Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Francis Chapin
A ca. 1958 Lithograph Titled "Edgartown Harbor" by Artist Francis Chapin

ca. 1958

$680
$85020% Off
£522.17
£652.7220% Off
€599.02
€748.7720% Off
CA$955.48
CA$1,194.3520% Off
A$1,070.08
A$1,337.6020% Off
CHF 558.35
CHF 697.9420% Off
MX$13,070.53
MX$16,338.1620% Off
NOK 7,103.82
NOK 8,879.7720% Off
SEK 6,696.20
SEK 8,370.2520% Off
DKK 4,470.39
DKK 5,587.9820% Off

About the Item

A ca. 1958 lithograph titled "Edgartown Harbor" by notable artist Francis Chapin. Image size: 14 3/4" x 19 3/4". Archivally matted to: 22 1/2" x 26 1/2". Provenance: Estate of the Artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city. In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
  • Creator:
    Francis Chapin (1899-1965, American)
  • Creation Year:
    ca. 1958
  • Dimensions:
    Height: 22.5 in (57.15 cm)Width: 26.5 in (67.31 cm)
  • More Editions & Sizes:
    Archivally Matted to 22 1/2 x 26 1/2"Price: $750
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    See Photos.
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    Seller: #193471stDibs: LU2591212777522

More From This Seller

View All
A ca. 1958 Lithograph Titled "Edgartown Harbor" by Artist Francis Chapin
By Francis Chapin
Located in Chicago, IL
A ca. 1958 lithograph with applied pastel titled "Edgartown Harbor" by notable Chicago artist Francis Chapin. Image size: 14 3/4" x 19 3/4. Archivally matted to: 20" x 25 1/2". ...
Category

1950s American Modern Landscape Prints

Materials

Pastel, Lithograph

A ca. 1958 Lithograph in Colors Titled "Edgartown Yacht Club" by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A ca. 1958 lithograph in colors titled "Edgartown Yacht Club" by notable Chicago artist Francis Chapin. Image size: 13 1/2" x 20 1/4". Archivally matted to: 19 1/2" x 26". Prove...
Category

1950s American Modern Landscape Prints

Materials

Color, Lithograph

A 1964 Lithograph Titled "Afternoon Race, Edgartown" by Artist Francis Chapin
By Francis Chapin
Located in Chicago, IL
A 1964 lithograph titled "Afternoon Race, Edgartown" by notable Chicago artist Francis Chapin. Image size: 14 1/2" x 19 3/4". Archivally matted to 22 1/2" x 28". Provenance: Est...
Category

1960s American Modern More Prints

Materials

Lithograph

A Colorful 1950s Martha's Vineyard Harbor Scene by Noted Artist, Francis Chapin
By Francis Chapin
Located in Chicago, IL
A colorful harbor scene of Martha's Vineyard by noted Chicago Modern artist, Francis Chapin (Am. 1899-1965). A vibrant, blustery dockside view, with fishing and sailboats in the har...
Category

1950s American Modern Landscape Paintings

Materials

Canvas, Oil

Large Watercolor & Pastel Dock Scene of Martha's Vineyard by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A large & colorful ca. 1955 watercolor & pastel dock scene of Martha's Vineyard by notable artist Francis Chapin. Artwork size: 19" x 25". Archivally matted to: 24" x 30". Prove...
Category

1950s Modern Landscape Drawings and Watercolors

Materials

Paper, Pastel, Watercolor

A Large, 1950s, Oil on Masonite Painting of a Michigan Harbor by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A lovely summer day in a ca. 1950s Lake Michigan harbor, perhaps in Saugatuck, Douglas or at Oxbow! This is a large oil on Masonite painting by notable artist Francis Chapin that is...
Category

1950s American Modern Landscape Paintings

Materials

Masonite, Oil

You May Also Like

Harbor View - Original Lithograph by Paul Petit - Mid 20th Century
Located in Roma, IT
Harbor View is an original lithograph realized by Paul Petit in the mid-20th. Hand-signed. Numbered. Edition, 19/50 The artwork is depicted through confi...
Category

Mid-20th Century Modern Landscape Prints

Materials

Lithograph

Tranquil Harbor (Gloucester, Massachusetts) — 1950s Cape Ann Regionalism
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...
Category

1950s American Modern Landscape Prints

Materials

Woodcut

Provincetown, The Harbor, Lithograph by Laurent Marcel Salinas
By Laurent Marcel Salinas
Located in Long Island City, NY
Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Provincetown, The Harbor. Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 17.5 ...
Category

1980s Modern Prints and Multiples

Materials

Lithograph

The Harbor - Original Lithograph by Paul Petit - Mid 20th Century
Located in Roma, IT
The Harbor is an original lithograph realized by Paul Petit in the mid-20th Century. Hand-signed. Numbered, 48/112 The artwork is depicted through confid...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

Harbor View - Original Lithograph by Paul Petit - Mid 20th Century
Located in Roma, IT
Harbor View is an original lithograph realized by Paul Petit in the mid-20th. Hand-signed. Artist's proof. The artwork is depicted through confident stro...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

'Lobsterman's Wharf, Maine' original lithograph signed by "Zsissly" Albright
By Malvin Marr Albright
Located in Milwaukee, WI
'Lobsterman's Wharf, Maine' is an original lithograph signed by Malvin Marr "Zsissly" Albright. While Malvin Marr – along with his better-known identical twin Ivan Albright – was known for his meticulous and unsettling magic realist compositions, he and his brother were also prolific in capturing landscapes of the coast of Maine where the two spent several consecutive summers away from Chicago over their lives. Sometimes these Maine landscapes and views would be painterly and seemingly antithetical to the careful realism of his other work; but in this example, however, the wharf is treated with the same macabre decay as his human subjects. In the composition, the shack...
Category

1940s American Modern Figurative Prints

Materials

Lithograph