Nature Landscape Prints

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK IN 10 by Frank Schott 58 x 77.3...

This artwork "Horse Ride, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 065/300 in pencil by t...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

A young Moon occurs between a new Moon and waxing crescent, when the first slivers of illumination appear. The Moon has had an importance in human culture since the dawn of history ...

Morris Cox (1903-1998) Poem 5 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.5 x 41.5 cm Provenance: Morris Cox Archive Morris C...

Lorna Patrick, American - Pueblo, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm), Description: Set beneath...

Antique Advertising Signs Image Size: 20 x 40 Frame Size: 25 x 45 Medium: Lithograph Date: 1907 "Rock Island RR Lines" Rocky Mountain Limited Vintage Sign Railroad

Digital print on paper, edition 1/30, 60 x 80 x 0,1 cm, 2018 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Park around Keswick and Grasmere,...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

highly detailed photographic capture of the mesmerizing night sky above the California desert Racetrack by Frank Schott 48 x 88 inches (122 x 224cm) signed edition of 7 24 x 40 ...

This artwork titled "Pineapple Hill, The old Day, Kapalua Maui" 1986, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and num...

Sekino, Junchiro (Jaoanese, 1914-1988), FARMHOUSE WITH YELLOW FIELDS. Color Woodblock, not dated. Signed, Lower right. 13 3/8 x 19 inches, framed to 20 x 25 inches. In excellent cond...

ORIGINAL 1967 United Air Lines HAWAII Travel Poster by James Jebary - Mid-Century Modern Wall Art, 25"x40" This isn't a reprint! You're viewing a...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under...

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Ripples" is a gorgeous original cyanotype diptych showing calming sea ripples in a Mediterranean cove. Details: + Title: Serene Cove Ripples + Year: 2022 + Edition Size: 100 + Medium: Handmade Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40 x 55.2 in.) Each paper measures 70x100 cm (28x 40 in.) each, a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Published By New York Graphic Society, 1940 Printed In USA In Good Condition Measures 25.5 x 32.25 in.

Breaking Dawnis a colored screen print hand-signed (whole signature) and numbered in pencil in the lower margin. Edition of 250 prints. In excellent conditions. This beautiful prin...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.08 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

CARL SCHUMANN (American) More Than This Poster 38 x 25.125 in. Unframed Plate signed Copyright 1989 Haddad’s Fine Arts, Inc. Anaheim, California. Good/Fair Condition-indentation/wr...

Cheffetz, Asa EARLY MORNING (BROAD BROOK, CONN.) Wood Engraving,1929. Springfield 15. Edition of 100, numbered 32/100, titled, signed, and inscribed "imp" all in pencil. 6 x 6 inches...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape I...

Original 1958 Normandie Le Mont Saint Michel Travel Poster – Authentic French Vintage Art. Acid-free archival linen backed in Grade A condition, ready to frame. Step back into the g...

Giclee print on archival cold press cotton rag. Every print is uniquely hand embellished by the artist with gold acrylic paint. Edition 4 of 5. In this new series of paintings, Moor...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...

Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...

Clare Halifax I is for Iguana Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pap...

Stardust is a lithograph on paper with an image size of 2.5 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. ...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

Sepia-toned architectural photograph of San Zavier Mission, a historic Spanish Catholic mission located near Tucson, Arizona, on the Tohono O'odham Nation San Xavier Indian Reservati...

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

Antarctica #30 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...

This is an exclusive handprinted limited edition cyanotype. "Abstract Crashing Water" is an original cyanotype that detailed portraits the eruptions and shapes of salty water in move...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

This artwork Titled "Fishing Boats in Cap Muroto" c.1950, is an original woodcut on paper by Japanese artist Gihachiro Okuyama, 1907-1981. It is hand signed and inscribed in Japanese...

"High Noon 2" Photography 20" x 16" inch Edition of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fash...

Artist: Rene Magritte (after) Title: La Corde Sensible Medium: Lithograph, Signed in Pencil by Georgette Magritte Image Size: 16.5 x 21 inches Sheet Size: 21 ...

New York City native Oscar Weissbuch (1904-1948), attended the Yale University School of Fine Arts and the Art Students League, NY. He participated in the NYC-WPA printmaking project...

Linda Plotkin, American (1938 - ) - Four Views II, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 21/100, Image Size: 16.5 x 21.5 inches, ...

Born in Austin, Texas, in 1954, John Cobb knew he wanted to be an artist since he was 9. In 1976, he entered Rhode Island School of Design where his realist tendencies were ostracize...

This contemporary coastal landscape is a Limited Edition print by Daniel Pollera. It depicts a sandy beach with waves rolling in from the right-hand side of the composition. Two Adirondack chairs are seated on the beach, in front of wooden fencing, overlooking the ocean. A beach house can be seen slightly up a hill, behind the fence, with a white porch and trim. Very light clouds can be seen throughout a vibrant blue sky. This Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in gold, black, white, and walnut. For additional sizes and alternate frame options, please contact us. This print comes with a Certificate of Authenticity and ships for free. The artist granted permission to Sorelle Gallery to produce his Limited Edition prints which are printed with pigment ink on a Premium Fine Art Matte Canvas 410g/m2, designed to meet museum longevity requirements and ensure consistency. Please allow additional time for printing prior to shipping. Daniel Pollera was born in 1953 in the coastal town of Freeport, New York. His interest in art began at a very young age, gravitating toward drawing and painting the surrounding coastline of Long Island. After a short study at SUNY Farmingdale in Commercial Art, he left to enter the family business. For almost 15 years, Daniel took a sabbatical from painting, but this didn’t affect his love for the sea. He obtained a Captain’s License in 1977 from the United States Coast Guard and took passengers for hire on the open ocean. Through this experience and visual knowledge he was drawn to begin painting again. Although Daniel was primarily self-taught, he worked with Frances Norris Streit, a portrait and mural artist, assisting her on a 14’ x 30’ historical mural for the Roslyn Savings Bank. He also studied with Everett Molinari, a well-respected President of the National Mural Society. Museum collections include Long Island Museum, Parrish Art Museum, and Guild Hall Museum. Daniel split his time between his home in East Quogue...

A larger hand-printed version of the 7.5 x 11" photograph of the same name. Only 10 editions made. These iconic Monterey pines can be found all up and down the coast of northern Cali...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...

Arthur Wesley DOW (1857-1922) Modern Art Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 36 of "Les Maîtres de...

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...

Harold Altman was born in New York City in 1924. He attended the Art Students League, the Black Mountain College, the Academie de la Grande Chaumiere in Paris, and was a graduate of ...

Racetrack by Frank Schott ( framed ) "Modern Gallery Frameless" highly detailed photographic capture of the mesmerizing night sky above the California desert "Modern Gallery Framele...

Forest Road, paper, etching, 21.5x28.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

This Limited Edition print titled, "Into the Light," by Daniel Pollera. It is printed on canvas and ships rolled with natural edges. It can be stretched upon arrival - please see ima...

This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...

ARAQUÉM ALCÂNTARA Fumacinha, Chapada Diamantina, Bahia, Brazil, 2014 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also available ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

From a series of photographs capturing the Golden State's vast monochromatic desert landscapes on a moody autumn day in the American West 58 x 58 inches ( 147 x 147cm ) signed editi...

Jean-Claude PICOT (1933-) French Riviera : Around Marseille, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Coated paper 7...