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Pierre Alechinsky"Untitled Landscape" Orange, Green, Serigraph, Signed Lower FrontMid-20th Century
Mid-20th Century
$2,800
£2,150.28
€2,464.19
CA$3,941.71
A$4,415.58
CHF 2,300.92
MX$53,861.02
NOK 29,239.44
SEK 27,570.71
DKK 18,392.07
About the Item
SALE ONE WEEK ONLY
“Untitled Landscape” is a serigraph in various shades of green and orange. Although it has an Art Nouveau feel to it, it can be described as Lyrical Abstraction. He was born in Belgian, but has lived and worked in France since 1951. His work is related to tachisme, abstract expressionism and lyrical abstraction. This is signed by the artist and numbered 13/100 on the lower right front.
Serigraphy, also known as silk screening, screen printing or serigraph printing, is a stencil-based printing process in which ink is forced through a fine screen onto the paper beneath. Screens were originally made of silk, but they are now made of finely woven polyester or nylon.A different screen is used for each colour in the print, resulting in a final serigraph with great colour density, colour saturation and texture.
In 1944 he attended the l’Ecole national superieure d’Architecture et des Arts decoratifs de la Cambre, Brussels, where he studied illustration techniques, printing and photography. In 1945 he discovered the work of Henri Michaux Jean Debuffet and developed a friendship with the art critic Jacques Putman.
In 1949 he joined Christian Dotremont, Karel Appel, Constant, Jan Nieuwenhuys and Asger Jorn to form the art group COBRA. He participated both with the COBRA exhibitions and went to Paris to study engraving at Atelier 17 under the guidance of Stanley Willaim Hayter in 1951.
In 1954 he had his first exhibition in Paris and started to become interested in Chinese and Japanese calligraphy. In the early 1950s he was the Paris correspondent for the Japanese journal Bokubi (the Beauty of Ink) published by Morita Shiryu of the Bokujinkai group. In 1955, encouraged by Henri Storck and Luc de Heusch, he left for Japan with his wife. He exhibited Night, 1952 (Ohara Museum of Art, Kurashiki) and made a film: Japanese Calligraphy.
1960 he had exhibited in London, Bern and at the Venice Biennial, and then in Pittsburgh, New York City, Amsterdam and Silkeborg as his international reputation grew. He worked with Walasse Ting and developed links with Andre Breton.
His international career continued throughout the seventies and by 1983 he became Professor of painting at the Ecole nationale superieure des Beaux-Arts, Paris. For the season 2018/2019 at the Vienna State Opera Pierre Alechinsky designed the large-scale picture (176 sqm) Loin d'ici as part of the exhibition series Safety Curtain, conceived by museum in progress.
His worked is collected world-wide in museums and private collections.
Print measures 28" h x 19.50" w. With matte it measures 32.50" h x 25" w.
- Creator:Pierre Alechinsky (1927, Belgian)
- Creation Year:Mid-20th Century
- Dimensions:Height: 35 in (88.9 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Detroit, MI
- Reference Number:1stDibs: LU128617461362
Pierre Alechinsky
Pierre Alechinsky is a belgian painter born in 1927 in Brussels. Attracted by painting, Pierre Alechinsky begins aged 17 in the Ecole Nationale Supérieure d'Architecture et des Arts Décoratifs de la Cambre in Brussels. He was involved in the Cobra artistic movement with Karel Appel and Asger Jorn and organised exhibitions. In the early fifties, he learnt the art of engraving with Stanley William Hayter and also Japanese calligraphy. He met Giacometti, Bram Van Velde, and Victor Brauner. In 1955, he signs for his first exhibition at the Palais des Beaux-Arts de Bruxelles, then at the Institute of Contemporary Arts of London. His artworks, prints, lithographies, engravings and books illustrations can also be found in the USA, in France, in the Netherlands, Denmark and Germany. On and after 1965, fascinated by the Oriental calligraphy, he uses acrylic painting, ink, different types of paper as bills, and gets carried away by action painting technique. During the eighties, he became for four years a teacher of plastic arts at the Ecole Nationale Supérieure des Beaux Arts. Also a writer, Pierre Alechinsky published many books including «Titres et pains perdus », « Baluchon et ricochets », and in 2004 «Des deux mains ». He lives and works in France.
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