Enrico Baj

Enrico Baj - Le Stratége Militaire Sahuguet D’Amarzit D’Espagnac, 1971

1971

Enrico Baj ( 1924 - 2003 ) - Sir James Scott, duke of Monnouth - Mixed media, textile and collage, 1977 Additional information: A rare edition work from “The Generals” series, dated...

Enrico Baj ( 1924 - 2003 ) - Stratége au double jeu - Mixed media with passamentrie and collage, 1971 Additional information: Material: A limited edition work from “The Generals” se...

Jean Dubuffet - Silence From Phénomenes Portfolio - Lithography, 1960 Additional Information: Material: Rare lithography from phenomenes cycle Edited in 1960 Limited edition, numbe...

Giuseppe Capogrossi ( 1900 - 1972 ) - Composizione - Hand-Signed Lithography, 1965 Additional Information: Material: Lithograph on BFK Rives pape...

James Rosenquist ( 1933 - 2017 ) - Tide - Hand-Signed etching and aquatint, 1979 Additional information: Material: Color etching with aquatint in colors with pochoir on Pescia Itali...

Arnaldo Pomodoro ( 1926 ) - Due scudi - hand-signed chalcography, 1998 Additional Information: Material: Chalcography on paper Arnaldo Pomodoro ( 1926 ) Edited in 1998 Limited edition, numbered HC 7/30 in lower left corner Total edition of 90 exemplars + 30 Signed in pencil by artist Paper size: 54 x 70 cm Very good conditions, A regular certificate of authenticity and publication will be included Esposizioni: Arnaldo Pomodoro a Varese, Rettorato dell’Università, Castello di Masnago, piazza della Repubblica, Varese, 6 dicembre 1998, 14 marzo 1999 (p. 121). Arnaldo Pomodoro. Opera grafica e sculture, Cascinale dei Nobili, Casalbeltrame, 9 maggio, 10 giugno 2004 (p. 32). Arnaldo Pomodoro. Opera grafica, progetti visionari, sculture, ex Convento del Carmine, Marsala, 5 luglio, 26 ottobre 1997 (p. 56). Arnaldo Pomodoro, sculture e grafiche, Chiostri di Santa Caterina...

Edition 5 Fred Flintstone is painting a Dino in Basquiat style on the wall. JAY-C – the pseudonym of this innovative young artist known for his subve...

Mixed media on laid paper by Hubert Brake. "Abstrakte Komposition I", 1952 48,6 x 62 cm signed and dated

Farah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...

The Norfolk Broads [2022] limited_edition and hand signed by the artist Oil based inks on 300GSM Somerset Velvet Paper Edition number 15 Image size:...

Vicky Oldfield, ‘Autumn Collection’ is a hand coloured collograph print; the print is taken from a plate which has been collaged with a variety of textured materials. The plates are ...

Harry Bunce Early Start Limited Edition Print Mixed Media Screen Print on Panel Edition of 24 Size: H 73cm x W 73cm x W 3.5cm Signed Sold in a White Wood Frame Please note that any i...