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Thomas Shotter BoysSt. Paul's From Ludgate Hill, from Original Views of London As It Is
$800
£614.37
€704.06
CA$1,126.20
A$1,261.60
CHF 657.41
MX$15,388.86
NOK 8,354.13
SEK 7,877.35
DKK 5,254.88
About the Item
Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel.
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The images in Boys's 1842 portfolio, Original Views of London As It Is, capture a window of time in London that is very poorly represented in the historic record of graphic work. This is due to the facts that changing fashion and high production costs spelled the end of the colored aquatint, chromolithography wouldn't appear until 1850, and photography was still in a very experimental phase. The scene portrayed here is thereby scarce and important in its own right. These plates were issued with the prints having been tinted and hand-colored with the intention of imitating the look and aesthetic of watercolor.
- Creator:Thomas Shotter Boys (1803 - 1874, English)
- Dimensions:Height: 17.13 in (43.52 cm)Width: 12.13 in (30.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:Seller: BH6931stDibs: LU1979211146772
Thomas Shotter Boys
Boys was born at Pentonville, London, on 2 January 1803. He was articled to the engraver George Cooke. When his apprenticeship came to an end he went to Paris where he met and came under the influence of Richard Parkes Bonington, who persuaded him to abandon engraving for painting. Some sources describe him as a pupil of Bonington, although William Callow, who later shared a studio with him in Paris, disputed this. He exhibited at the Royal Academy for the first time in 1824, and in Paris in 1827. In 1830 he went to Brussels, but returned to England on the outbreak of the revolution there. Paying another visit to Paris, he remained there until 1837, and then returned to England in order to lithograph the works of David Roberts and Clarkson Stanfield. His most important work, Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc., a collection of color lithographs, appeared in 1839, attracting a great deal of admiration. Drawn on the stone by Boys and printed by Charles Joseph Hullmandel, it was described in a review in the Polytechnic Journal as "the first successful effort in chroma-lithography [sic] hitherto brought to perfection". King Louis-Philippe sent the artist a ring in recognition of its merits. He also published Original Views of London as it is, drawn and lithographed by himself, (London, 1843). He drew the illustrations to Blackie's History of England, and etched some plates for John Ruskin's Stones of Venice. Boys was a member of the Institute of Painters in Water Colours, and of several foreign artistic societies. He died in 1874. [source: Wikipedia]
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