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Andre MinauxCirca 1970 original lithograph by Minaux- Portrait de femmeCirca 1970
Circa 1970
$1,526.88
£1,165.72
€1,300
CA$2,155.84
A$2,365.77
CHF 1,235.65
MX$28,285.40
NOK 15,651.73
SEK 14,598.19
DKK 9,903.36
About the Item
Bold, stylized, and deeply evocative, this circa 1970 original lithograph titled Portrait de femme by French artist André Minaux captures the distilled elegance of post-war modernism. In this striking work, Minaux reduces the female form to clean, architectural lines and bold, flat planes of color—deep purple, ochre yellow, and stark black—framing the elongated, mask-like face of a woman rendered with minimalist intensity.
Minaux (1923–1986), a painter, illustrator, and printmaker, was known for his evolving style that moved from expressive figuration to highly graphic, abstracted compositions like this one. As a member of the post-war School of Paris, his work reflects a desire to strip away the excesses of pre-war academicism and to rebuild a visual language grounded in clarity and strength. His figures often possess a quiet mystery, their expressions unreadable yet deeply present.
In Portrait de femme, the composition is balanced and rhythmic, echoing the Art Deco sensibility while remaining distinctly modernist. The woman’s face, pale and still, becomes a focal point amid the vibrant color blocks and geometric shapes—a symbol of introspection, glamour, and enigma.
Original Lithograph
Abstract - Cubism
Charles Sorlier engraver - Atelier Mourlot
- Creator:Andre Minaux (1923 - 1986, French)
- Creation Year:Circa 1970
- Dimensions:Height: 63 in (160 cm)Width: 47.25 in (120 cm)
- Medium:
- Period:
- Condition:Good condition, light soiling.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792217271412
Andre Minaux
Andre Minaux was a Contemporary French painter, draftsman, lithographer, engraver, illustrator and sculptor. He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. His search for perfection in his work was compared to that of Matisse by Jean Bouret. (Minaux, Sauret Editions, 1977). He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. André Minaux embraces several periods: naturalism, rural, baroque, figurative and non-figurative. It was through the power of his line that he imbuded his compositions with an inexhaustible energy. In the heart of the post-war period, his works captured a euphoric context in a French expressionist realism. “It's the rhythm that brings unity to a painting,” confides André Minaux. “You could call Minaux's approach in his search for perfection 'Matissian'. (Jean Bouret, Minaux painter, Sauret editions, 1977). In 1950 The Museum of Modern Art of the city of Paris acquired one of his paintings In turn, the Tate Gallery in London quickly followed suite. He took part in the 1948 Salon d'Automne with 'Le Raccommodeur de filets', a work hailed by a multitude of art critics. A year later, his work was crowned by the critics' prize and displayed his work at the Salon des Jeunes Peintres, at the Claude gallery on rue de Seine in Paris. He exhibited at the Venice Biennale in 1952 and continued to exhibit Internationally up until his passing in 1986.
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