W. Bird

W. Bird - 1819 Over Painted Lithograph, Bridge To The Ruins

1819

Well presented in a contemporary wood frame. Signed in graphite and inscribed in graphite with the print number 8/50. Lenhardt label fixed to the reverse. On paper.

Frederick Gore RA, limited edition print. Bonnieux, Mount Ventoux in the Distance. Signed in pencil to the lower margin. Editioned 192/250. Presented in...

An intricate coloured lithograph depicting the view of Tyre, Lebanon from the isthmus. Printed by Vincent Brooks, Day & Son. Published by Cassell & Company, London. Signed in plate. ...

A mid-century poster of the Oxford Radcliffe Camera by the noted designer Richard Guyatt. Part of the Guinness Posters collection. Signed in plate. On p...

Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel. _______ The images in Boys's 1842 portfolio, Original Views of London...

Urbaine Huchet (French, b. 1930) "Untitled: Horse Show" Edition D'Artiste, Abstract Impressionist Lithograph signed and numbered in Pencil, 28.25 x 20.63,...

Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...