints
Materials
Archival Ink, Archival Paper, Giclée
American Modernist Sacsahuaman Landscape Aquatint Etching Philip Pearlstein
Located in Surfside, FL
Philip Pearlstein (American, 1924-)
Large Sacsahuaman Landscape Etching Aquatint, 1979
From the series Ruins and Landscapes.
Sugar-lift, aquatint and roulette on ivory wove paper.
Sacsayhuamán, often spelled Sacsahuaman or Saqsaywaman (from Quechua Saqsaywaman (pukara) '(fortress) of the royal falcon or hawk') is a citadel on the northern outskirts of the city of Cusco, Peru, the historic capital of the Inca Empire. The site is at an altitude of 3,701 m (12,142 ft).
The complex was built by the Incas in the 15th century, particularly under Sapa Incan Pachacuti and his successors. Dry stone walls constructed of huge stones were built on the site, with the workers carefully cutting the boulders to fit them together tightly without mortar.
In 1983, Cusco and Sacsayhuamán together were designated as sites on the UNESCO World Heritage List, for international recognition and protection.
Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog...
Category
1970s American Modern Paper Landscape Prints
Materials
Paper, Aquatint
"Hyde Park on Sunday" - Hand Colored Etching from "Old and New London"
Located in Soquel, CA
"Hyde Park on Sunday" - Hand Colored Etching from "Old and New London"
Detailed etching of a typical Sunday in Hyde Park around 1800 after an etching by Ed...
Category
Late 19th Century Romantic Paper Landscape Prints
Materials
Paper, Ink, Watercolor
Ian Phillips, Lighthouse, Limited Edition Seascape Print, Coastal Art, Seaside
By Ian Phillips
Located in Deddington, GB
Ian Phillips
Lighthouse
Limited Edition Linocut Print on Paper
Edition of 12
Image Size: H 56cm x W 76cm x D 0.01cm
Sold Unframed
Free Shipping
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Category
21st Century and Contemporary Abstract Geometric Paper Landscape Prints
Materials
Paper, Linocut
"The Library From The Botanical Gardens" - 1921 UC Berkeley Yearbook Lithograph
Located in Soquel, CA
"The Library From The Botanical Gardens" - 1921 UC Berkeley Yearbook Lithograph
"The Library From The Botanical Gardens" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Paper Landscape Prints
Materials
Paper, Ink
'View of the Place Vendôme', Musée d'Art Moderne Paris, Academie Julian, Benezit
By Yves Ganne
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' for Yves Ganne (French, b. 1931) and with print edition and limitation, '114/150', lower left.
Yves Ganne first studied at ...
Category
Mid-20th Century Post-Impressionist Paper Landscape Prints
Materials
Paper, Lithograph
Prefab77 'Lick London (Gold Toof Edition)' Signed, Limited Edition Print
By Prefab77
Located in San Rafael, CA
Prefab77 (20th Century)
Lick London (Gold Toof Edition)
Archival Pigment Print on 350gsm Somerset Fine Art Paper
Hand finished and hand painted elements
Edition 12 of 75
Signed and numbered by artist in pink ink
Unframed 22.05in L x 29.92in H (56 x 76cm.)
*Framed image is for inspirational purposes only
Prefab77 a.k.a. Peter Manning...
Category
21st Century and Contemporary Street Art Paper Landscape Prints
Materials
Archival Paper
The Fields of Gold, By the Seaside and House by the Sea
Located in Deddington, GB
House by the Sea [2020]
limited_edition
linocut
Edition number 1-10
Image size: H:20cm cm x W:20cm cm
Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm
Sold Unframed
P...
Category
21st Century and Contemporary Contemporary Paper Landscape Prints
Materials
Paper, Linocut
Wysteria, Charlie Davies, Limited Edition Etching, Contemporary Still Life Art
Located in Deddington, GB
Charlie Davies
Wysteria
Original botanical etching
Soft ground etching on paper
Image Size: 35 cm x 35 cm x 1 cm
Sheet/Canvas Size: 50 cm x 50 cm x 1 cm
Unframed
Free Shipping
Please...
Category
21st Century and Contemporary Contemporary Paper Landscape Prints
Materials
Paper, Etching
Hope (unique screen print with gold leaf)
Located in Aventura, FL
Unique UV pigment print on a 6-colour silkscreen printed background 410gsm Somerset Tub-sized Radiant white 100% cotton paper, finished with hand-applied 24 carat gold leaf and ink. Hand signed lower left by Pejac. Hand numbered 723/1000 lower right corner. Artwork size 31.49 x 21.65 inches. Frame size 38 x 28 inches.
The artwork is in excellent condition. Certificate of authenticity by Pejac included. All reasonable offers will be considered.
HOPE was born in 2020 when, at the height of the pandemic, Pejac painted a mural on a hospital in his hometown – Santander. Seen from afar, thousands of figures formed the illusion of large crevice. The artwork quickly went viral online, and became a symbol of hope for many. Begun in the middle of 2023, our collaboration is centered on the question of how hope is found or created. To create the original work, Pejac undertook a month-long residency at Make-Ready in London. HOPE is an unprecedented collaboration between artist and printmaker. With the edition, Pejac reinterprets his iconic crevice which, seen up close, you will be surprised to see is made up from a multitude of tiny, individually-painted people. Each one plays their part in an overarching story of humanity. In the first print, just three figures appear, in the second, there are six and so on until the final print in the series of 1000, which features several thousand figures – each one unique.
About the Artist: Pejac, born in Santander in 1977 is a Spanish street artist known for his minimalist style whilst exploring sensitive social, environmental and political issues. His work is powerful and deliberately provocative about real-world issues and he uses a range of artistic styles and mediums to get his often critical message across. Pejac studied art in Barcelona and Milan where he became disillusioned with the elitist attitude of the art world he was studying; he left formal education and embarked on his street art career.
To label Pejac as a street artist is only capturing one element of his work. Pejac works to such fine detail and is technically highly skilled; he is quite capable at getting his message across with silhouette paintings on a wall or floor as he is at producing work in a classical style with exquisite fine detail. Pejac’s art...
Category
2010s Street Art Paper Landscape Prints
Materials
Gold Leaf
"The Football Statue Through The Trees" - 1921 UC Berkeley Yearbook Lithograph
Located in Soquel, CA
"The Football Statue Through The Trees" - 1921 UC Berkeley Yearbook Lithograph
"The Football Statue Through The Trees" 1921 University of California B...
Category
1920s American Impressionist Paper Landscape Prints
Materials
Paper, Ink
Sennen Cove, Cornwall, Mounted Giclée print, Seaside, Coastal, Beach, Boats, Sun
By Anya Simmons
Located in Deddington, GB
Sennen Cove, Cornwall by Anya Simmons is a limited edition Giclée print that is sold mounted but not framed. The artwork is inspired by magical holidays in Cornwall.
Image size with...
Category
2010s Contemporary Paper Landscape Prints
Materials
Giclée, Paper
'Lourmarin', French Post-Impressionist, Provence, Academie Julian, Paris Salon
By Victor Zarou
Located in Santa Cruz, CA
Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 'XIII/XXV' (13/25), lower left and titled lower center 'Lourmarin' with inscription 'Last copy'.
Born in 1930 near Saint-Tropez, Victor Zarou first studied with his father, Tony Cardella, the Impressionist artist. Zarou painted avidly from a young age, first exhibiting and selling his work at the age of twelve. After two years of military service, spent as a paratrooper, Zarou moved to Paris in 1955 to study at the Academie Julian...
Category
1960s Post-Impressionist Paper Landscape Prints
Materials
Paper, Lithograph
"Senior Womens Hall In The Moonlight" 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"Senior Womens Hall In The Moonlight" 1921 UC Berkeley Yearbook Color Lithograph
"Senior Womens Hall In The Moonlight" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Paper Landscape Prints
Materials
Paper, Ink
Jennifer Jokhoo, Borough Solstice, Dark Print, Cityscape Art, Architectural Art
Located in Deddington, GB
Jennifer Jokhoo
Borough Solstice
Limited Edition Linocut Print
Edition of 35
Sheet Size: H 21cm x W 29.5cm x D 0.3cm
Sold unframed
(Please note that in situ images are purely an indi...
Category
21st Century and Contemporary Paper Landscape Prints
Materials
Paper, Linocut
Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California Adobe
Located in Soquel, CA
Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
Signed in plate, lower left.
Paper size: 8.5"H x 10.5"W
Mat size: 10"H x 12"W
Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe.
Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia.
One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California.
From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others.
Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...
Category
1930s American Impressionist Paper Landscape Prints
Materials
Paper, Watercolor, Drypoint
"Pond" Original Lithograph by Sally Warner 1988
Located in Soquel, CA
Detailed lithograph of a California Sierras pond and reflections by California author and artist Sally Warner (American, B- 1946). Sally Warner grew up in Connecticut and Californi...
Category
1980s Modern Paper Landscape Prints
Materials
Printer's Ink, Laid Paper, Lithograph
The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
By Johannes Kip
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722)
Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31)
Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne
Year: 1715-1724 (Third edition)
Medium: Original Engraving and Etching on cream laid paper
Limited edition: Unknown
Printer: Joseph Smith, London, UK
Publisher: Joseph Smith, London, UK
Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264
Sheet size: 19.25" x 24.19"
Image size: 16.75" x 22.5"
Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition
Rare
Notes:
Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black.
Biography:
Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip".
His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists.
The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
Category
1720s Old Masters Paper Landscape Prints
Materials
Laid Paper, Engraving, Etching, Intaglio
Ancient View of Seida - Original Lithograph - Mid-19th Century
Located in Roma, IT
Ancient View of Seida is an original modern artwork realized in the mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Letters: S...
Category
Mid-19th Century Paper Landscape Prints
Materials
Paper, Lithograph
Shimmer and Shine New York City Skyline, Large Statement Art, Cityscape Print
Located in Deddington, GB
Clare Halifax
Shimmer and Shine New York City Skyline
Limited Edition Silkscreen Print
Edition of 30
Image Size: H 100cm x W 33cm
Sheet Size: H 110cm x W 37cm x D 0.1cm
Sold Unframed
Shimmer and Sine New York City Line is a limited edition print by Clare Halifax. A depiction of the New York skyline from the Rockefeller of Manhattan, including the iconic Empire State Building.
Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...
Category
2010s Contemporary Paper Landscape Prints
Materials
Metal
Clare Halifax, Bridge of Sighs Oxford, Contemporary Oxford Art, Cityscape Print
Located in Deddington, GB
Clare Halifax
Bridge of Sighs Oxford
Limited Edition 8 colour screen print
Edition of 75
Sheet Size: H 38cm x W 37cm x 0.1cm
Sold Unframed
Hand printed by the artist onto somerset sa...
Category
21st Century and Contemporary Contemporary Paper Landscape Prints
Materials
Paper, Screen
A 1929 Lithograph of "Old Fort Dearborn" by Raoul Varin
By Raoul Varin
Located in Chicago, IL
A 1930 lithograph on paper by artist Raoul Varin, titled "Old Fort Dearborn". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL
- Printed in 1930. Artwork size: 13" x 16 1/2"....
Category
1920s American Modern Paper Landscape Prints
Materials
Paper, Lithograph
Holiday in Old Town 11/30, paper, etching, soft varnish, 15x19.5 cm
Located in Riga, LV
Holiday in Old Town
11/30, paper, etching, soft varnish, 15x19.5 cm
JEKATERINA GRYAZEVA
Born in Latvia, Riga 1968
Education
1979 - 1986 J.Rozentals Secondary Art Scho...
Category
Early 2000s Surrealist Paper Landscape Prints
Materials
Paper, Etching, Varnish
"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100
Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore.
Titled and numbered "Coastal Ti Tree 30-100" in the left corner.
Signed "G. Cope" in the right corner.
Presented in a new black mat with foamcore backing.
Mat size: 11"H x 14"W
Paper size: 5.5"H x 10.25"W
According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope"
Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer.
Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category
Early 20th Century Naturalistic Paper Landscape Prints
Materials
Paper, Ink, Drypoint
Early Historical Colored Architectural Photograph of New Mexico Museum of Art
Located in Houston, TX
Early historical colored photograph of the New Mexico Museum of Art located in Santa Fe, NM. The work highlights the building's architecture which was create...
Category
Mid-20th Century Realist Paper Landscape Prints
Materials
Photographic Paper
Trellis
Located in San Francisco, CA
Artist: Robert Kushner - American (1949- )
Title: Trellis
Date: 1981
Media: Lithograph
Dimensions: Diptych – Each sheet and image: 28 x 20 inches (56 x 20 inches total)
Publisher: Barbara Gladstone...
Category
1980s Contemporary Paper Landscape Prints
Materials
Paper, Lithograph
Winter Woods, edition 1 of 5 (hand-printed cyanotype, 18 x 11 inches)
Located in Oakland, CA
The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...
Category
2010s Contemporary Paper Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Tiber of Marmorata, Rome - Vintage Postcard - 1980s
Located in Roma, IT
Tiber of Marmorata, Rome- Vintage Postcard is a colored vintage postcard realized in the 1980s.
Copyright and information on the rear.
Good conditions, aged with foxing.
Category
1980s Modern Paper Landscape Prints
Materials
Paper, Postcard
Fiorentini Bridge, Rome - Vintage Postcard - 1980s
Located in Roma, IT
Fiorentini Bridge, Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s.
Copyright and information on the rear.
Good conditions, aged with foxing.
Category
1980s Modern Paper Landscape Prints
Materials
Paper, Postcard
India. Jodpoor - Original Vintage Photo - 1893
Located in Roma, IT
India. Jodpoor - Mach 2nd, 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by prince Franz Ferdinand von Osterreich Este ...
Category
1890s Paper Landscape Prints
Materials
Paper, Photographic Paper
Joyce T. Nagel Lithograph "Snowscape" Artist's Proof Winter Scene Signed Dated
Located in Detroit, MI
"Snowscape" is a study in contrasts being both a landscape and an abstract study of black and white negative/positive shapes. It is very powerful in the stark scene created and because of the interesting placement of the black and white areas. Being an "Artist's Proof" means that it was the first print pulled before the artist approved the look of the print and initiated further printing. It is an accomplished piece of depth and intellectual complexity. It is a Lithograph. Lithography is a planographic printmaking process in which a design is drawn onto a flat stone (or prepared metal plate, usually zinc or aluminum) and affixed by means of a chemical reaction.
Like an actual storm whose characteristics are unique this monoprint is a one-off print and unique. She has captured the heavy dark feel of storm clouds and the slashing rain that accompanies a storm. Nagel has the ability to infuse her work with the intricate characteristics found in nature.
Joyce Tilley Nagel...
Category
1980s Paper Landscape Prints
Materials
Paper, Lithograph
Landscape - Original Etching - 1930 ca.
Located in Roma, IT
Landscape is an original etching print on paper realized in 1930 ca. by an Anonymous artist of the early 20th Century.
Hand-signed on the lower right, illegible, titled on the lowe...
Category
1930s Naturalistic Paper Landscape Prints
Materials
Paper, Etching
Ancient Hang Cheong - Vintage Albumen Print - 1890s
Located in Roma, IT
Ancient Hang Cheong Photograph is an original vintage albumen print on single cardboard.
It is realized in the 1890s.
Fair condition with missi...
Category
Late 19th Century Modern Paper Landscape Prints
Materials
Cardboard, Photographic Paper
Ancient View of Athens - Lithograph - Midy-19th Century
Located in Roma, IT
Ancient View of Athens is an original modern artwork realized in the mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Letters: ...
Category
Mid-20th Century Paper Landscape Prints
Materials
Paper, Lithograph
Sunflower Field, Art print, Landscape, Tree, Nature, Floral
Located in Deddington, GB
This print was inspired by a beautiful field of sunflowers on the way to Devon. It's a seven colour layered reduction linocut
ADDITIONAL INFORMATION:
Linocut print on Paper
Edition ...
Category
2010s Contemporary Paper Landscape Prints
Materials
Paper, Linocut
The Road With Trees - Lithograph by Jacques Thévenet - Early 20th Century
Located in Roma, IT
The Road With Trees is a print realized by Jacques Thèvenet in the early 20th Century.
Lithograph on paper.
Hand-signed, Numbered, edition of 6/40 p...
Category
Early 20th Century Modern Paper Landscape Prints
Materials
Paper, Lithograph
'View of Hamamatsu', After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a winter scene in Hamamatsu, circa 1850. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (J...
Category
Mid-20th Century Paper Landscape Prints
Materials
Sumi Ink, Washi Paper
Paper landscape prints for sale on 1stDibs.
Find a wide variety of authentic Paper landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Frank Schott, Kind of Cyan, Addison Jones, and Clare Halifax. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper landscape prints, so small editions measuring 0.01 inches across are also available