Mid-19th Century Landscape Prints
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Period: Mid-19th Century
The Queen's Staircase - Original Lithograph by F.A. Pernot - 1836
Located in Roma, IT
The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865).
Original Lithograph on paper. The sheet is glued on ...
Category
Modern Mid-19th Century Landscape Prints
Materials
Lithograph
West Bow, Edinburgh
By George Cattermole
Located in Storrs, CT
West Bow, Edinburgh. c. 1847. Lithograph by Harding after a drawing by Cattermole. 16 3/4 x 11 9/16 (sheet 21 1/2 x 14). From the portfolio "Scotland Delineated in a Series of Views," originally produced for John Parker Lawson and published by E. Gambart in London and Edinburgh, 1849 - 1854. Lithographed by Day and Son. The popular series went through several printings. This is probably from the first edition, volume 1. Scattered foxing, unobtrusive vertical paper fold along the left-hand side. A good impression printed on heavy off-white wove paper Signed in pencil by Cattermole. Housed in a 22 x 20-inch archival mat, suitable for framing.
Cattermole was born at Dickleburgh, near Diss, Norfolk. At the age of fourteen he began working as an architectural and topographical draughtsman for the antiquary John Britton...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Lithograph
Cherry Blossoms at Honmoku in Musashi Province (Musashi Honmoku no hana). From t
Located in London, GB
Utagawa Hiroshige
Cherry Blossoms at Honmoku in Musashi Province (Musashi Honmoku no hana). From the series Fuji sanjurokkei (Thirty-six Views of Mt. Fuji).
1858
Colour woodblock pri...
Category
Mid-19th Century Landscape Prints
Materials
Woodcut
'Distribution of Goods to the Gros Ventres' lithograph by John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels.
In this image, Stanley documented the encounter with the Gros Ventre people at Milk River. The explorers were invited to the Gros Ventres camp and the two groups exchanged gifts in friendship. The Stevens Party provided "... blankets, shirts, calico, knives, beads, paint, powder, shot, tobacco, hard bread, etc." The image likewise alludes to how, in 1855, Isaac Stevens, concluded a treaty (Stat., L., XI, 657) to provide peace between the United States and the Blackfoot, Flathead and Nez Perce tribes. The Gros Ventres signed the treaty as part of the Blackfoot Confederacy, whose territory near the Three Fork area became a common hunting ground for the Flathead, Nez Perce, Kootenai, and Crow Indians.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
17 x 20 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Distribution of Goods to the Gros Ventres' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XXI' upper right
Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding.
Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame.
John Mix...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Lithograph
La Tour de L’Horloge (The Clock Tower, Paris)
Located in New York, NY
Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...
Category
Realist Mid-19th Century Landscape Prints
Materials
Etching, Engraving
'Kettle Falls, Columbia River' original color lithograph by John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.'
When it came to depicting the Columbia River, as seen in the present print, Stanley chose to depict the river's characteristic rock formations and choppy waters. The figures in the image give the viewer a sense of the vase scale of the imposing landscape. Other explorers that reached the site years before the Pacific Railroad Survey, such as Lewis and Clark, observed this scene with wonder and awe – and it is clear Stanley felt the same way.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
13.25 x 16.25 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Kettle Falls, Columbia River' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XLVII' upper right
Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding.
Print in overall good condition; wrinkles in upper margin and upper right corner; frame in excellent condition.
John Mix Stanley...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Lithograph
Red Breasted Merganser from Illustrations of British Ornithology Pl.58 by Selby
Located in Paonia, CO
Red Breasted Merganser PL 58 from a rare black and white edition of Prideaux John Selby’s two volume set of 222 engravings “Illustrations of British Ornithology”. These original...
Category
Realist Mid-19th Century Landscape Prints
Materials
Engraving
Une Rue à Sienne - Etching by L.-A. Leconte de Roujou - 1863
By Louis-Auguste Leconte de Roujou
Located in Roma, IT
Une Rue à Sienne is an original artwork realized by Louis-Auguste Leconte de Roujou in 1863. Original etching. The sheet is glued on cardboard.
Titled on the lower margin. The name...
Category
Mid-19th Century Landscape Prints
Materials
Etching
'Maple River' original color lithograph by John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' Along with the image, Stanley also noted in the report of the Maple River: "It would be an excellent plan for an emigrant travelling through the country, before reaching one of these rivers on which he expects to camp, to catch a few frogs, for the purpose of fishing in these streams, which abound pike, picarel, and large catfish. Frogs are by far the best bait that can be used." This note from the artist perhaps describes some of the actions of the figures in the camp in the foreground of the image.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
13.25 x 16.25 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Maple River' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE VIII' upper right
Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding.
John Mix...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Lithograph
Chiyogaike Pond, Meguro from 100 Famous Views of Edo
Located in Burbank, CA
A cascading waterfall fills Chiyo’s Pond, named after an ancient samurai’s wife. Cherry trees in full bloom line the banks of the pond. The reflections of the trees in the pond are a notable feature, as Hiroshige did not use reflections in very many of his prints, as it was something of an exotic import. From the series One Hundred Famous Views of Edo...
Category
Edo Mid-19th Century Landscape Prints
Materials
Woodcut, Mulberry Paper
Geneva, Rue De L'Hôtel De Ville - Lithograph by A. Fontanesi - 1854
Located in Roma, IT
Image dimensions: 20.5 x 15 cm.
This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
View of Sepino - Original Lithograph by F- Cirelli - Mid 19th Century
Located in Roma, IT
Veduta di Sepino is an original artwork realized in the XIX Century by Cirelli.
Colored Lithograph on paper.
On the lower left corner the writing "P. Mattei di dal vero" and, on ...
Category
Old Masters Mid-19th Century Landscape Prints
Materials
Lithograph
Views of Rome - Collections of Views of Rome by Bartolomeo Pinelli - 1834
Located in Roma, IT
Views in Rome, drawn and engraved by Bartolomeo Pinelli, of Rome, London, W.B. Cooke, 1834.
In-8° (cm 24x17). Unumered pages with 27 b/w plates out of the text, etchings on copper with tissue paper. Polished speciment, with diffused foxing on margins. Brown Canvas Binding Cover with title marked in gold on wedge in the spine.
Spine ligtly damaged in lower margin. Cover with the Castle Saint Angel...
Category
Mid-19th Century Landscape Prints
Materials
Etching
Geneva, Cour Du Collège - Lithograph by A. Fontanesi - 1854
Located in Roma, IT
This splendid lithograph Interieur de Geneve. Cour Du Collège is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Font...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
View of Taranto - Etching by Achille Parboni - 1843
Located in Roma, IT
Image dimensions: 11.5 x 14.7 cm
Vie of Taranto is an original black and white etching on paper, realized by the Italian engraver Achille Parboni.
Printed as a plate of the prints ...
Category
Modern Mid-19th Century Landscape Prints
Materials
Etching
Daumier Colored Lithographic Satire of a Man Concerned for His Vineyard and Wine
Located in Alamo, CA
A hand-colored lithograph by the father of French satire and caricature, Honore Daumier (1808-1879) entitled "Faut espérer que grâce à ces précautions ce diable d'Oïdum ne pénétrera ...
Category
Other Art Style Mid-19th Century Landscape Prints
Materials
Lithograph
"Iron Steam Ship Great Britain, " an Original Lithograph by Nathaniel Currier
Located in Milwaukee, WI
"Iron Steam Ship Great Britain" is an original hand-colored lithographed published by Currier & Ives. It depicts a large British steam ship on the water. The caption below says "3500 Tons. Engine 1000 Horse power. Weight of Iron used in the Ship and Engine is 1500 Tons. THE LARGEST IN THE WORLD. Length from Figurehead to Tafrail 322 Fe3et. Main breadth 50' 6" ... Depth 32' 6" Lieut. Jaf. Hosken R.N. Commander."
8" x 12 3/4" art
17 1/8" x 21 1/2" frame
Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone...
Category
Mid-19th Century Landscape Prints
Materials
Lithograph
Vue du Port au Chemin de Fer à Honfleur
Located in Roma, IT
Signed on plate.
Plate: 267
Image Dimensions : 24 x 34 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an arti...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Etching
Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
American Impressionist Mid-19th Century Landscape Prints
Materials
Drypoint, Etching
Ponte di Mammea (today Ponte Mammolo) - Original Etching by A. Acquaroni - 1836
By Antonio Acquaroni
Located in Roma, IT
The original artwork Ponte Mammea oggi Ponte Mammolo is an etching on copper, drawn and engraved by the artist Antonio Acquaroni (signed Aquaroni), for the print series Ponti antichi...
Category
Mid-19th Century Landscape Prints
Materials
Etching
Interieur de Geneve. Porte Neuve - Lithograph by A. Fontanesi
Located in Roma, IT
Image dimensions: 15 x 22 cm.
This splendid lithograph Interieur de Geneve. Porte Neuve is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the ...
Category
Mid-19th Century Landscape Prints
Materials
Lithograph
Interieur de Geneve. Fontaine de Beauregard-Original Lithograph by A. Fontanesi
Located in Roma, IT
Image dimensions: 15.7 x 22.3 cm.
This splendid lithograph Interieur de Geneve. Fontaine de Beauregard is part of the series of 20 prints dedicated to views of the city of Geneva, e...
Category
Mid-19th Century Landscape Prints
Materials
Lithograph
Paris : The Column with an Angel on Bastille Square - Original stone lithograph
Located in Paris, FR
Philippe BENOIST
Paris : The Column with an Angel on Bastille Square - 1861
Original two tones stone lithographs
Printed name of the artist bottom right
On vellum 33.5 x 49 cm (c. 1...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
La Tour de l’Horloge - Original Etching by C. Meryon - 1850 ca.
Located in Roma, IT
La Tour de l’Horloge is a beautiful engraving by the French artist Charles Meryon engraved around 1850. The state of preservation is very good. Only two tiny stains of dirt on the ri...
Category
Old Masters Mid-19th Century Landscape Prints
Materials
Etching
"Cantonment Stevens, Looking Westward, " Hand-colored Lithograph by G. Sohon
Located in Milwaukee, WI
"Cantonment Stevens, Looking Westward," is a hand-colored lithograph by Gustavus Sohon. His signature is printed under the lower right of the oval, and the publisher is printed under...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Interieur de Geneve. Fontaine et Rue de Coutance - Lithograph by A. Fontanesi
Located in Roma, IT
Image dimensions: 15.7 x 20.6 cm.
This splendid lithograph Interieur de Geneve. Fontaine et Rue de Coutance is part of the series of 20 prints dedicated to views of the city of Gene...
Category
Mid-19th Century Landscape Prints
Materials
Lithograph
Interieur de Geneve. Un Coin De La Treille - Lithograph by A. Fontanesi
Located in Roma, IT
Image dimensions: 15.3 x 20.8 cm.
This splendid lithograph Interieur de Geneve. Un Coin De La Treille is part of the series of 20 prints dedicated to views of the city of Geneva, en...
Category
Mid-19th Century Landscape Prints
Materials
Lithograph
Paris : Saint Paul and Saint Louis Church - Original stone lithograph
Located in Paris, FR
Philippe BENOIST
Paris : Saint Paul and Saint Louis Church - 1861
Original two tones stone lithographs
Printed name of the artist bottom right
On vellum 33.5 x 49 cm (c. 13 x 20 inc...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Paris : Les Invalides under the Snow - Original stone lithograph
Located in Paris, FR
Philippe BENOIST
Paris : Les Invalides Under the Snow - 1861
Original two tones stone lithographs
Printed name of the artist bottom right
On vellum 33.5...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Paris : Stock Market Place - Original stone lithograph
Located in Paris, FR
Philippe BENOIST
Paris : Stock Market Place - 1861
Original two tones stone lithographs
Printed name of the artist bottom right
On vellum 33.5 x 49 cm (c...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Au Bord d'une Rivière - Original Lithograph by A. Decamps
Located in Roma, IT
Au Bord d'une Rivière is an original artwork realized by Alexandre Decamps in 1831.
Original lithograph on paper.
Very good conditions.
Original artwork representing a river with ...
Category
Mid-19th Century Landscape Prints
Materials
Lithograph
'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton'
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
17 x 20 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XXXVII' upper right
Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding.
Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame.
John Mix Stanley...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Lithograph
La Morgue
Located in New York, NY
Charles Meryon 1821-1868), La Morgue, etching, 1854, fourth state (of 7), printed in brown/black ink, Schneiderman 42 [with the inscription, date, address in the plate]. In very goo...
Category
Realist Mid-19th Century Landscape Prints
Materials
Etching
Le Petit Pont
Located in Roma, IT
Signed on plate with the Monogram of the artist “CM”. Original Prints.
State III/III
Passepartout included : 60 x 40 cm
Image Dimensions : 24.5 x 18.5 cm
This artwork is shipped fro...
Category
Realist Mid-19th Century Landscape Prints
Materials
Etching
The Unsafe Tenement
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), The Unsafe Tenement, etching, 1858. [signed in the plate lower right]. References: Kennedy 17. Glasgow 18, fourth state (of four). In very good condition, printed on a very thin (two ply?) Japan paper, with margins, 6 1/8 x 8 3/4, the sheet 8 1/4 x 11, archival mounting.
A brilliant, black impression printed with astonishing clarity and exquisite detailing, on an ivory Japan paper. Presumably this is a proof impression before the relatively large edition published in this state (the edition was not on this paper).
Provenance: Inscribed “To Otto J. Schneider from his friend Frederick Keppel”. Schneider (1875-1946) was an American artist, noted for his realism, influenced by Whistler. Keppel was of course the well-known American dealer, one of whose specialties was Whistler prints. Keppel had a good relationship with Whistler until, as in most of his relationships, Whistler became inordinately troublesome – at which point Keppel wrote Whistler a longish, mocking poem, with lines such as these: “Like cackling hens or cocks a-crowing Your tireless trumpet keeps a-blowing. ” After this, Keppel wrote “at this point all my intercourse with this extraordinary man came to an end.”
(In the lower right is the ghost of another inscription, now erased, apparently to another friend from Edna (?) Schneider who presumably owned this print after Otto Schneider...
Category
Realist Mid-19th Century Landscape Prints
Materials
Etching
Shere Mill Pond II (Large Plate)
Located in New York, NY
Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches.
A very good impression, with rich burr especially in the reeds toward the right.
Provenance: Frederick Keppel and Co., New York, NY.
Illustrated: Guichard, British...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Drypoint, Etching
Limehouse
Located in New York, NY
James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky.
A very fine impression, in black ink on a thin Japan paper.
Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat.
Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames.
It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...
Category
Realist Mid-19th Century Landscape Prints
Materials
Etching
LE PONT AU CHANGE
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Category
Realist Mid-19th Century Landscape Prints
Materials
Etching, Drypoint
Environs de Fontainebleau
Located in Middletown, NY
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...
Category
French School Mid-19th Century Landscape Prints
Materials
Engraving, Handmade Paper, Etching
Wood Warbler: 19th C. 1st Octavo Edition Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Blackburnian Wood Warbler, 1. Male, 2. Female, Phlox maculata", No. 18, Plate...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Horned Grebe: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Horned Grebe, 1. Adult Male, 2. Female in Winter", No. 97, Plate 481 from Audubon's "Birds of Am...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Red-necked Grebe: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Red-necked Grebe, 1. Male Spring Plumage, 2. Young Winter Plumage", No. 96, Plate 480 from Audub...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Windsor Castle: A Framed 19th C. Engraving After Myles Birket Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving entitled "Windsor Castle", by Arthur Willmore (1814-1888) after an original painting by the British artist Myles Birket Fost...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Engraving
Maison d'Orleans, Twickenham, lithograph 1846 by Édouart Pinguet
Located in London, GB
Édouard Pingret
Orleans House, Twickenham
Lithograph, 1846
32x42cm
Printed Lemercier, Paris
1846 print by Pingret of a front view of the Orleans House wit...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Meishoe - Woodcut by Utagawa Hiroshige - 1852
Located in Roma, IT
Meishoe is an original modern artwork realized by Utagawa Hiroshige (1797 – 1858) in 1852.
From the series "Gojusantsugi" (53 stations); the station Fujikama.
Chuban. Dimensions: 25.5 x 19 cm.
Scene in front of a poor inn, coming from the left a traveller with a red tengu mask...
Category
Modern Mid-19th Century Landscape Prints
Materials
Woodcut
Hibiya and Soto-Sakurada from Yamashita-chô from 100 Views of Edo
Located in Burbank, CA
New Year’s festivities are indicated by the flying kites as well as the two battledores tossing the shuttlecock that floats in the middle sky. Note that the women holding the battled...
Category
Edo Mid-19th Century Landscape Prints
Materials
Mulberry Paper, Woodcut
Boston
Located in Missouri, MO
John William Hill (1812-1879)
"Boston" 1857
Hand-Colored Engraving
Site Size: 29 x 41 inches
Framed Size: 39 x 52 inches
Born in London, England, John William Hill came to America with his family at age 7. His father, John Hill, was a well-known landscape painter, engraver, and aquatintist. John William had a career of two phases, a city topographer-engraver and then, the leading pre-Rafaelite school painter in this country. Employed by the New York Geological Survey and then by Smith Brothers...
Category
Pre-Raphaelite Mid-19th Century Landscape Prints
Materials
Aquatint, Engraving
Paris : Saint Sulpice Church - Original stone lithograph
Located in Paris, FR
Philippe BENOIST
Paris : Saint Sulpice Church - 1861
Original two tones stone lithographs
Printed name of the artist bottom right
On vellum 33.5 x 49 cm (c. 13 x 20 inch)
Informati...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Paris : Back Door of Louvre Museum - Original stone lithograph
Located in Paris, FR
Philippe BENOIST
Paris : Back Door of Louvre Museum - 1861
Original two tones stone lithographs
Printed name of the artist bottom right
On vellum 33.5 x 49 ...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
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