Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Samuel Ireland
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

1799

About the Item

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquatint views in the late 18th century. 150mm by 225mm (sheet)
  • Creator:
    Samuel Ireland (1744 - 1800, English)
  • Creation Year:
    1799
  • Dimensions:
    Height: 5.91 in (15 cm)Width: 8.86 in (22.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Melbourne, AU
  • Reference Number:
    1stDibs: LU124428820432

More From This Seller

View All
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Derwent Water and Lowdore Fall, Lake District scenery, C19th English aquatint
Located in Melbourne, Victoria
'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving, Aquatint

Waterfall on Fordingdale beck, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Waterfall on Fordingdale beck, at the foot of Hawes Water' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving, Aquatint

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

You May Also Like

Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Fjärden” (Expansive Archipelago Landscape) Signed "Oskar Bergman" in pencil Drypoint etching image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category

1910s Naturalistic Landscape Prints

Materials

Paper, Drypoint, Etching

“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Skogskanten” (Winter Landscape with Spruce Trees) signed "Oskar Bergman" in pencil drypoint etching image size: 19.5 x 29.5 cm (7 ...
Category

1910s Naturalistic Landscape Prints

Materials

Paper, Drypoint, Etching

Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category

Mid-19th Century Naturalistic Landscape Prints

Materials

Engraving, Etching

A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
By Johann Elias Ridinger
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category

1770s Naturalistic Animal Prints

Materials

Engraving

Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Engraving

Recently Viewed

View All