Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Samuel Chamberlain
'Manhattan Old and New' — Vintage New York Cityscape

1929

About the Item

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne at the Royal College of Art in London. He went on to teach part-time at the School of Architecture, University of Michigan, Ann Arbor, and the School of Architecture, Massachusetts Institute of Technology, between his travels abroad. Chamberlain eventually lived in France for twelve years. He authored, and sometimes co-authored, with his wife Narcissa, Domestic Architecture of Rural France, Clementine in the Kitchen, New England Rooms 1639-1863, and Charleston Interiors. His illustrations and etchings were published in American Architect, Architecture, World Traveler, Pencil Points, Journal of the American Institute of Architects, Century Magazine, Arts and Decoration, House and Garden, The Architectural Record, and the Magazine Section of the New York Times. Chamberlain was a member of the American Academy of Arts and Sciences, the American Institute of Architects, the American Society of the French Legion of Honor, the Boston Camera Club, the Boston Printmakers, the Chicago Society of Etchers, the Photographic Society of America, the Print Club of Albany, and the Society of American Etchers. He was elected an Academician to the National Academy of Design. Chamberlian’s graphic work is represented in many museum and public collections, including the Art Institute of Chicago, Auckland Art Gallery (New Zealand), Carnegie Museum of Art, Harvard Art Museums, Library of Congress, Massachusetts Institute of Technology Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts in Houston, National Academy Museum, National Gallery of Art, Nelson-Atkins Museum of Art, New York Public Library, Philadelphia Museum of Art, and the Smithsonian American Art Museum.
  • Creator:
    Samuel Chamberlain (1895-1975, American)
  • Creation Year:
    1929
  • Dimensions:
    Height: 8.75 in (22.23 cm)Width: 6.82 in (17.33 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1035051stDibs: LU532313162212

More From This Seller

View All
'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category

1940s American Modern Landscape Prints

Materials

Drypoint

Church at Chichicastenango
By Jesse F. Reed
Located in Myrtle Beach, SC
Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...
Category

1960s American Modern Landscape Prints

Materials

Etching, Aquatint

'New York, Central Park' — 1930s American Modernism
By William Meyerowitz
Located in Myrtle Beach, SC
'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...
Category

1930s American Modern Landscape Prints

Materials

Etching

'Mural Study: Lower Manhattan' — WPA Era Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...
Category

1930s American Modern Landscape Prints

Materials

Lithograph

'Woolworth Building Under Construction' — Early 20th Century Modernism
By Earl Horter
Located in Myrtle Beach, SC
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...
Category

1910s American Modern Landscape Prints

Materials

Etching

'The French Farm' — Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'The French Farm', color serigraph, 1942, Ryan 86. Signed, titled, and annotated 'Edition 50' in pencil. A superb impression, with fresh colors, on cream, wove paper; ...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Screen

You May Also Like

The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category

1930s American Modern Figurative Prints

Materials

Drypoint

Armin Landeck, Tenement Walls
By Armin Landeck
Located in New York, NY
The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Drypoint

Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
By Samuel Chamberlain
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category

1930s American Modern Figurative Prints

Materials

Drypoint

Werner Drewes, 125th Street at Broadway, NYC
By Werner Drewes
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...
Category

1930s American Modern Landscape Prints

Materials

Drypoint

A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category

1930s American Modern Landscape Prints

Materials

Drypoint

Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Recently Viewed

View All