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Dr. Robert John Thornton
Hyacinths.

1801

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  • Above the Rush
    By Frederick Mershimer
    Located in New York, NY
    Fred Mershimer created "Above the Rush" in 2003 using mezzotint and aquatint printmaking techniques. The edition of 120 pieces is printed in color. It is signed, titled, and dated ...
    Category

    21st Century and Contemporary American Realist Interior Prints

    Materials

    Mezzotint, Aquatint

  • Scalaria. Univalves.
    By George Perry
    Located in New York, NY
    This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
    Category

    Early 19th Century Naturalistic More Prints

    Materials

    Aquatint

  • Biplex. Univalves.
    By George Perry
    Located in New York, NY
    This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
    Category

    Early 19th Century Naturalistic More Prints

    Materials

    Aquatint

  • Biplex. Univalves.
    By George Perry
    Located in New York, NY
    This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
    Category

    Early 19th Century Naturalistic More Prints

    Materials

    Aquatint

  • Monoplex. Univalves.
    By George Perry
    Located in New York, NY
    This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
    Category

    Early 19th Century Naturalistic More Prints

    Materials

    Aquatint

  • Hell Gate / Oyster Bay and Huntington / Huntington Bay
    Located in New York, NY
    HELL GATE / OYSTER BAY AND HUNTINGTON / HUNTINGTON BAY. This aquatint and line engraved map was published according to Act of Parliament Novr. 19th, 1778. T...
    Category

    18th Century Naturalistic More Prints

    Materials

    Engraving, Aquatint

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    Located in FR
    Art Deco signed Lithograph from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 22 Original print produced for the ar...
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    1920s Art Deco Figurative Prints

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  • Jean Miotte - Abstract Composition - Original Signed Lithograph
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    Located in Collonge Bellerive, Geneve, CH
    Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil
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  • Abstract print by Joan Miró from "Fusées" portfolio, blue, black, beige
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    from "Fusées" - Joan Miró, one artwork out of "Fusées" portfolio Wonderful exemplar form the portfolio "Fusées". Aquatint etching from 1959 32 x 50 cm. Edition of 100
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  • "Triade" by Marino Marini, Lithography, Triad, Figurative Print
    By Marino Marini
    Located in Köln, DE
    Set of 3 etchings and aquatints in colours by Marino Marini "Triade", 1976-1978 73,7 x 57,5 cm Copy 4/90 Edition of 125 Marino Marini (Pistoia 1901–1980 Viareggio 1980) - Hardly an...
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  • [Deux pêcheuses].
    Located in PARIS, FR
    Julio GONZALEZ Barcelone 1876 † Arcueil 1942 [Deux pêcheuses]. Gravure originale à l'eau-forte et aquatinte. Belle épreuve sur simili japon, numérotée 6/60 et signée au crayon par l...
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  • Royal Palm With Turkish Design
    By David Smith-Harrison
    Located in Palm Springs, CA
    Signed, titled artist proof. Edition of 135. Royal Palm with Turkish Design maintains the interplay between the twodimensionality of the architectural rendering and the modeled line work of the palm. The addition of a subtle fade of sky-like blue in the upper left-hand corner works with the atmospheric marks to further emphasize the illusion of volume in the palm. Conversely, by bordering the upper half of the print with a pattern from an early Ottoman brocade, Smith-Harrison reminds us that we are not to take a representation of three dimensions as realism. The small medallion in the lower center of the print, although it also is taken from an Ottoman brocade, doubles as an architectural element. The shape resembles the glyph-like mark used to represent a palm tree in plan view drawings. The ornate, curvilinear large medallion is the third of the Ottoman elements. Placed in the lower left of the print, both the shape and the etching in deep reds and blues create an allusion to a polychrome roundel. Both the shape and the placement provide balance to the colonnade and the angular rendering in the center of the right side of the print. David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey. Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States. COLLECTIONS: The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Utah State University, Logan, UT Brigham Young University Southwest Texas State University, San Marcos, TX Cadence Corporation, San Jose, CA Cooper and Lybrand, St. Louis. MO George Lucas, Lucasfilms Ltd., San Raphel, CA Michael Richards...
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