Items Similar to Heathrow, Abstract Grey Etching and Aquatint with Planes and Figures, 1973
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Julian TrevelyanHeathrow, Abstract Grey Etching and Aquatint with Planes and Figures, 19731973
1973
About the Item
Heathrow by Julian Trevelyan, 1973
Additional information:
Medium: etching and aquatint
58.4 x 78.1 cm
23 x 30 3/4 in
signed in pencil
Julian Trevelyan was an important British artist in the twentieth century.
The only child of Robert Calverley Trevelyan and his wife Elizabeth van der Hoeven, his grandfather was the liberal politician Sir George Otto Trevelyan and his uncle was the historian George Macaulay Trevelyan.
Trevelyan was educated at Bedales School and Trinity College, Cambridge, where he read English Literature. He moved to Paris to become an artist and enrolled at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned about etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso.
In 1935, Trevelyan bought Durham Wharf, a group of warehouses beside the River Thames in Hammersmith, London. The place became his home and studio for the rest of his life as well as a source of endless artistic inspiration. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, which was held at the New Burlington Galleries in London.
Trevelyan married Ursula Darwin, daughter of Bernard Darwin and great-granddaughter of Charles Darwin, but their marriage was dissolved in 1950. Their son is the film-maker Philip Trevelyan. It was in 1951 that he married the woman who became his most renowned collaborator and muse, Mary Fedden.
From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art. Between 1955 and 1963 he was tutor of engraving at the Royal College of Art, before rising to Head of the etchings department and becoming influential to many younger printmakers, including David Hockney and Norman Ackroyd.
In July 1986, Trevelyan was awarded a senior fellowship at the Royal College of Art and in September 1987 he was appointed a Royal Academician.
A Trevelyan retrospective, The Artist and His World, was held at Pallant House Gallery, Chichester in 2018.
His son has written a monograph on Trevelyan, 'Picture Language', published in 2013 by Lund Humphries.
- Creator:Julian Trevelyan (1910 - 1988, British)
- Creation Year:1973
- Dimensions:Height: 23 in (58.42 cm)Width: 30.75 in (78.11 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214580932
Julian Trevelyan
Julian Trevelyan was an important British artist in the twentieth century. The only child of Robert Calverley Trevelyan and his wife Elizabeth van der Hoeven, his grandfather was the liberal politician Sir George Otto Trevelyan and his uncle was the historian George Macaulay Trevelyan. Trevelyan was educated at Bedales School and Trinity College, Cambridge, where he read English Literature. He moved to Paris to become an artist and enrolled at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned about etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso. In 1935, Trevelyan bought Durham Wharf, a group of warehouses beside the River Thames in Hammersmith, London. The place became his home and studio for the rest of his life as well as a source of endless artistic inspiration. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, which was held at the New Burlington Galleries in London. Trevelyan married Ursula Darwin, daughter of Bernard Darwin and great-granddaughter of Charles Darwin, but their marriage was dissolved in 1950. Their son is the film-maker Philip Trevelyan. It was in 1951 that he married the woman who became his most renowned collaborator and muse, Mary Fedden. From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art. Between 1955 and 1963 he was tutor of engraving at the Royal College of Art, before rising to Head of the etchings department and becoming influential to many younger printmakers, including David Hockney and Norman Ackroyd. In July 1986, Trevelyan was awarded a senior fellowship at the Royal College of Art and in September 1987 he was appointed a Royal Academician. A Trevelyan retrospective, The Artist and His World, was held at Pallant House Gallery, Chichester in 2018. His son has written a monograph on Trevelyan, 'Picture Language', published in 2013 by Lund Humphries.
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2024
37 sales on 1stDibs
Typical response time: 23 hours
- ShippingRetrieving quote...Shipping from: Kingsclere, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSilo - Etching with Hand Colouring, Monochrome Abstract with Blue and Red, 1974
By Julian Trevelyan
Located in Kingsclere, GB
Silo by Julian Trevelyan, 1974
Additional information:
Medium: etching with hand-colouring
28 x 38 cm
11 x 15 in
signed, titled and numbered in pencil
Category
20th Century More Prints
Materials
Etching
Untitled (Small Etching J), 1979 - Geometric Abstract Print, White, Blue + Red
By Stephen Buckley
Located in Kingsclere, GB
Stephen Buckley b. 1944
Untitled (Small Etching J), 1979
etching and aquatint
28 x 24.2 cm
11 x 9 1/2 in
signed, and dated verso, edition of 40
Stephen Buckley is a British abstrac...
Category
1970s Abstract Prints
Materials
Etching, Aquatint
Untitled (Small Etching B), 1979 - Abstract Print with White, Green and Purple
By Stephen Buckley
Located in Kingsclere, GB
Stephen Buckley b. 1944
Untitled (Small Etching B), 1979
etching and aquatint
28 x 24.2 cm
11 x 9 1/2 in
signed and dated verso, edition of 40
Stephen Buckley is a British abstract ...
Category
20th Century Abstract Prints
Materials
Etching, Aquatint
Summer, from The Four Seasons, 1966 - Minimalist White Screen Print
By Richard Lin
Located in Kingsclere, GB
Summer, from The Four Seasons by Richard Lin, 1966
Additional information:
Medium: screenprint on TH Saunders paper
68.5 x 91 cm
27 x 35 7/8 in
signed, dated twice, titled and inscr...
Category
20th Century Abstract Prints
Materials
Screen
V by Kim Lim, 1991 - Minimalist Tonal Print, Beige, White, Neutral
By Kim Lim
Located in Kingsclere, GB
V by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Abstract Prints
Materials
Woodcut
Blues Dovetailed in Yellow, 1970 - Bright Colourful Abstract Screenprint
By Patrick Heron
Located in Kingsclere, GB
Patrick Heron was a painter, textile designer and writer on art.
He was born in January 1920 in Leeds, the son of T.M. Heron, founder of Cresta Silks and a Christian sociologist. Fr...
Category
1970s Abstract Prints
Materials
Screen
You May Also Like
Compression
By Will Barnet
Located in New York, NY
This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.
Category
1960s Abstract Geometric Abstract Prints
Materials
Etching, Aquatint, Lithograph
Demons Are Forever
By Harland Miller
Located in Washington, DC
Artist: Harland Miller
Title: Demons Are Forever
Medium: Etching with relief printing and extensive hand-finishing by the print studio
Date: 2024
Edition: 100
Sheet Size: 49 7/8" x 3...
Category
2010s Contemporary Abstract Prints
Materials
Etching
Etching XL, Hand-signed and numbered etching by Pierre Soulages, Print, 1996
By Pierre Soulages
Located in New York, NY
Pierre Soulages (1919–2022)
Etching XL, 1996
Etching on paper
16 ⅛ × 13 in (41 × 33 cm)
Edition of 100, signed and numbered in pencil
Etching XL is a powerful example from the final...
Category
1990s Abstract Geometric Abstract Prints
Materials
Etching
Study for Sculpture in the Form of an Inverted Q Above & Below Ground Oldenburg
By Claes Oldenburg
Located in New York, NY
Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975
Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper
14 × 11 in. / 35.2 × 28 cm
Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...
Category
1970s Pop Art Abstract Prints
Materials
Etching, Aquatint, Lithograph
Study for Sculpture in the Form of an Inverted Q Above and Below Ground
By Claes Oldenburg
Located in New York, NY
This work is a study for Inverted Q, a large sculpture that Oldenburg created after producing many sketches and small models. At the time he was experimenting with concepts of monume...
Category
1970s Pop Art Abstract Prints
Materials
Etching, Aquatint, Lithograph
Po th A a Vfb (Portrait of the Artist as Vogelfutterbüste) by Dieter Roth
By Dieter Roth
Located in New York, NY
P o th A a Vfb (Portrait of the Artist as Vogelfutterbüste) 1970
Plate 12.4 x 8.6 in. / 31.5 x 22 cm / Paper 30.7 x 21 in. / 78 x 53.5 cm
Intaglio printing (halftone block) in black ...
Category
1970s Abstract Abstract Prints
Materials
Etching