Matthias Weischer

Berg, 2013

2013

Monotype and lithograph in colours, on Somerset Satin paper, with full margins Edition of 30 61.3 x 48.7 cm (24 x 19.2 in) Framed 68 x 55.5 x 4 cm, 26.8 x 21.9 x 1.6 in Signed, numbe...

Offset print, collage, airbrush Edition 22 of 50 Signed, numbered and dated on the back Excellent. Minor indentation on lower right edge of print visible under normal viewing conditi...

Acrylic on plastic foils, collage. Due to the individual design, each copy of the edition is unique Edition 3 of 5 Numbered, titled and dated on the front, signed and dated on the ba...

Woodcut on Fabriano Rosipina Avorio 285gsm paper Edition 1 of 50 Signed, numbered and blindstamped by the publisher on the front 46 x 41.5 x 3.5 cm - Framed by Pauli Excellent, incon...

Going North in the Work of Jessica Houston By L. Sasha Gora Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 31/80 Printer : Fratelli Pozzo Catalog : Mason-Putman 36 94.00 cm. x 62.50 cm. 37.01 in. x 24.61 in. (paper) 66.50 c...

Paper Size: 39.25 x 27 inches ( 99.695 x 68.58 cm ) Image Size: 39.25 x 27 inches ( 99.695 x 68.58 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...