Wendell Corwin Chase

Auroa Lake

c. 1929

Genre: Modern Subject: Landscape Medium: Print, Woodcut Surface: Paper Dimensions w/Frame: 31" x 15 1/2" Roger was born in the Addison Gilbert Hospital in Gloucester, MA, the son of Capt. Roger Martin and Ellie Emilia Oker, in 1925. His father was born in Rockport, of Portuguese heritage, and his mother was born in Finland. He graduated from Rockport Highschool in 1942. While in high school Roger prepared lobsters for tourists at the Roy Moore Lobster Company on Bearskin Neck and sang and played harmonica with Tony Torissi’s hillbilly band. Roger enlisted in the U.S. Coast Guard in 1942 and mustered out in 1946, ending his military career as a member of the USCG canine corps only two weeks from going to the Pacific with a Marine detachment. After having lived on both coasts (Manhattan and Los Angeles) he returned to his home town from the West Coast, vowing to never leave again, and he hasn’t. When he returned to Cape Ann he entered the School of the Museum of Fine Arts in Boston where he majored in book design and illustration, graduating with honors. He illustrated a number of textbooks for D.C. Heath, Beacon Press, and other Boston publishers, as well as provided illustrations for the New York Sunday Times, the New Yorker magazine, the Atlantic Monthly magazine, and a book for the United Church of Christ. Roger also designed, carved and gold-leafed pipe shades for a number of C. B. Fisk pipe organs, builders of tracker action pipe organs, including those at Harvard and Stanford Universities. He began his teaching career in Rockport, teaching elementary grade art, following that with four years teaching at the New England School of Art in Boston. Roger became a founding faculty member of the Montserrat College of Art in Beverly, MA, where he taught for twenty years, retiring to make paintings. He was also elected Rockport’s Poet Laureate in the 1990s and in addition wrote and published three books about Rockport. Roger Martin has exhibited his work throughout New England and beyond. He has shown his work in Portland, ME; New York City; Andover’s Addison Gallery; the Boston ICA; galleries on Newbury Street in Boston; the Rockport Art Association; the Cape Ann Historical Museum (where he is part of the permanent collection); and many others. His work is represented in many private collections, including those of John...

Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...

Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...

Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...

Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

Jean-Emile Laboureur (1877-1947), Coin de Rue Dans Soho, woodcut, 1909, signed in pencil lower left and numbered (15/15) [also initials in the plate]. Reference: Sylvain Laboureur 64...

Bernhardt, John (American 1921-1963. QUEENSBRIDGE. Color Woodcut, 1965. Ttiled, signed, dated and annotated "To Smitty" in pencil. 17 3/4 x 28 inches. In very good condition. Framed ...

Neufeld, Woldemar. THE HARBOR WORKHORSE. Woodcut in colors, not dated (c.1940s-50s). Edition size not known, but likely 50 or fewer. 17 1/2 x 12 inches, plu...

Howard Cook (1901-1980), Chrysler Building (Chrysler Building in Construction) – –1930, Wood Engraving. Duffy 122. Edition 75, only 50 printed. 19...