Items Similar to A Street in Ventnor, Isle of Wight
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Theodore Casimir RousselA Street in Ventnor, Isle of Wight1912
1912
About the Item
Theodore Roussel (1847-1926), A Street in Ventnor, Isle of Wight, etching, soft ground etching, drypoint, 1912, signed in pencil on the tab and inscribed “imp” (printed by the artist) [also signed in the plate lower left]. Reference: Hausberg 102, third state (of 3), from group of about 30 impressions in this state, 37 overall; in excellent condition, trimmed by the artist outside of the platemark except for the signature tab, 4 x 2 3/4 inches.
A fine impression, printed with tone.
Roussel visited the Isle of Wight in the summer of 1912, filling two sketchbooks with drawings; based on the dating of the drawings and an early proof of “A Street in Ventnor” he probably made the etching from the sketches and memory after the summer trip.
Roussel was of course a Whistler student and acolyte, as evidenced by his approach toward printmaking as well as the reverential trimming of the impression and use of the signature tab. Roussel was born in Brittany, studied in Paris, but settled in Britain. A painter, he began printmaking at about the age of 40. Beyond his fame as one of the most talented of the Whistlerians, he also gained notoriety for inventing a series of printmaking techniques and approaches, including the invention of an inking method known as the “Roussel medium”, several color etchings, and occasional etching of frames and mounts. A Street of Ventnor is interesting insofar as Roussel appears to have used a soft ground technique to create an impressionistic portrait of the thoroughfare.
- Creator:Theodore Casimir Roussel (1847 - 1926, British)
- Creation Year:1912
- Medium:
- Movement & Style:
- Period:
- Condition:In excellent condition, to be sold unmatted.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531518951

About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
103 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllJ.H. Woods’ Fruit Shop, Chelsea
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Landscape Prints
Materials
Drypoint, Etching
Shere Mill Pond II (Large Plate)
By Seymour Haden
Located in New York, NY
Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches.
A very good impression, with rich burr especially in the reeds toward the right.
Provenance: Frederick Keppel and Co., New York, NY.
Illustrated: Guichard, British...
Category
1860s Impressionist Landscape Prints
Materials
Drypoint, Etching
The Gate, Chelsea
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Landscape Prints
Materials
Drypoint, Etching
L’île Lacroix, à Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
1880s Impressionist Landscape Prints
Materials
Drypoint, Etching, Aquatint
Le Pont de Pierre, a Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Category
1880s Impressionist Landscape Prints
Materials
Drypoint, Etching
Lagoon: Noon
By James Abbott McNeill Whistler
Located in New York, NY
James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches.
A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn.
On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...
Category
1870s Impressionist Landscape Prints
Materials
Drypoint, Etching
You May Also Like
The Rialto
By James Abbott McNeill Whistler
Located in New York, NY
A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...
Category
Late 19th Century American Impressionist Landscape Prints
Materials
Drypoint, Etching
Impressionism : House in the Woods - Original etching
By Henri Le Sidaner
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
House in the Woods, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Landscape Prints
Materials
Drypoint, Etching
Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
By Aileen Mary Elliot
Located in Saint Augustine, FL
Artist: Aileen Mary Elliot (English, 1896-1966)
Title: "Crab Boats, Southampton Water"
*Signed by Elliot in pencil lower right
Circa: 1925
Medium: Original Drypoint Etching on laid p...
Category
1920s Impressionist Landscape Prints
Materials
Drypoint, Etching, Laid Paper, Intaglio
La Fumée du Bateau
By Jean Francois Raffaëlli
Located in New York, NY
A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.
Category
1910s Impressionist Abstract Prints
Materials
Color, Drypoint, Aquatint
Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Figurative Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the M
By Félix Hilaire Buhot
Located in Storrs, CT
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...
Category
1870s Impressionist Landscape Prints
Materials
Drypoint, Etching, Aquatint