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Frank RomeroGold Chevycirca 2006
circa 2006
About the Item
This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist.
Cars are a frequent subject in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This is a signed and numbered print from the edition of 64.
Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha and Gilbert Lujan, helped to define and promote the new awareness of La Raza through murals, publications and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution.
Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed over 15 murals throughout Los Angeles, and was a key contributor to the 1984 Olympic Arts Festival with “Going to the Olympics,” a large scale mural which adorned one of Los Angeles’ busiest freeways (Highway 101). In 2012 he created a print of the same image, after the mural was painted over.
Romero has exhibited extensively in the United States, Europe and Japan. His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA.
- Creator:Frank Romero (1941, American)
- Creation Year:circa 2006
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU30828090482
Frank Romero
Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha and Gilbert Lujan, helped to define and promote the new awareness of La Raza through murals, publications and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed More than 15 murals throughout Los Angeles, and was a key contributor to the 1984 Olympic Arts Festival with “Going to the Olympics,” a large scale mural which adorns one of Los Angeles’ busiest freeways (Highway 101). Romero has exhibited extensively in the United States, Europe and Japan. His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA.
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PUBLIC COLLECTIONS (partial list):
The Fine Arts Museums of San Francisco,
Achenbach Foundation for Graphic Arts, San Francisco, CA
Long Beach Museum of Art, Long Beach, CA
Springville Museum of Art, Springville, UT
Tama Art University Museum, Tokyo, Japan
Cadence Corporation, San Jose, CA
Coopers and Lybrand, St. Louis, MO
George Lucas, Lucasfilms Ltd., San Rafael, CA
Utah State University, Logan, UT
Southwest Texas State University, San Marcos, TX
Warner Brothers, Los Angeles, CA American Express Assurance Co., San Rafael, CA
Johnson & Johnson, New York, NY
Time Warner, New York, NY
Cogent Data Technology, Inc., Friday Harbor, CA
Merrill Lynch, Cupertino, CA
Nordstrom, Seattle, WA
Lifescan, Inc., a subsidiary of Johnson & Johnson
Landor Associates, San Francisco, CA
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