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Joseph Jacinto MoraIndians of North America 1936 by Jo Mora1936
1936
About the Item
Indians of North America 1936
Jo Mora
Lithograph
Paper size: 31 7/8 x 24 1/4 inches
Image size; 30 1/4 x 22 7/8 inches
These are the original lithographs from the Jo Mora Estate from Jo Mora Jr.
THESE ARE NOT REPRODUCTIONS!
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Joseph Jacinto Mora 1876 – 1947
Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker.
“Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes.
In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.”
Betty Hoag McGlynn
• Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg
Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists.
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Michael Collier has over 38 years of fine art expertise and framing design. A custom frame maker offering hand carved, gilded frames, finished in wood tones and gold & silver metal leaf. Michael has designed original signature frames for artists, museums and premier dealers across the United States. Michael is one of a few people in Arizona who has mastered the skill of hand dying mats and French Matting.
We provide custom picture framing services to designers, museums, galleries, artists, and private collectors. Custom picture and art framing, including original hand carved, gilded frames, mirror frames and special custom leather frames. All picture framing is done to archival standards with a specialty in hand dyed mats and french matting. Custom mirror frames in traditional, contemporary or western styles, designed to fit your home or business. Signature frames for Lon Megargee, Maynard Dixon, Ed Mell and Greg Singley.
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- Creator:Joseph Jacinto Mora (1876 - 1947, American)
- Creation Year:1936
- Dimensions:Height: 31.88 in (80.98 cm)Width: 24.25 in (61.6 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Phoenix, AZ
- Reference Number:1stDibs: LU2623215165902
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Located in Phoenix, AZ
Jo Mora's 1928 "Carte" of San Diego, Very Rare Pictorial Map
Size: 28 x 22.5 in (71.12 x 57.15 cm)
Every good condition for it's age
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Jo Mora, Evolution of the Cowboy 1933, from Jo Mora Estate
Located in Phoenix, AZ
Evolution of the Cowboy, 1933
Original Lithograph
Excellent condition, came directly from Jo Mora Jr.
Unframed!!
Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics.
This is an original lithograph from the Jo Mora Estate from Jo Mora Jr.
Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West".
Early life
Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey.
Jo Mora 1931 Yosemite map
Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald.
In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway".
In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed.
Career
In 1907, Mora wrote and illustrated the comic strip Animaldom.
In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work.
On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated.
In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9]
In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco.
Carmel-by-the-Sea
In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue.
Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel.
Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel.
Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas!
— Carmel Pine Cone
During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar.
Architect Robert Stanton...
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By Luis Jiménez
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Jose 1986
Color lithograph 23/30
23 × 34 in 58.4 × 86.4 cm.
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Located in Phoenix, AZ
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Till Goodan
Offset Lithograph
PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE
All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby.
Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches
The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company.
Tillman Parker Goodan 1896-1958
To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years.
After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy.
As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist.
In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts.
He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric.
By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl.
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