Surrealist Landscape Prints

This exquisite collotype after Max Ernst (1891–1976), titled Les Champs d'honneur, les inondations, les plantes sismiques (Fields of Honor, Flood, Seismic Plants), from the album Max...

This exquisite collotype after Max Ernst (1891–1976), titled A tout oublier (To Forget Everything), from the album Max Ernst, Histoire Naturelle (Natural History), originates from th...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Cesare PEVERELLI Pink Sunset on Field of Stones Original lithograph Handsigned in pencil Numbered / 50 copies On Japan paper 76 x 56 cm (c. 30 x 22 in) Excellent condition

André Masson, French (1896 -1987) - Place de la Concorde, Year: 1962, Medium: Lithograph on Japon, signed and numbered in pencil, Edition: VI/X, Image Size: 15.25 x 11.75 inches,...

Salvador DALI L'arrivée d'Iseult ("The arrival of Iseult") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching is part ...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

"Le Prince Iris" is an original color lithograph by Andre Masson. The artist signed the piece lower right in pencil and wrote the edition number, H.C. XXV/X...

Christmas Tree is a lithograph on paper with an image size of 2.25 x 2.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray ...

Silkscreen print. Produced in 2016, pressed on heavy quality stock paper. This series is limited to 50 pieces. Hand signed and numbered by Mehdi.

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

Zephyr At Night - Oversize Limited Edition Signed Edition size 100 only 40x30" inches / 101 x 76 cm paper size by Irie Wata Surrealist artist surr...

Full Moon is a Contemporary Artwork realized by the Italian Artist Guelfo Bianchini (Ancona, 1937) in 1978. Original colored Etching on paper. Hand-signed in pencil on the lower...

Tight Rope is a lithograph on paper with an image size of 3 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary si...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

"Venise en Fleurs" is an original color lithograph by Andre Masson. This piece is from the "Je Reve" (I Dream) portfolio of 1975. The edition number, written lower left, is H.C. XXV/...

Mont St. Michel is a lithograph on paper with an image size of 3 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame...

Cliff Hanger is a lithograph on paper with an image size of 2 x 1.75 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame...

Balloon Moon is a lithograph on paper with an image size of 1.75 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fra...

Orange Shell is a lithograph on paper with an image size of 3.75 x 3.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fra...

Fred Deux - Grey III - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

"Double Landscape" is an original two-plate landscape etching by Joseph Rozman. This artwork features two surreal landscape scenes in black and white. 2 1/2" x 3 1/4" art 11 5/8" x...

Gold Ring is a lithograph on paper with an image size of 2 x 2 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver...

Fred Deux - Grey IV - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Eschatos 28 Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200, 30 AP Size: 26 in. x 34 in. (6...

Untitled XXII Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Untitled XXV Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 13.5 in. x 19.5 in. (34.29 cm x 49.53 cm)

Untitled - Night Path Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Three Nightshades Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

(after) Salvador Dali Tienta en Espana, 1983 Lithograph and embossing after an etching Plate signed On Arches vellum 30 x 37" (74 x 93 cm) REFERENCES : Field 67-2 edition descibed p....

Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...

Fred Deux - Grey VII - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Hand-Signed Lithograph by Salvador Dali Japan Paper Title: Pantagruel's Dreams Signed in Pencil by Salvador Dali Dimensions: 76 x 56 cm Edition: EA 1973 References : Field 73-7 (p. 1...

Katie Edwards Little Jungle Limited Edition 3 Colour Silkscreen Print Edition of 100 Mounted Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed (Please note that in situ images are pu...

Fred Deux - Grey I - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudony...

Fred Deux - Grey VI - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudon...

Holiday in Old Town 11/30, paper, etching, soft varnish, 15x19.5 cm JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art Scho...

PAUL DELVAUX 1897-1995 Antheit, Huy 1897-1995 Veurne (Belgian) Title: The Sea is Near La Mer est Proche, 1966 Technique: Original Hand Signed and Inscribed Lithograph on Arc...

Fred Deux - Grey V - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Fred Deux - Grey I - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...