John Buck

Cannonball Creek

2017

Color woodcut, Edition 15. John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, ...

Color woodcut, Edition 15. John Buck has an unusual approach to making woodcuts, creating the woodblocks like giant wooden puzzles. The pieces can be lifted out and inked in various colors, reassembled and printed simultaneously. Also unique is his method of incising the characteristic signs, symbols and images which surround a central figure. In "Argosy", a large glass jar...

Color woodcut, Edition 15 John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, m...

Color lithograph, Edition 20. Susanne Kühn’s lithographs focus on an exploration of the concept of landscape drawing. Kühn imagines landscape as a threshold between nature and urbanism. The drawings and lithographs range from the depiction of architectural elements to seemingly more traditional landscape renderings. Kühn often reconstructs compositions derived from Northern Renaissance etchings...

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment, and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State University in 1995 and has completed commissions for clients as diverse as the National Endowment for the Arts, the United States Postal Service...

Figure and Creek is a unique contemporary print by Graham Fransella. The warm oranges starkly contrast the bold use of black lines and intersperse the monotone colour scheme - making...

Suzanne McClelland fuses painterly marks with linguistic elements, creating rhythmic canvases that explore both visual and written languages. McClelland often begins with poetic verses, names, or numbers that she weaves into the space of her canvas, though she is rooted firmly in a tradition of abstraction, placing her in conversation with figures such as Louise Fishman...