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William DugdaleMonastery of St. Augustine, Canterbury /// William Dugdale Monasticon Anglicanum1817-1830
1817-1830
$600
£446.30
€522.53
CA$837.20
A$936.85
CHF 489.18
MX$11,517.65
NOK 6,171.59
SEK 5,807.43
DKK 3,898.46
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About the Item
Artist: Sir William Dugdale (English, 1605-1686)
Title: "Monastery of St. Augustine, Canterbury"
Portfolio: Monasticon Anglicanum: A History of the Abbies and Other Monasteries, Hospitals, Frieries, and Cathedral and Collegiate Churches with their Dependencies in England and Wales
Year: 1817-1830 (New edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Thomas Davison of Whitefriars, London, UK
Publisher: Longman, Hurst, Rees, Orme & Brown, Lackington, Hughes, Harding, Mavor & Jones, and Joseph Harding, London, UK
Reference: Lowndes I, No. 8, page 685
Sheet size: 14.63" x 9.38"
Image size: 11.32" x 7.38"
Condition: A few light foxmarks upper left. Has been professionally stored away for decades. In excellent condition
Very rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist George Hollis (1793-1842) after an watercolor painting by English artist Charles Wild (1781-1835). Comes from Dugdale's six volume "Monasticon Anglicanum: A History of the Abbies and Other Monasteries, Hospitals, Frieries, and Cathedral and Collegiate Churches with their Dependencies in England and Wales", (1817-1830) (New edition), which consists of 243 engravings. Printed from one copper plate in one color: black.
Biography:
Sir William Dugdale (born Sept. 12, 1605, Shustoke, Warwickshire, Eng.—died Feb. 10, 1686, Blythe Hall, Warwickshire) was an English antiquary who was preeminent among the medievalist scholars in his time. An authority on genealogy and charters, he displayed accurate scholarship and insight unusual for his period. Dugdale married early and settled as a small landowner at Blythe Hall, Warwickshire. Gradually he became the centre of a scholarly circle, and, following an introduction to the antiquary Sir Henry Spelman in London, he compiled, with the help of Roger Dodsworth, "Monasticon Anglicanum", 3 vol. (1655–73), a collection of records relating to medieval English religious houses. Among his other important works are the "Antiquities of Warwickshire" (1656), which became a model for large-scale county histories, and "The Baronage of England" (1675–76). He was knighted in 1667.
- Creator:William Dugdale (1605 - 1686, English)
- Creation Year:1817-1830
- Dimensions:Height: 14.63 in (37.17 cm)Width: 9.38 in (23.83 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121214752122
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St. Alban's Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
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Artist: Owen Manning (English, 1721-1801)
Title: "Loseley House, The Seat of James More Molyneux Esq."
Portfolio: The History and Antiquities of the County of Surrey
Year: 1804-1814 ...
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Cathedral Church of Notre Dame, at Séez /// John Sell Cotman Architectural Print
By John Sell Cotman
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842)
Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99)
Portfolio: Architectural Antiquities of Normandy
Year: ...
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The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
By Johannes Kip
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722)
Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31)
Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne
Year: 1715-1724 (Third edition)
Medium: Original Engraving and Etching on cream laid paper
Limited edition: Unknown
Printer: Joseph Smith, London, UK
Publisher: Joseph Smith, London, UK
Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264
Sheet size: 19.25" x 24.19"
Image size: 16.75" x 22.5"
Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition
Rare
Notes:
Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black.
Biography:
Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip".
His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists.
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"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11.13" x 18.25"
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Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition
Notes:
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