Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Lélia Pissarro, Figurative
Series - Jordan River, Serigraph Print by Lélia Pissarro, Figurative

1996

More From This SellerView All
  • Series - Les Lavandières by Lélia Pissarro - Screenprint
    By Lelia Pissarro
    Located in London, GB
    SOLD UNFRAMED Series - Les Lavandières by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: B...
    Category

    21st Century and Contemporary Post-Impressionist More Prints

    Materials

    Screen

  • Series - Monet's House by Lélia Pissarro - Screenprint
    By Lelia Pissarro
    Located in London, GB
    Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...
    Category

    21st Century and Contemporary Post-Impressionist More Prints

    Materials

    Screen

  • Chatter by Orovida Pissarro - Etching
    By Orovida Pissarro
    Located in London, GB
    Chatter by Orovida Pissarro (1893-1968) Etching 26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Trial proof no. 18/25 and titled lower middle Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
    Category

    1920s Post-Impressionist Figurative Prints

    Materials

    Etching

  • Man & Beast by Orovida Pissarro - Etching
    By Orovida Pissarro
    Located in London, GB
    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
    Category

    1920s Post-Impressionist Animal Prints

    Materials

    Etching

  • Print by Georges Manzana Pissarro 'La Bergère Turque' (The Turkish Shepherdess)
    By Georges Henri Manzana Pissarro
    Located in London, GB
    'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...
    Category

    1920s Post-Impressionist Animal Prints

    Materials

    Etching

  • Horse Pulling Hay Cart by Félix Pissarro - Animal etching
    By Félix Pissarro
    Located in London, GB
    Horse Pulling Hay Cart by Félix Pissarro (1874-1897) Etching 19.5 x 15 cm (7 ⅝ x 5 ⅞ inches) Exhibition London, Stern Pissarro Gallery, Camille Pissarro & hi...
    Category

    1890s Post-Impressionist Animal Prints

    Materials

    Etching

You May Also Like
  • Going Bananas
    By Linda H. Smith
    Located in Santa Monica, CA
    Limited edition serigraph
    Category

    1990s Fauvist Prints and Multiples

    Materials

    Screen

    Going Bananas
    $560 Sale Price
    20% Off
  • "Anemones" Floral Silk Scarf, Unframed
    By Raoul Dufy
    Located in Austin, TX
    By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf.
    Category

    1950s Fauvist Still-life Prints

    Materials

    Screen, Silk

  • Man Sitting
    By Neal Doty
    Located in San Francisco, CA
    Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 Size of image: 32.5 x 24 inches Size of paper: 39.25 x 30 inche...
    Category

    Late 20th Century Post-Impressionist Abstract Prints

    Materials

    Screen

  • Mother and Child
    By Neal Doty
    Located in San Francisco, CA
    Artist: Neal Doty (American, born 1941) Title: Mother and Child Year: 1979 Medium: Color serigraph Edition: Numbered 70/300 Paper: Wove Size of image: 32.5 x 24 inches Size of paper:...
    Category

    Late 20th Century Post-Impressionist Abstract Prints

    Materials

    Screen

  • Cleopatra
    By Neal Doty
    Located in San Francisco, CA
    Artist: Neal Doty (American, born 1941) Title: Man Sitting Year: 1979 Medium: Color serigraph Edition: Numbered 93/135 in pencil Size of image: 32.5 x 24 inches Size of paper: 39.25 ...
    Category

    Late 20th Century Post-Impressionist Figurative Prints

    Materials

    Screen

  • "Doorway To The Garden" Contemporary Impressionist Serigraph of Provence
    By Maria Bertrán
    Located in Laguna Beach, CA
    "Doorway To The Garden" is an beautiful hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures...
    Category

    2010s Post-Impressionist Landscape Prints

    Materials

    Screen

Recently Viewed

View All