Enrique Chagoya

The Seven Deadly Sins: Sheltering in Place

2020

Color lithograph, Edition 25. The artist describes this project: Codex YTREBIL, (liberty backwards), is based on a series of small books by anonymous ...

Color lithograph, Edition 25. The artist describes this project: This work is a tribute to the recent Mayan immigrants from Southern Mexico, Guatemala and Honduras (as well as many...

Color lithograph/woodcut, Edition 30. The Misadventures of the Romantic Cannibals is Chagoya’s fifth codex done at our studio. It is illustrated with comic book characters, religiou...

Color lithograph, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultural realities that...

Color lithograph with chine collé, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultur...

Color lithograph: Edition 30 nrique Chagoya has created a pastoral pastiche based on George Caleb Bingham’s painting “Jolly Flatboatmen” and an A...

The Bordello Of The Subconscious A conceptual collage-portraiture work, 'You Are An Entire Universe' aims to embody several disciplines of Nicholas Choong's art making. He chose to p...

'North Shore Yacht Club I' - Salton Sea (California Badlands), 1998, 50x60cm with white border, Image size: 48x46cm, Edition 2/10, analog C-Print, hand-printed by the artist, based...

These 3 Autographs Signed by Mario Praz / all Oppé to the Countess Pecci-Blunt Written In Italian, from 1950 to 1953, are perfectly readable and in excellent conditions with origin...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

Ancient Views of S. Josè, Guatemala, is a series of two original albumen prints made in 1880s. Prints in very good condition, applied on a single cardboard. Caption in Italian ink ...

Torso of Hercules, bronze bas-relief by Guatemalan artist Walter Peter Brenner. Limited edition of 8 + 4 A.P., each signed and numbered. It is a tribute to the hero of the Roman myt...

Jean Charlot original color lithograph created 1933. In excellent condition. Title: "Woman Standing - Child on Back." Edition: 500. Pencil signed by the artist lower right. Also si...

DAVID LEE (1944- ) David Lee was the youngest ever to win the prestigious Chinese National Painting Competition. Soon after completing his college studies, he moved to Hawaii where ...

Figure of a Chanting Warrior Ceramic with bitumen highlights 300-600 CE (Classic Period) Mexico, Veracruz, possibly Nopiloa Veracruz Culture Pre-Columbian, Mexico, Vera Cruz culture...

"Observador de Pajaros" 1950 By. Rufino Tamayo (Mexican, 1899-1991) Edition 83/210 Lower Right Signed Lower Left Unframed: 15.5" x 22.5" Framed: 21.75" x 28.25" Rufino Tamayo (August 26, 1899- June 24, 1991) A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria...

Pop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers o...

Listen measures 20 x 60 framed and is excellent condition. The elegant lithograph includes blue horse hair and tea stained paper, the unique use of mixed media is quintessential Dill...

Kiss Cross is a 2006 lithograph with brightly colored hand sewn elements by dynamic duo Ghada Amer and Reza Farkhondeh. Kiss Cross is from an edition of 25 plus artist and printers p...

"Performing Arts Center" lithograph of dancers and musicians by R. B. (Ronald Brooks) Kitaj from the "New York, New York" portfolio published by the New York Graphic Society. Signed ...

"The Guggenheim, 10 Independents" 1972 lithograph hand-signed Red Grooms AP inside figure of woman on bottom right corner of work. The work promotes the January 14 through February 2...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Göttingen, for Brancolinigrimaldi....