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Fireplace Landscape Prints

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Art Subject: Fireplace
Early Black and White Still Life Photograph of an Interior Fireplace Hearth
Located in Houston, TX
Early black and white still life photograph of a fireplace. The piece also documents the various items used to decorate the hearth including woven basketed and earthen pots...
Category

1930s Realist Black and White Photography

Materials

Silver Gelatin

Lecce Cathedral, Puglia painting by Richard Beer
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category

20th Century Realist Landscape Prints

Materials

Canvas, Oil

Vuillard, L´Atre, L'œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Lionel Arthur Lindsay (1874-1961) - Etching, A Doorway, Castello Nouvo, Naples
Located in Corsham, GB
A charming etching depicting a man sat on the steps to Castel Nuovo in Naples, Italy. Signed and numbered '100' in graphite below the plate lines. Presented in contemporary black fra...
Category

Early 20th Century Landscape Prints

Materials

Etching

Crepin-Cordonnier by Charles Hullmandell Boys
Located in Middletown, NY
Lithograph on chine-collé mounted to wove paper, 14 1/8 x 8 3/4 inches (355 x 220 mm), full margins. Scattered light foxing throughout, toning, surface soiling and scattered creasing...
Category

Early 19th Century French School Landscape Prints

Materials

Handmade Paper, Lithograph

William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794. Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category

Late 18th Century Victorian Landscape Prints

Materials

Engraving

William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794. Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category

Late 18th Century Victorian Landscape Prints

Materials

Engraving

Little Court, from A Set of Twenty-Six Etchings by James A. McN. Whistler”, 1880
Located in Philadelphia, PA
James Abbott McNeill Whistler (American, 1834-1903) Little Court, 1880-1 Etching and drypoint, printed in black ink on ivory laid paper; first state of two (Glasgow), 4 3/4 x 6 3/4 ...
Category

Late 19th Century Realist Landscape Prints

Materials

Paper, Etching

Window, Modern Etching by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Window, Year: circa 1965, Medium: Etching on BFK Rives, signed, titled and numbered in pencil, Edition: AP, Image Size: 11.75 x 8.75 inches, S...
Category

1960s Modern Landscape Prints

Materials

Etching

West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Chimney Piece in the Bishop Palace at Exeter (1797), engraving by James Basire
Located in London, GB
James Basire & William Turner Davey A chimney piece in the Bishop's Palace at Exeter Engraving 45 x 60 cm This engraving was originally published by the Society of Antiquaries of...
Category

1790s Realist Landscape Prints

Materials

Engraving

Ancient Roman Fresco - Original Etching by Niccolò Vanni - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Niccolò Vanni in the 18th century. Signed on the plate....
Category

18th Century Old Masters Figurative Prints

Materials

Etching

Doorway of the Doges, Venice
Located in New York, NY
Donald Shaw MacLaughlin (1876-1938), Doorway of the Doges, Venice, etching with plate tone, 1909, signed bottom right [also signed and dated in the plate]. Reference: Marie Bruette 1...
Category

Early 1900s Realist Landscape Prints

Materials

Etching

Rue Eginhard, Signed Impressionist Etching by Lester George Hornby
Located in Long Island City, NY
Rue Eginhard Lester George Hornby, American (1882–1956) Date: 1908 Etching on laid paper, signed in pencil Image Size: 7.25 x 5.5 inches Size: 8.75 x 6.5 in. (22.23 x 16.51 cm)
Category

Early 1900s Impressionist Landscape Prints

Materials

Etching

Moti - Musjet - Original Lithograph - Mid 19th Century
Located in Roma, IT
Moti - Musjet is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lowet margin in Capital Letters:...
Category

Mid-19th Century Modern Landscape Prints

Materials

Lithograph

The Orfevres Arch - Original Lithograph - Mid 19th Century
Located in Roma, IT
The Orfevres Arch is an original modern artwork realized in Germany in the mid-19th century. Original B/W lithograph on ivory paper. Inscripted on the lower margin in capital lette...
Category

Mid-19th Century Modern Landscape Prints

Materials

Lithograph

Dry Lake - set of 4
Located in London, GB
William Tillyer Dry Lake I-IV 1971 Etching Edition of 50 55.9 x 66.7 cms (22 x 26 1/4 ins) (paper size) 32.4 x 43.4 cms (12 3/4 x 17 1/8 ins) (plate si...
Category

1970s Landscape Prints

Materials

Etching

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"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
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Sierra Mountain Stream in Autumn, Contemporary California Giclée on Canvas
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"Home from the Fair" Wagon and Horses Print on Canvas
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