Ex Libris van Dishoeck
View Similar Items
M.C. EscherEx Libris van Dishoeck1943
1943
About the Item
- Creator:M.C. Escher (1898 - 1972, Dutch)
- Creation Year:1943
- Dimensions:Height: 3 in (7.62 cm)Width: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU152927811572
M.C. Escher
Nothing is quite what it seems in the universe of Maurits Cornelis Escher (widely known as M.C. Escher). The Dutch artist, famed for his graphic prints featuring infinite staircases, twisted perspectives and self-replicating animals, was a master of illusion in more ways than one.
Escher's pictures aren’t simply puzzles designed to play tricks on the brain; they were born of a desire to stretch our powers of perception, to encourage us to cultivate a natural curiosity and playfulness about the world around us. According to New York gallerist Skot Foreman, the artist had a rare gift. “He combined the structure and analytics of the left brain with the artistic creativity of the right brain,” Foreman explains. “Somehow, he turned images into mind-bending universes that were able to stretch the boundaries of our imagination, urging us to rethink the realms of possibility within nature’s laws of order.”
But creating illusionistic illustrations was not Escher’s only talent. He was also a passionate diarist, recording his thoughts and frustrations in written form throughout his life. He often lamented that his pictures could never fully convey his cerebral imaginings. At the same time, he expressed impatience with those who couldn’t see beyond the surface appeal of his shape-shifting patterns. Escher was an artist who sought perfection and felt misunderstood by the mainstream art world.
“The most important thing about Escher is that he was always curious, always researching and exploring. Most people lose this quality as they get older, but Escher maintained a childlike enthusiasm for the world,” says Dutch filmmaker Robin Lutz, whose thoughtful feature-length film, M.C. Escher: Journey to Infinity, marries documentary footage with animation and unfolds at an unhurried pace, allowing Escher’s witty and intelligent prose to gently guide us through his creative evolution.
Escher always carried a magnifying glass in his pocket to “enjoy the tiniest details” at his feet, be it a plant climbing a rock, a butterfly or a grasshopper. He had a real passion for travel and spent more than a decade in Rome with his wife, Jetta, and young family. It was there that he first played with multiple perspectives, sketching the city’s architecture at night to avoid the “excessive baroque frills” he deemed too distracting in the daylight. Another big development was sparked by a 1936 visit to the Alhambra palace in Granada, Spain. Inspired by the Moorish tiles of the 14th-century landmark, Escher started to experiment with repeating patterns, or tessellations, creating his first woodcuts and lithographs of metamorphosing birds, lizards and fish interlocking and filling the entire surface of the paper in jigsaw fashion.
During and directly after World War II, Escher produced many of his most famous works, emotional reactions to a world plunged into chaos. This period marked the start of his fascination with impossible staircases, never-ending waterfalls and cyclical still lifes featuring figures and creatures seemingly caught in a loop, a paradox of entrapment and renewal.
Indeed, the concept of infinity was a major inspiration for him. It informs his fish-eye studies and curvilinear perspectives, which cram in so much dizzying detail it’s impossible to know where one thing ends and another begins. It’s no wonder, then, that Escher’s probing, mind-expanding prints have such enduring appeal.
Find original M.C. Escher art on 1stDibs.
- Suma Beach at NightLocated in Raleigh, NCSuma Beach at night with a full moon Overhead and peasants catering on the beach, perhaps seaweed or water to be evaporated for the salt.Category
Mid-20th Century Realist Prints and Multiples
MaterialsWoodcut
- La PenitenciariaBy David SiqueirosLocated in New York, NYA very good impression of this early woodcut. Signed, titled, dated and numbered 145/300 in pencil by Siqueiros.Category
1930s Realist Abstract Prints
MaterialsWoodcut
- Judaica Woodcut Print Jewish Rabbi Hachnasas Torah Procession WoodblockLocated in Surfside, FLThis does not appear to be signed. not examined out of frame. In the manner of Frans Masereel here is an old woodblock print of a Jewish religious scene of the induction of a new torah in a procession with a chuppah, wedding canopy. In the tradition of the Jewish European artists of the 19th and early 20th centuries, such as Moritz Oppenheim, Max Liebermann, Lesser Ury, Jakob Steinhardt, Jehudo Epstein, Artur Kolnik, Stanislaus Bender...Category
Early 20th Century Realist Figurative Prints
MaterialsWoodcut
- Native Civilians of America -- "De L'Amerique" Published Frankfurt / 1683By Alain Manesson MalletLocated in Soquel, CAWonderful etching, originally page 365 in a book De L'amerique by Alain Manesson Mallet, circa 1683, depicts the artist's concept of the appearance and activities of the native occupants of America in graphic detail. Unsigned. Displayed in a black and giltwood frame. Image, 6.5"H x 4.5"L. 1683 Manesson Mallet "Bresiliens" Amerindians, Indigenous Native Brazilians, Brazil, South America, Antique Print...Category
1680s Realist Figurative Prints
MaterialsWoodcut, Paper, Ink
- GaillardiasBy Frances H. GearhartLocated in Santa Monica, CAFRANCES H. GEARHART (1869 – 1958) GAILLARDIAS c. 1928 Color block print. Edition unknown but small. 7 ¼” x 5 ¾”. Gearhart did very few pure flower pr...Category
1920s Realist Landscape Prints
MaterialsWoodcut
- Heron MoonLocated in San Francisco, CAThis artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required have 5 different carved wood blocks and 9 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...Category
Late 20th Century Realist Figurative Prints
MaterialsWoodcut