Original Give It Your Best! vintage 1942 poster U. S. Flag with 48 stars

1942

Original World War 2 vintage poster: YOU CAN'T AFFORD TO MISS EITHER! BUY BONDS EVERY PAYDAY. Linen-backed, fine condition, ready to frame. Great ...

Original World War II poster: "Men Working Together", horizontal original American World War II antique vintage military poster. Size 40" x 30". Year:...

Original US 1-sheet “The Lion” vintage movie poster. NSS: 63/3 Archival linen backed in very good condition. Original theater issued fold marks restored during linen backing. Linen backing on American posters is recommended because most of them were printed on a wood pulp paper which easily falls apart. "Only a brave man goes after the lion ... Only a fool goes after the lion's mate...." Old African Proverb. In the bush country of Kenya "The Lion" stands for the Male of Males ... Taking what he wants. This is the story of two such men... Fighting for a woman each had loved ~ who called them both father! A Samuel g. Engel production. William Holden; Trevor Howard Capucine. Directed by Jack Cardiff. Screenplay by Irene Kamp and Louis Kamp. CinemaScope. Filmed on location in Kenya and Uganda and on a property in Kenya co-owned by Holden, the Mount Kenya...

Original; archival linen backed "The Big TNT Show". This was the night when the ALL-TIME greats of ROCK 'N ROLL Traditional blues; country Western and Folk Rock came together for the biggest bash in the history of show business!. Featuring: Roger Miller, Joan Baez; The Byrds; The Lovin' Spoonful; Ike and Tina Turner; The Modern Folk Quartet; Ray Charles and his band; Donovan; Petula Clark; The Ronettes; Bo Diddley; and David McCullum (The Man from U.N.C.L.E.) NSS: 66/49. Phil Spector...

Original movie poster: Barbra Streisand and James Caan in Funny Lady. Linen backed one sheet. Orginal theater issue fold marks were touched up during linen backing allowing thi...

Original Come to Monte Carlo, Principality of Monaco vintage poster. Come to paradise on earth! A black and white vintage poster for Monte Carlo wi...

This is a vintage 1946 public service announcement poster The artwork is bold, clear and direct. "it will look even bigger… after the war!" Girl looks on longingly at 10 dollar bill....

Philip Pearlstein "The Lithographs and Etchings of Philip Pearlstein" Boston University Art Gallery, 1979 Exhibition poster 25 x 32.5 inches Signed recto

Lith. A Gast & Co., St. Louis. Drawn by W. Murphy "Corner Stone Laid, April 6, 1841. Burned, November 10, 1848. Joseph Smith killed at Carthage, June 27 1844. Entered according to ...

This artwork titled "Liberated Village" c. 1940, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hans signed and titled in pencil by the artist. The artwork (image) size is 12 x 16.5 inches, framed size is 20.25 x 24.25 inches. Custom framed in a black metal frame, with off white matting. It is in excellent condition. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses...

The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Frank Benson made this drypoint in 1928. The second state of two. A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...