Marc Chagall

'Paradise II' Lithograph from The Bible

1956

Frank Stella b.1936 Mysterious Bird of Ulieta (from the Exotic Bird series) 1977 screenprint and lithograph in colors on Arches 88 sight: 33 h × 45¼ w in (84 × 115 cm) Signed, dated...

Litho/Litho Lithograph on Special Arjomari paper Signed, dated, and numbered in pencil Publisher: Gemini G.E.L., Los Angeles Corlett 101

Artist: Andy Warhol Title: Marilyn Monroe I Love Your Kiss Forever Forever Date: 1964 Medium: Original Lithograph in colors on paper Edition: From the limited edition of 2000 From 1 ...

Artist: Karel Appel Title: Smiling Cat Suite: Cats Portfolio Year: 1979 Medium: Original lithograph in colors on Japon paper Edition: From the limited edition of LXV Size: 24 5...

Henri Matisse (1869 - 1954) Bateau, 1952 Lithograph after a gouache decoupee from Verve 35/36 14 x 10.50 in

Lithograph, linocut, screenprint in colors with collage and hand coloring on T.H. Saunders and Somerset papers 59 x 47.25 in Frank Stella Then Came Death and Took the Butcher, 1984 is the tenth installment in the artist’s Illustrations After El Lissitsky’s Had Gadya Series. In 1919, Russian avant-garde artist El Lissitzky created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (Only Kid). After seeing these artworks in the Tel Aviv Museum in 1981, Stella was fascinated by their movement and vibrancy of the simplified, graphic forms. This work recalls the post-painterly abstraction known to have influenced Stella with added elements that reflect collage and cut-out effects. Inspired after seeing an exhibition in 1919 by the Russian avant-garde artist El Lissitzky who had created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (The Only Kid), Stella created this series. This work is composed of mostly black and white forms that mimic the artist’s Cones and Pillars paintings. Two of these shapes extend beyond the confines of the straight edges of the right and bottom sides of the composition, showcasing the artist’s innovation and restructuring traditional artmaking. Chromatic marks with a hand-drawn quality are placed over the abstract shapes which create movement throughout the work. Created in 1984, Frank Stella, Then Came Death and Took the Butcher, from Illustrations after El Lissitzky’s Had Gadya, 1984, hand-coloring and collage with lithograph, linocut, silkscreen and rubber relief on T.H. Saunders paper and shaped, hand-cut Somerset paper and shaped, hand-cut Somerset paper is hand-signed by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower center image and numbered from the edition of 60 in pencil in the lower center image. Frank Stella Had Gadya...

Salvador Dalí's "Montre Molles et Les Papillons" is a surreal masterpiece that fuses the artist's iconic melting clocks with the delicate beauty of butte...

Lithograph in colors, on wove paper 20.37 x 58.25 in (51.74 x 147.96 cm)