William Walcot R. E. Hon. R. I. B. A.

Park Avenue, New York City

1923

An urban realist painter, Marsh was born in Paris, France and began drawing as early as the age of three. His artistic studies were done at Yale University, the Art Student League in New York and in Paris. Marsh was a member of the National Academy, the Royal Society of Artists, London, the Southern Vermont Artists...

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Jean-Pierre Cassigneul was born in 1935 and first exhibited his work at age 17. He went on to participate in various group exhibitions, including the Salon d’Automne in Paris, the Sa...

Kenneth Hayes Miller was born in Oneida, New York, in 1876. He studied at the Art Students League and the Parsons School of Design (formerly the New York School of Art and the Chase...

Isaac Friedlander was born in 1890 in Mitau, Latvia. He studied painting and printmaking at the Academy of Rome—the only formal art training he would ever have. After the overthrow o...

Samuel S. Carr was born in England in 1837. He studied at the Royal School of Design in Chester before immigrating to the United States around 1862, where he settled in Brooklyn, New York. He began exhibiting genre paintings in the 1870s. He was known for his paintings of children, seashore life and pastoral subjects. Carr was a member of the Brooklyn Art...

Trees. 2016. Paper, etching, 2/5, 29x40 cm

Edgar James Maybery The Harbour Lynmouth Antique Print 1920s Matt size 28cm x 33cm Image Size 14cm x 21 cm

HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...

Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...

James McNeill Whistler (1834-1903), Limehouse, etching, 1859. References: Glasgow 48, fifth state (of 6), Kennedy 40, third state (of 3), signed with the butterfly in pencil in the lower margin. [Also signed and dated in the plate.]With margins, 5 x 7 7/8 inches, the sheet 6 1/2 x 9 1/2 inches. Published as no. 12 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects, otherwise known as the Thames Set. In good condition apart from a soft diagonal fold in the sky. A very fine impression, in black ink on a thin Japan paper. Provenance: Dr. John W. Randall (cf. Lugt 2130), without his mark, annotated on the mat. Limehouse, the entrance to the West Indies Docks, lies opposite the Surrey Commercial Docks in Rotherhithe, along the lower Thames. It’s unusual to find the signed butterfly (or any pencil signature) on the early London etchings, but it is known that Whistler signed...