Screen Landscape Prints

This Blue Dog work consists of a Cajun landscape with trees, grass and a lone canoe sitting on a river. This pop art animal original oil on canvas is hand-signed by the artist. Arti...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 51/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Artist: Peter Max (1937) Title: Tropical Flowers Year: 1979 Edition: A.P./45, plus proofs Medium: Silkcreen on Arches paper Size: 23 x 30 inches Condition: Excellent Inscription: Sig...

Alex Katz was born in 1924 to a Jewish family in Brooklyn, New York, as the son of an émigré who had lost a factory he owned in Russia to the Soviet revolution. In 1928 the family moved to St. Albans, Queens, where Katz grew up. From 1946 to 1949 Katz studied at The Cooper Union in New York, and from 1949 to 1950 he studied at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan's plein air painting gave him "a reason to devote my life to painting." Every year from early June to mid-September, Katz moves from his SoHo loft to a 19th-century clapboard farmhouse in Lincolnville, Maine. A summer resident of Lincolnville since 1954, he has developed a close relationship with local Colby College. From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del...

Artist: Fran Bull (1938) Title: Three Egrets Year: 1980 Edition: 156/160, plus proofs. Medium: Silkscreen on Rives BFK White Paper Size: 20.25 x 29.75 inches Condition: Good Inscript...

Artist: Peter Max (1937) Title: Flowering Angel Year: 1973 Edition: 19/100, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 23 inches Condition: Good Inscription: Signed an...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittleman uses bright color to transform the craters and crevices of the lunar surface into vibrant abstractions which recall Abstract Expressionist painting. The strong graphic prints reflect the awe-inspiring nature of their source material. photographer, film maker, video producer, graphic designer, multimedia developer, clock maker and teacher. Guggenheim fellowship (graphics), Cannes Film festival, Academy Award Nomination. Work in permanent collections: MFA Boston, MOMA NY, Smithsonian Institution and Fogg Museum, Harvard. He exhibited with Gyorgi Kepes Solo shows: Lunar Transformations: 10 Serigraphs by Len Gittleman - Institute of Contemporary Arts, London Group shows: Integrated Vision: Science, Nature, and Abstraction in the Art of Len Gittleman and György Kepes - DeCordova Sculpture Park and Museum, Lincoln, MA Abstract Photography in the Permanent Collection - DeCordova Sculpture Park and Museum, Lincoln, MA Photography in Boston - 1955-1985 - DeCordova Sculpture Park and Museum, Lincoln, MA Some Photographic Use of Color: Fred Berman...

Aquarium and Up II Diptych Overall sheet size cm : H102 x W90 Anne Storno – Aquarium – A limited edition, hand printed screen print, made in England. – This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative context and reconfigured into a new scenario. Aquarium is mixing an old image of Joan Collins, the actress, with a view of the earth from space...

Screen print on cream Speckle Tone paper. Signed by Shepard Fairey and Craig Stecyk III. Edition 142 of 300. 18 x 24 inches Published by Obey Giant Reference Photo by: C.R.Stec...

Water is the New Black Signed and dated in pencil Edition 179/450 Screenprint on cream speckle tone paper Published by Obey Giant. image: 17 by 23 in. (43.2 by 58.7 cm.) sheet: 18...

Artist: Robert Indiana (1928-2018) Title: Constance Fletcher (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 51/150, plus proofs Size: 24 x 20 inches Conditio...

Serigraph in colors on paper. Hand signed and numbered by the artist. Artist Proof (AP) edition of 45. Sheet size 23 x 27.5 inches. Image size 18 x 22.5 inches. Custom framed as ...

Artist: Peter Max (1937) Title: Satchidananda Year: 1970 Edition: A.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16.5 x 18 inches Condition: Good Inscription: Signed b...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

Artist: Jiang Tie-Feng (1938) Title: Four Songs of Spring Year: 1999 Medium: Silkscreen on Canvas Edition: XCIII/C, 200, plus proofs Size: Each individu...

Artist: Roy Ahlgren (1926-2011) Title: Starry, Starry Night Year: 1982 Edition: 7/150, plus proofs Medium: Silkscreen on Arches paper Size: 22 x 30 inches Condition: Good Inscription...

Artist: Peter Max (1937) Title: Flower Lady Year: 1987 Edition: 139/300, plus proofs Medium: Silkscreen on Arches paper Size: 37 x 26 inches Condition: Excellent Inscription: Signed ...

Artist: Kip Frace Title: Statue of Liberty Year: 1993 Medium: Serigraph, Signed and Numbered in Pencil Edition: 89/175 Paper Size: 42 x 28 inches [106.68 x 70.12 cm]

Artist: Max Epstein, Canadian (1932 - 2002) Title: Canadian Sunset Year: 1977 Medium: Silkscreen, signed and numbered in pencil Edition: 66/75 Image Size: 17 x 18 inches Frame ...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittleman uses bright color to transform the craters and crevices of the lunar surface into vibrant abstractions which recall Abstract Expressionist painting. The strong graphic prints reflect the awe-inspiring nature of their source material. photographer, film maker, video producer, graphic designer, multimedia developer, clock maker and teacher. Guggenheim fellowship (graphics), Cannes Film festival, Academy Award Nomination. Work in permanent collections: MFA Boston, MOMA NY, Smithsonian Institution and Fogg Museum, Harvard. He exhibited with Gyorgi Kepes Solo shows: Lunar Transformations: 10 Serigraphs by Len Gittleman - Institute of Contemporary Arts, London Group shows: Integrated Vision: Science, Nature, and Abstraction in the Art of Len Gittleman and György Kepes - DeCordova Sculpture Park and Museum, Lincoln, MA Abstract Photography in the Permanent Collection - DeCordova Sculpture Park and Museum, Lincoln, MA Photography in Boston - 1955-1985 - DeCordova Sculpture Park and Museum, Lincoln, MA Some Photographic Use of Color: Fred Berman...

Artist: Mark Kostabi (1960) Title: Close Call Year: 1986 Edition: 9/10, 40 Arabic Numerals, 10 Roman Numerals, plus proofs. Medium: Silkscreen on Arches paper Size: 40.5 x 30.25 inch...

Serigraph in colors on paper. Hand signed, dated and numbered by Peter Max. Published by London Arts Inc., Detroit, MI and printed by Peter Baum, NY. Edition of 100. Artwork is ...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

Robert Indiana, American (1928 -2018) - To the Bridge from the American Dream Portfolio, Year: 1964 (1997), Medium: Screenprint on Wove Paper (unsigned), Edition: 395, Image Size:...

Artist: Lowell Nesbitt (1933-1993) Title: Rose Year: 1980 Edition: 160/250, plus proofs. Medium: Silkscreen on Arches paper Size: 24.75 x 21.75 inches Condition: Good Inscription: Si...

Lithograph in colors on paper. Hand signed, dated and numbered by the artist. Artist Proof (AP) edition. Sheet size 23 x 30 inches. Custom framed as pictured. Artwork is in excell...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

This beautiful intricate, hand colored illustration made using fine calligraphy pens to crate the black outline, then Cornet makes 5 lithograph prints, each one is colored differentl...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 57/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Hand signed and numbered. Blind stamped in lower left corner. Don't hesitate to ask any questions. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by ...

Artist: Mark Kostabi (1960) Title: Close Call Year: 1986 Edition: 9/10, 40 Arabic Numerals, 10 Roman Numerals, plus proofs. Medium: Silkscreen on Arches paper Size: 40.5 x 30.25 inch...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 51/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 11/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Artist: Peter Max (1937) Title: [Jimi] Hendrix Year: 1972 Medium: Silkscreen on Arches paper Edition: 41/45, plus proofs Size: 22.25 x 28.5 inches Condition: Good Inscription: Signed...

Hand signed and numbered by the artist. Published by AMX Art Ltd., NY and printed by IZMO Productions, NY.. Artwork is in excellent condition. Edition of 175. All reasonable offer...

Artist: Peter Max (1937) Title: Degas & Woman Year: 1990 Edition: 31/300, plus proofs Medium: Silkscreen on Arches paper Size: 26 x 36 inches Condition: Excellent Inscription: Signed...

Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Published by London Arts Inc., Detroit, MI and printed by Peter Baum,...

Artist Name: Peter Max Space Rainbow Year: 1978 Medium Type: Silkscreen, on Arches Paper Size-Width Size-Height: 22” x 30” inches Signed Edition Size: signed in pencil and marked ...

Monotype silkscreen on Fabriano vélin paper. Paper size: 19.75 x 15.25 inches. Inscription: Hand signed in ink, as issued. Notes: Published and printed by Peter Max, New York, 2015. ...

Mykonos Horizon Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 147/200 Image Size: 36 x 18 inches Frame Size: 52 x 34 inches

Paula Scher China, 2013 Hand pulled silkscreen on deluxe Lanaquarelle paper 24 3/5 × 28 1/5 inches Edition of 95: Pencil signed and numbered on the front Unframed Accompanied by gall...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Artist: Jiang Tie-Feng (1938) Title: Rhythm Year: 1992 Medium: Silkscreen on Vellum Rag paper Edition: 80/300, plus proofs Size: 32.75 x 39.5 inches Condition: Good Inscription: Signed and numbered by the artist. JIANG TIE-FENG (1938- ) Chinese Artist Jiang Tiefeng's colors are of unsurpassed richness. Jiang's use of imagery in his paintings are steeped in Buddhist and Chinese mythology. Each figure has a symbolic meaning, and his works have so much complexity and visual fascination that the viewer is constantly seeing something new. Jiang's deep love of the colorful earth and for Xishuangbanna, a region of the Yunnan Province, has encouraged him to explore and create mysterious and unique subjects to paint. The secret and essence of Jiang Tiefeng's work is best expressed by the artist himself as he describes his paintings not only as pictures, but they are also music and poetry...

Anne Storno – Aquarium – A limited edition, hand printed screen print, made in England. – This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative context and reconfigured into a new scenario. Aquarium is mixing an old image of Joan Collins, the actress, with a view of the earth from space...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Artist: Lowell Nesbitt (1933-1993) Title: Waterlilies Year: 1981 Edition: 42/200, plus proofs. Medium: Silkscreen on Arches paper Size: 23.25 x 41.5 inches Condition: Good Inscriptio...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Artist: David Willardson (1973) Title: The Hair of the Dog Year: 2007 Medium: Silkscreen on deckle edged archival paper Inscription: Signed and numbered by the artist Edition: 134/19...

Hand signed by the artist vertically and numbered lower left in pencil. Printer's chop mark, lower right. Published to commemorate the 100th anniversary of the Brooklyn Bridge. Print...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 45/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 9/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by L...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 35/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 57/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...

Silkscreen on vélin d’Arches paper. Paper Size: 24 x 20 inches. Inscription: Hand signed and numbered, 77/150, as issued. Notes: From the folio, Mother of Us All, 1977. Published by ...