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1950s Landscape Prints

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Period: 1950s
Original 'Come to Monte Carlo, Monaco' vintage poster. Paradise on Earth!
Located in Spokane, WA
Original Come to Monte Carlo, Principality of Monaco vintage poster. Come to paradise on earth! A black and white vintage poster for Monte Carlo wi...
Category

American Realist 1950s Landscape Prints

Materials

Offset

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Maurice Utrillo, The Sacred Heart, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Marc Chagall, Hagar in the Desert, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Agar dans le desert (Hagar in the Desert), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Rev...
Category

Expressionist 1950s Landscape Prints

Materials

Lithograph

Marc Chagall, The Face of Israel, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Le visage d'Israel (The Face of Israel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...
Category

Expressionist 1950s Landscape Prints

Materials

Lithograph

Henri Matisse, Chinese Fish, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Poisson Chinois (Chinese Fish), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Marc Chagall, The Crucifixion, from Derriere le miroir, 1950
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled La Crucifixion (The Crucifixion), from the folio Derriere le miroir, No. 27-28, originates from the 1950 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1950. This deeply spiritual work reflects Chagall’s masterful synthesis of color, symbolism, and emotion, merging biblical narrative with modern expression to evoke both suffering and transcendence. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: La Crucifixion (The Crucifixion), from the folio Derriere le miroir, No. 27-28 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1950 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 27-28, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1950 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall La Crucifixion Derriere le miroir No. 27-28, Chagall Mourlot Freres, Chagall Maeght...
Category

Expressionist 1950s Landscape Prints

Materials

Lithograph

Marc Chagall, Boaz Awakes and Sees Ruth at His Feet, from Verve, Revue, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Booz se reveille et voit Ruth a ses pieds (Boaz Awakes and Sees Ruth at His Feet), from Marc Chagall, Dessins Pour La Bi...
Category

Expressionist 1950s Landscape Prints

Materials

Lithograph

Marc Chagall, Naomi and Her Daughters-in-Law, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Noemie et ses Belles-Filles (Naomi and Her Daughters-in-Law), from Marc Chagall, Dessins Pour La Bible (Drawings for the...
Category

Expressionist 1950s Landscape Prints

Materials

Lithograph

Calder, Composition, A Bestiary (after)
Located in Southampton, NY
Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...
Category

Surrealist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Jean Lurcat, The Capricorn, from The Signs of the Zodiac, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Capricorne (The Capricorn), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates fr...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Palazzo, Florence
Located in Fairlawn, OH
Palazzo, Florence Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954 Signed in pencil lower right (see photo) Edition 250 plis 10 on Rives wove paper, printed by the artist Published by The Print Club of Cleveland, No. 33 for 1955 REFERENCE: Geske #32 Condition: Mint Image size: 9 3/16 x 13 1/8 inches Impressions of this image can be found in the following museums: National Gallery of Art, Washington Toledo Museum of Art Oberlin, Allen Museum of Art Cornell Univeristy Cleveland Museum of Art Indianapolis Museum of Art Baltimore Museum of Art Georgetown University Indiana Univeristy, Eskenazi Museum of Art David Museum of Art at Wellesley College "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category

American Modern 1950s Landscape Prints

Materials

Aquatint

Fernand Leger, Plate 93, from Circus, 1950
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 93 (Plate 93), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Calder, Composition, A Bestiary (after)
Located in Southampton, NY
Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...
Category

Surrealist 1950s Landscape Prints

Materials

Lithograph

Picasso, Composition (Cramer 88), Dans l'Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Maurice Utrillo, Montmartre Square, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Place a Montmartre (Montmartre Square), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Place a Montmartre (Montmartre Square), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Raoul Dufy, Still Life with Fruit, Esprit de la fleur et du fruit, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...
Category

Modern 1950s Landscape Prints

Materials

Lithograph, Stencil

Calder, Composition, A Bestiary (after)
Located in Southampton, NY
Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...
Category

Surrealist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Jean Lurcat, The Sagittarius, from The Signs of the Zodiac, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Sagitaire (The Sagittarius), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates f...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Henri de Toulouse-Lautrec, Chocolate, scene, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Chocolat, scene (Chocolate, scene), originates from the 1952 album The Circus of Toulouse-Lautrec. Publi...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Unsigned and unnumbered, as issu...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Sculptor at Work - Woodcut after Takakane Fujiwara - 1950s
Located in Roma, IT
Sculptor at work is an artwork realized in the Early 20th Century after Takakane Fujiwara. Sheet dimensions: 30 x 19.5 cm. Reprint. Good conditions.
Category

Modern 1950s Landscape Prints

Materials

Paper, Woodcut

Jean Lurcat, The Leo, from The Signs of the Zodiac, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Lion (The Leo), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the 1959 ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 9.75 x 12.5 inches; image size: 8.27 x 10.63 inches Inscription: Signed in the plate and unnumber...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 8.66 x 7.08 inches Inscription: Signed in the plate and unnumbere...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Hidden Pond
Located in Fairlawn, OH
Hidden Pond Lithograph, 1958 Signed in pencil lower right of image Annotated: Ed/40 in pencil by the artist lower left Edition: 40 Provenance: Baldwin-Wallace College, Berea, OH (acc...
Category

American Realist 1950s Landscape Prints

Materials

Lithograph

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

Modern 1950s Landscape Prints

Materials

Drypoint, Etching

Composition (Vallier 137), Résurrection de l'oiseau, Georges Braque
Located in Southampton, NY
Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

The Pond in Winter with Ravens - Original lithograph, Handsigned
Located in Paris, IDF
Maurice BRIANCHON The Pond in Winter with Ravens Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 65 x 50 cm (c. 26 x 20 in) Very good condition, light defe...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Jean Lurcat, The Aries, from The Signs of the Zodiac, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Belier (The Aries), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the 1...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Signac, Pont des Arts, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Fernand Leger, Plate 34, from Circus, 1950
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 34 (Plate 34), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Raoul Dufy, Landscape, from Esprit de la fleur et du fruit, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage (Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the...
Category

Modern 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Henri de Toulouse-Lautrec, Clowness, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse (Clowness), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris ...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Jean Lurcat, The Libra, from The Signs of the Zodiac, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled La Balance (The Libra), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Maurice Utrillo, The Eiffel Tower, from Paris Capital, 1955
Located in Southampton, NY
This exquisite lithograph by Maurice Utrillo (1883–1955), titled La Tour Eiffel (The Eiffel Tower), from the album Paris Capitale (Paris Capital), originates from the 1955 edition pu...
Category

Modern 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Composition, Éloge de Gromaire, Marcel Gromaire
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

Maurice Utrillo, At Notre-Dame, The City, from Paris Capital, 1955
Located in Southampton, NY
This exquisite lithograph by Maurice Utrillo (1883–1955), titled a Notre-Dame, La Cite (At Notre-Dame, The City), from the album Paris Capitale (Paris Capital), originates from the 1...
Category

Modern 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...
Category

Post-Impressionist 1950s Landscape Prints

Materials

Lithograph

Jean Lurcat, The Cancer, from The Signs of the Zodiac, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Cancer (The Cancer), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the ...
Category

Modern 1950s Landscape Prints

Materials

Lithograph

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