Giulio Tomba

Virgin Mary Reading - Original Etching After Leonardo Da Vinci by Giulio Tomba

1st Half of 1800

Hieroglyphics Alphabets is an Etching realized by Domenico Klemi Bonatti in the 1850s. Signed on the plate. Good condition with folding and foxing on margins. Domenico Klemi Bonat...

Map of Forum Romanum is an original etching realized by Pietro Ruga 1849 ca. Good Conditions except fr being aged with some small cutaways. The artwork r...

Les Imprimeurs is an original etching realized by an unknown artist in the mid-20th Century. Good conditions. Numbered, edition 1/30. Hand-signed but illegible. The artwork is de...

Castle is an original lithograph realized by Denise Bonvallet-Philippon (1906-1994). Hand-signed on the lower margin. Image dimensions: 28.5x21.5 cm. Sheet dimension: 42 x 33cm. ...

Maria Elena Vieira da Silva - The Man - Original Handsigned Etching 1974 Handsigned and numbered Edition of 100. Dimensions: 33 x 22 cm

This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...