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Leon Rene PescheretChicago Water Tower, c. 1930s, Etching Aquatint, Framed, Cityscapec. 1930s
c. 1930s
$395List Price
About the Item
- Creator:Leon Rene Pescheret (1892 - 1971, American)
- Creation Year:c. 1930s
- Dimensions:Height: 20.625 in (52.39 cm)Width: 17.625 in (44.77 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Grand Rapids, MI
- Reference Number:1stDibs: LU2380212621732
About the Seller
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'Favourite Flowers' Limited edition book with signed aquatint 'Salpiglossis'
By Elizabeth Blackadder
Located in Llanbrynmair, GB
’Favourite Flowers (Salpiglossis)’
By Elizabeth Blackadder
A limited edition book of 100 copies specially bound for the Mercury Gallery. No 1 to 50 contain and original etching/aquatint 'Iris'. No 51 to 100 contain and original etching/aquatint 'Salpiglossis'. Each signed and numbered by the artist. All watercolours reproduced within the book by Elizabeth Blackadder and commentary by Deborah Kellaway.
Medium - Limited edition book with signed aquatint
Book Edition - 58/100
Print Edition - 8/50
Signed Book - Yes
Signed Print - Yes
Size Book - 234mm x 202mm
Size Print - 217mm x 187mm
Date - 1994
Published by Gillian Raffles. Mercury Gallery. Bond Street, London
Condition - Excellent. 10/10
Painter and printmaker, born Falkirk, Scotland. She studied at Edinburgh University and Edinburgh College of Art, 1949-54. In 1954 she was awarded a Carnegie Travelling Scholarship and visited Yugoslavia, Greece and Italy and was much influenced by Byzantine architecture and mosaics. In 1956 she married the painter John Houston with whom she has since travelled widely. Flowers, cats and small objects are often arranged perpendicularly across the paper or canvas.
Elected RSW in 1960, an Associate of the RSA 1963, an Associate of the RA 1971, RSA 1972 and RA 1976, she is the first woman to be elected both RA and RSA. Blackadder has exhibited at the Mercury Gallery, London, Marjorie Parr Gallery and abroad and is a member of the Scottish Arts Club. Her work is represented in Aberdeen University, Bolton Art Gallery, Brighton and Hove Museums and Art Galleries, City Arts Centre, Edinburgh, Fleming Collection, Glasgow Print Studio, Gracefield Arts Centre, New Hall College, Cambridge, Otter Gallery, Reading Art...
Category
Late 20th Century Contemporary More Prints
Materials
Color, Etching, Aquatint
$714 Sale Price
20% Off
H 7.96 in W 9.22 in D 0.63 in
'Favourite Flowers' Limited edition book with signed aquatint 'Iris'
By Elizabeth Blackadder
Located in Llanbrynmair, GB
’Favourite Flowers (Iris)’
By Elizabeth Blackadder
A limited edition book of 100 copies specially bound for the Mercury Gallery. No 1 to 50 contain and original etching/aquatint 'Iris'. No 51 to 100 contain and original etching/aquatint 'Salpiglossis'. Each signed and numbered by the artist. All watercolours reproduced within the book by Elizabeth Blackadder and commentary by Deborah Kellaway.
Medium - Limited edition book with signed aquatint
Book Edition - 58/100
Print Edition - 8/50
Signed Book - Yes
Signed Print - Yes
Size Book - 234mm x 202mm
Size Print - 217mm x 187mm
Date - 1994
Published by Gillian Raffles. Mercury Gallery. Bond Street, London
Condition - Excellent. 10/10
Painter and printmaker, born Falkirk, Scotland. She studied at Edinburgh University and Edinburgh College of Art, 1949-54. In 1954 she was awarded a Carnegie Travelling Scholarship and visited Yugoslavia, Greece and Italy and was much influenced by Byzantine architecture and mosaics. In 1956 she married the painter John Houston with whom she has since travelled widely. Flowers, cats and small objects are often arranged perpendicularly across the paper or canvas.
Elected RSW in 1960, an Associate of the RSA 1963, an Associate of the RA 1971, RSA 1972 and RA 1976, she is the first woman to be elected both RA and RSA. Blackadder has exhibited at the Mercury Gallery, London, Marjorie Parr Gallery and abroad and is a member of the Scottish Arts Club. Her work is represented in Aberdeen University, Bolton Art Gallery, Brighton and Hove Museums and Art Galleries, City Arts Centre, Edinburgh, Fleming Collection, Glasgow Print Studio, Gracefield Arts Centre, New Hall College, Cambridge, Otter Gallery, Reading Art...
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H 7.96 in W 9.22 in D 0.63 in
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
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Early 19th Century Naturalistic Still-life Prints
Materials
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$3,975
H 25.75 in W 22.5 in D 1.13 in
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving, Aquatint
$8,975
H 25.75 in W 21.5 in D 1.13 in
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
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$9,575
H 29.57 in W 25.57 in D 1.25 in
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Early 19th Century Victorian Interior Prints
Materials
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$775
H 23.25 in W 20.88 in D 1 in
Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
By Samuel Howitt
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
$140
H 7.09 in W 9.06 in
Mamalukes Exercising the Spear, aquatint engraving hunting print, 1813
By Samuel Howitt
Located in Melbourne, Victoria
'Mamalukes Exercising the Spear'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...
Category
Early 19th Century Naturalistic Animal Prints
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$140
H 7.09 in W 9.06 in
Capture of the La Vengeance, 1800. English Regency naval colour aquatint, 1816
By Thomas Whitcombe
Located in Melbourne, Victoria
Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824)
'Capture of the La Vengeance, Aug 21st, 1800'
Colour aquatint engraving from 'The N...
Category
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Materials
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$480
H 8.47 in W 11.82 in
Holy Thursday, Surrealist Aquatint Etching by Tighe O'Donoghue
Located in Long Island City, NY
Holy Thursday
Tighe O’Donoghue, American (1942–2023)
Date: circa 1978
Etching with Aquatint, signed and numbered in pencil
Edition of m 2/10
Image Size: 14.5 x 17.75 inches
Size: 22 ...
Category
1970s Folk Art More Prints
Materials
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View AllEarth Woman, Cresent Moon, Serpent, Surreal, Unusual , Planetary, Terrestrial
Located in Grand Rapids, MI
Ruth Zachary (American/Michigan)
Signed: Ruth Zachary (Lower, Right)
" Earth Woman ", circa 1970s
Etching in Colors
Numbered: 28/30
Plate Size: 11 1/2" x 8 3/4"
Overall Size: 2...
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Archipel Sauvage IV
By Joan Miró
Located in Grand Rapids, MI
Joan Miró (Spanish, 1893-1983)
Signed: Miro (Lower, Right)
" Archipel Sauvage IV ", 1970 (Titled on Verso)
Etching Aquatint Printed in Colours
Numbered: 22/35
Sheet Size: 29 5/...
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The Dentist, 1806, Engraving, British Satirical Caricature, Dental, English
Located in Grand Rapids, MI
Attributed to Alfred Mills (English, 1776-1833)
" The Dentist ", 1806
Hand Colored Engraving
Published by Bowles & Carver
Sight Size: 6 3/4" x 8 5/8"
Overall Size: 14 3/4" x 15 3/4"
Light foxing to the print as well as the matt, losses to the frame.
A light social satire depicting a society dentist extracting a tooth from the mouth of a distressed young lady in an elegant drawing room, while two uniformed attendants and a young gentleman hide their sniggers and smirks at the comic verse below that, for all the dentist’s vast wealth, ‘Like many more twixt North and South, He does but live from Hand to Mouth’.
**Please check my other listings for MORE SATIRICAL DENTAL prints...
Category
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$637 Sale Price
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Le Courrier Français Illustré / Dans Tous Les Kiosques, Art Nouveau Lithograph
By Adolphe Willette
Located in Grand Rapids, MI
Adolphe Leon Willette (French, 1857-1926)
"Le Courrier Français Illustré / Dans Tous Les Kiosques"
English translation: "The Illustrated French Courier / In All Newsstands"
Le Cou...
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Ten O'clock in Taxco, Mexico
By Reynold Weidenaar
Located in Grand Rapids, MI
Reynold Weidenaar (American, 1915-1985)
Signed: Reynold Weidenaar (Lower, Left)
" Ten O'Clock in Taxco "
Etching and Aquatint
Plate Size: 17" x 13"
Housed in a 1 1/8" Black and...
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$1,920 Sale Price
20% Off
St. John's Chapel, Varick Street, New York City, 1909 Etching, NYC History
Located in Grand Rapids, MI
William Walworth Stilson, (American, 1874-1962)
Signed: Walworth Stilson, (in pencil, lower, right) & Walworth Stilson, (in the plate, lower, right)
" St. John's Chapel, Varick Street, New York City ", (copyright 1909, in plate, lower, left)
Etching on wove paper, on loose sheet, a strong impression in good original condition with full margins. Museum matting & backing included.
Plate Size: 8 5/8" x 6 1/2"
Sheet Size: 13 3/4" x 10 7/8"
Built as a chapel in the Episcopal parish of Trinity Church (Manhattan), in 1803, its spire rose 214', (See Wikipedia), The structure was torn down in 1918.
A famous early landmark of the city.
A brief biography of this artist will be included with this etching.
***Please View my other listings for more by Stilson***
Artist Biography:
The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art.
Stilson’s father, William Bostwick Stilson, was born in New Milford, Connecticut on September 30, 1842, and worked as a civil engineer. His mother, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851. The two were married August 4, 1869. The couple resided in New Milford, where a son, Jay Alvord, was born April 24, 1870, a daughter Mabel Louise was born March 11, 1872, and William Walworth was born July 29, 1874. The family moved to Jackson, Michigan circa 1882, where the father worked for the Michigan Central...
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